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English is tough, though it can be understood throughout through thorough thought.
WHAT THE FRIDGE!!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Aaaaaa I stayed till 6am doing homework and now my body feels weird! My leg already cramped twice and my arm wants too… I’m stuck on bed… someone save me! !!
-DRAMATIC swoop to save you and falls asleep-
I was on my second day of staying up... thought I knew what my body could handle *twitch
<3 feeling happy drawing
I told him I wouldn’t throw the stick anymore because playtime was over. Source
THROW THE STICK YOU MONSTER

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everyone watching you fight mettaton on tv
For Flute, Violin, Cello and Piano
Recorded 15th May 2015
https://plus.google.com/117855018285535221475/posts
Blue Sail, Hans Haacke, 1964-1965, installation, chiffon, oscillating fan, fishing weights, and thread, Cologne Germany, now in San Francisco Museum of Modern Art, San Francisco, Conceptualism.
The Blue sail is a very famous installation works by Hans Haacke. Which has been installed in many exhibitions. It has a sense of poetism within it as it is a flowing piece of chiffon that spreads a sense of rhythm and calmness to the viewer. The piece of chiffon measures approximately ten feet square that has been suspended on a fishing line and further put into the sailing action by being placed over an oscillating fan. His notes about the blue sail very clearly speak of his style. “ If wind blows into a light piece of material, it flutters like a flag or it swells like a sail, depending on the way which it is suspended. The direction of the stream of air, as well as its intensity, determines the movements. None of these movements is without an influence from all the others. A common pulse goes through the membrane.” (Glahn 148-150)
Although, the perceiver can look at the aesthetics of this piece and record it visually as something very picturesque it was very different to what Haacke thought of it. He believed that these could be compared to traditional sculpture which is being partnered with the viewer rather than being controlled by his whims. He also believed in the repositioning of the artist through the interrelating elements. To me this piece is a conversation between the elements such as human beings and one of the elements of nature, here being air or wind that is placing movement in a materialistic thing such as the blue chiffon cloth. It is very conceptual in its meaning as I perceive conceptualism as a conversation that is nonverbal but yet on going.
A quote that I recall for this particular piece is : “Of all the conceptualist artists working today, Haacke is the one who best understands how art bullies the viewer.” (“Slate”)
Glahn, Philip. Estrangement and Politicization: Bertolt Brecht and American Art, 1967–1979. Art History Department, City University of New York.: ProQuest, 2007. 148-150. Print. <http://books.google.com.hk/books?hl=en&lr=&id=-o7IQr3DqhMC&oi=fnd&pg=PR2&dq=Blue Sail- Hans Haacke &ots=MYUVRxgEuZ&sig=KsYqSZzm8-hL18hmkeYMX1qdfOU&redir_esc=y>
“Hans Haacke: Art or Punditry?.” Slate. 16 Mar 2000: n. page. Web. 15 May. 2013. <http://www.slate.com/articles/news_and_politics/culturebox/2000/03/hans_haacke_art_or_punditry.html>.
(via https://www.youtube.com/watch?v=HruHSPm-jYk)
Convulsion of nearly living cells. Rhythmic patterns suffocating before they reach the surface.

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Strange Machines (2014) by Sam Melnick
Cycle Song (2015) by Sam Melnick
It is hard to explain exactly what makes Scriabin’s music so compelling: far easier to explain why his music is not for everyone. It is the music of excess, ecstasy, tumult and passion. It is excessive, overripe, decadent, heavily perfumed, languorous and frenzied, lacking in structure and sometimes downright bizarre. The music of extremes, it is hyper everything, and as such it defies description or categorization. Its language is complex, often atonal and frequently almost impenetrable. For some listeners, and artists too, it is this “over-the-top-ness” that is off-putting; for others, myself and my concert companion included, it is this sense of excess and rapture that is so compelling.
Frances Wilson (via sonateharder)
Mozart is a garden, Schubert is a forest in light and shade, but Beethoven is a mountain range.
Artur Schnabel (via
sonateharder
)
And Boulez is a glove dropped on the floor of the modern art gallery
(via gay-440)
Boulez is like a Jackson Polluck painting, abstract complexity. A glove on the floor in a modern art gallery is an example of Dadaism, which follows John Cage much more than Boulez.
(via samelnicomposer)
Sample stuttering, deranged birdsong in everlasting choir and microscopic membranes that twitch in the night.
A month of smaller compositions and the techniques that came from it gave sufficient material to complete this. As well giving ground to work on the next.
Hope you enjoy!

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(via https://www.youtube.com/watch?v=LEJwFKUiKBA)