The Nerd Who Reads Novels

academy

adventurer's guild

alchemist

apiary

apothecary

aquarium

armory

art gallery

bakery

bank

barber

barracks

bathhouse

blacksmith

boathouse

book store

bookbinder

botanical garden

brothel

butcher

carpenter

cartographer

casino

castle

cobbler

coffee shop

council chamber

court house

crypt for the noble family

This is a much-talked-about topic. So, rather than going the traditional pros-and-cons route, I’m going to give you some advice on which factors to consider when making your decision:

1. First thing’s first: what’s the difference?

Self-publishing a book means that you are putting it out there on your own - no publishing house and no literary agent. You will be in charge of every aspect - editing, proofreading, marketing, the book launch, cover design etc.

Traditional publishing means that your book has been purchased by a publishing house and that said house is responsible for getting your book out into the world. This process also usually entails being represented by a literary agent.

2. Factor: Your knowledge base

Few writers are writers only, which means that you might have a particular set of skills or a vast array of knowledge in an area that could assist you in one of these publishing routes.

Knowledge needed for self-publishing: some business knowledge, knowledge of the entire process needed to publish a book, knowledge of self-publishing platforms etc.

Knowledge needed for traditional publishing: knowledge about the publishing industry - about literary agents and publishing houses, about what to look out for in contracts, about querying and going on submission etc.

Keep in mind that this knowledge can be acquired. It doesn’t have to be something you already possess. But the type of studies/research you do will be determined by the route you choose to take.

So, if you majored in an area of business, if you worked for a publisher for years etc., you already have a good foundation for self-publishing.

If you’re like me and you’ve been researching the industry since you were 15 (and have a law student’s knowledge of contracts), your skills may assist you better in traditional publishing.

So, think about the type of knowledge you have/would be able to acquire.

Keep in mind: marketing knowledge is applicable and needed for both routes.

3. Factor: Budgetary concerns

We’re not all in the same financial situation. I know it’s not fun to talk about money, but it does play a significant role in publishing.

With traditional publishing, you will have to spend money on marketing. Furthermore, if you hire an editor/critique service in order to polish your manuscript before you query, that’ll cost you a few bucks too.

However, self-publishing requires a lot more money. You need to pay a cover designer, critique service, editor, proofreader, formatter etc.(there are often packages to this effect) And you will have to pay for marketing as well. If you use platforms like CreateSpace or IngramSpark, you don’t have to pay for the printing itself, since it’s print-on-demand.

This consideration isn’t about whether you have bags of money just waiting to be used. It’s about whether you have the financial and personal capacity to save the money you need (and whether you can budget well). Calculating how much you need to save each month in order to self-publish and sticking to that calculation will be necessary for the self-publishing route (unless you have quite a few dollars lying around).

So, if you are on a VERY tight budget (like me as a student) or know that you are absolutely horrible at sticking to your saving goals, consider trying the traditional publishing avenue.

HOWEVER, the income you receive from the published product must also be kept in mind. With traditional publishing, authors get a (relatively small) advance and then a small percentage of the sales as royalties (12% is generous where I’m from). Since the publisher paid for everything, they also get most of the profit. With self-publishing, you get the biggest percentage of the sales revenue (some of it will go to the printing and distributing platform). 

4: Factor: Your personality/preferences

Are you a very versatile person? Would you like spending your time on various different aspects of the publishing process? Do you need control of every aspect of your book baby’s release into the world? Are you good at managing projects? Can you be difficult to work with? Are you excited by the idea of paving your own way and ignoring industry stigmas? Are you great at sticking to self-imposed deadlines? Then you’re probably more suited to the world of self-publishing.

Do you want to focus on writing (and marketing) and not really the other stuff? Are you okay with relinquishing some control? Do you work well with others? Does prestige matter to you? Does the idea of managing a big project alone give you the jitters? Then your personality might work better for traditional publishing.

Please don’t think that this is set in stone. I’m not trying to place anyone in a box. This is just another factor you can take into account when making your decision.

5. A decision doesn’t bind you for life

You can be a hybrid author. If you’ve decided to pursue traditional publishing, you can always switch to self-publishing later once you’ve made a name for yourself. If you’ve already self-published one (or a few) books, nothing prevents you from querying agents for a different project and going the traditional route. (In fact, having self-published books might count in your favour.)

So, it is an important decision, but it isn’t set in stone.

I hope that this is helpful. If you have any questions, head over to my asks. And if you want to request a writing advice post, don’t be shy.

American Shorthair Knight

Abyssinian Bard

Norwegian Forest Cat Shaman

Persian Scholar

Bombay Assassin

Sphynx Fighter

Scottish Fold Warrior

Bengal Archer

Turkish Angora Healer

Maine Coon Berserker

Siamese Magician

Russian Blue Thief

Kyoung Hwan Kim - Army of Wool

That said, I'm pretty proud of my new shelves!

The scene where Matilda was dancing around her living room making things fly around to the song “Little Bitty Pretty One” was very nerve-wracking for Mara. She told Danny that she was anxious to do the scene, and he said, “You know why? Because you’re the only one dancing! We just have to have everyone else dance too! Then it won’t be scary!” 

So everyone–the crew, the rest of the cast, the people at the craft services table, everyone–danced along with the song, at Danny’s insistence. Apparently the only one who wasn’t doing the full on dance was the camera man, who just did a foot shuffle so the camera wouldn’t jiggle. 

My favourite things about Scrivener

1. Navigation. You can see all your chapters, scenes, character & setting planning at one glance and switch between them very easily - compared to scrolling up and down in one long word processing document. Every file can also be a folder, so you can have collapsible items underneath it.

2. Word count targets. The “Project Targets” are particularly useful for NaNoWriMo so you don’t have to keep looking back at the website to see how you’re doing for the day, but more so outside of it, when you want to keep yourself working to a target but don’t have Nano’s charts and daily word counts. It also gives you a nice ding when you hit your session target.

3. How many pages? I only recently discovered this, but it’s very nice to be able to see in Project Statistics approximately how big your manuscript would be in pages without worrying about formatting. 

4. Outlining. Scrivener has two methods of outlining - one is Corkboard, which is exactly what it sounds like, a digital corkboard with notes pinned on it that represent your chapters/scenes with their summaries. The screenshot above is called ‘outliner’ and lists collapsible chapters/scenes with various statistics you can select as shown in the tick menu. Generally I prefer Corkboard, but Outliner is useful if you just want to see everything in a clear order. 

5. Full screen. I get distracted very easily when writing, so the full-screen writing mode is wonderful for me to avoid that - but you can still choose certain windows from the normal Scrivener view to show up. I have my targets and my summary, so I can stick to my plan when I’m writing and also see what progress I’m making.

6. Notes. No screenshot, but it’s a simple post-it note style box to the side of every document (chapter, scene, character etc.) that allows you to add notes. This may sound very simple, but it’s far more useful than I’d expected. During NaNoWriMo when I’m not meant to be editing at all, but I know something needs fixing, I will jot down something in the side like ‘Take out the horse’ so that when I go through again to edit I know exactly the things to focus on immediately but which would have taken too much time before. It’s linked to the scene so I don’t just have a pile of notes in one document at the end and then have to work out where it needs fixing.

Overall

I downloaded Scrivener for the first time two years ago, and now I can’t imagine working without it. It’s so nice to have the planning and the writing all combined into one place where I can easily switch between the two. I haven’t yet got as far in a novel created in Scrivener to use the compile features so I can’t comment on those, but so far all my experiences of it have been good.

One thing to note is that if transferring project between a Windows and a Mac version of Scrivener, it’s generally best to zip the file first.

That other post seems to be for people with money. But you don’t have money. So what do you actually need for your first apartment?

A bed. Not an air mattress. Not a blanket fort. Not a mattress pad with a fitted sheet over it. An actual bed. You’re going to try to avoid it, especially if you live in a city where bed bugs mean not buying a mattress from Craigslist. Beds cost money (unless you can take the one from your childhood bedroom, in which case, do that and use the couch when you visit home). But fuck it, you need one. If you’re desperate, you might go with a futon, but the futon you can afford will break with the quickness. You might also go with a mattress on the floor, which seems like a good idea until it suddenly seems really dirty, which is because mattresses need air flow to stay dry and sanitary. If you don’t have a box spring and don’t want to drop the $40 on a cheap bed frame, you can use these guys to build a platform, and if you find plastic drawers the same height, you can even build some storage in there.

A dresser. You will try to find a way around this. It will end up with your floor covered in clothes within a week. Just find a dresser on Craigslist or go to your local auction (a great place to find cheap furniture in general). And don’t buy a cheap dresser to build yourself from K-Mart or Wal-Mart, because it will break and it will likely be more expensive than a Craigslist/auction dresser anyway.

A TV. It doesn’t have to be new or huge or advanced. But you want a TV. Don’t try to skip the TV for something more trivial. You’ll regret that quick.

A couch. Specifically, an old, comfortable couch. One you don’t mind falling asleep on or letting guests sleep on. Don’t spend a lot of money. Couches will find you. Don’t overthink it. It’s your first apartment. Nobody expects you to have a perfectly curated adult home. Just get a comfy fucking couch. And if you get two, you can use cinder blocks to make stadium seating in your living room!

A table. You will ruin it, so get a shitty one. Learn your lessons on something cheap and disposable.

A full(ish) kitchen set. If these things don’t appear from your parents or your roommates’ parents, you need to buy a pot and pan set, silverware, a silverware organizer, at least one sharp knife (and let’s be honest, you’re gonna want a knife block and they’re only like $11), at least one mixing bowl, a colander, a cutting board, a couple of storage containers, plates, bowls, glasses, and mugs. You’ll figure out what else you need as you need it, based on your own kitchen habits. A lot of this can be picked up at the dollar store if you have one near you. And if you don’t bake often, disposable baking pans are your friend. 

Hand soap, dish soap, wash-your-ass soap. Nobody likes poor hygiene. You also need toothpaste and floss. And deodorant.

Flashlight and candles (nothing fancy). In case something goes wrong.

A plunger. In case something goes really wrong.

A toilet brush. Your momma probably never let the toilet form rings (or let you let that happen), so it might come as a shock how quickly and easily those shits form.

A shower curtain and liner. Or even just the liner. Don’t get the floor wet.

Sponges. You have no idea how many sponges you’ll need.

When buying used furniture: look in the cracks and under the edges for pin-sized brown/black spots. Bedbugs are tiny and they live in upholstery and any wood with enough crevices to allow it. You almost certainly won’t be able to see the bugs themselves, but they leave little spotted trails along seams and in places that don’t see a lot of light. You cannot get them out of furniture; it’s not worth the extreme measures it takes to do it.

Also, don’t forget laundry detergent and a rubbish bin and bin liners. Rubbish, laundry, and dirty dishes are 90% of the mess in a messy home and 99% of bad smells. Keep up with them and your home will always be at least clean-ish.

This is a homebrew I’ve been working on since Matt Mercer mentioned that the Tortle bard Orly could do magical tattoos, and I’m thrilled to finally share it! The rules here are a preview for a larger tattoo ruleset, which will include:

30+ unique magical tattoos

Metallic, elemental, and jeweled inks

Background and feats

A new wizard school (School of Arcane Inks)

3 tattooist NPCs and 2 locations

Ideas for creating your own tattoos

That’ll be available on my Patreon in a week or two! As a tease, here’s a tattoo that’ll be included in the pack. Perfect for rogues or dex-based fighters, costs around 2500gp:

Not in the “plunged into the fires of Mt. Doom” sense. 

Artifact repatriation.  The heroes work for an international commission aimed at reversing centuries of plunder.  Oh, sure, the adventurers of yesteryear may have had solid reasons for looting the Ancient Tomb of the Noonday King, but those justifications have passed, and the Noonday King’s regalia really should be returned home, not sitting in a foreign adventurer’s ancestral manor.

Possible adventures include:

Archaeologically respectful dungeon crawls, aimed at returning items to original context if possible

Consulting and cooperation with host museums in native cultures to provide security and academic collaboration

Liberating artifacts from foreign collections, if imperial governments or plutocrats or nobles initially refuse to return them

Realizing that an ancient conspiracy is modifying paperwork and falsifying academic reports to turn the repatriation committee into a MacGuffin delivery service for an ancient lich-king

Croatia steals three county’s shares of the waterfront on the Adriatic Sea.

Lesotho is literally encircled by the country of South Africa on all sides.

Chile spans half the length of a continent but it’s the width of the world’s largest needle.

Half the fucking globe is a peninsula on top of a peninsula, reaching for a damn island.

Except those islands, everything connects to something else.

The Chronomancer was the first homebrew class I ever did, and still one of my favorites. It has been extensively playtested, and runs well even for relatively inexperienced players. The subclasses are each based around different theoretical views of time and time-travel, and provide a lot of unique options you cant find in other classes.

The Previews here are missing several pages, for the full PDF check out the full class using this handy dropbox link.