Hiromu Arakawa’s genius is obvious throughout all of FMA but her first and biggest leap of genius was in how she crafted her protagonist. 

When we were children, my sister had private music lessons at her violin teacher’s house. I only visited there once, but I still remember that afternoon. The teacher had an artificial pond in her yard, a large beautiful thing with lily pads and plant life. And in the pond, there were goldfish. I had never seen such enormous goldfish. 

Reblogged again for this drawing I made for it

@habken made art on some old man Grace and I made a dumb little comment saying that Eridian scientists would need to find a way to replicate that old person candy. Then I was graced with this comment by @uhmimpostingart :

“Leonard Nimoy, who played the most famous TV scientist of all time, Mr. Spock, came from an arts and theater background and in real life is nothing like his character. Yet he told me that because Mr. Spock and “Star Trek” have inspired so many young viewers to become scientists, researchers who meet him are always desperate to give him lab tours and explain the projects they’re pursuing in peer-to-peer terms. Mr. Nimoy nods sagely and intones to each one, ‘Well, it certainly looks like you’re headed in the right direction.’”

Omg I love this piece. Grace the hanging man, content with his life but cannot avoid the changes coming; the ship his noose, the rope that binds him to his fate; the blood red stars beside him, Olesya and Yáo the angels haunting him in the background. Eva Stratt, the one who holds it all on her back, the world is literally on her shoulders, the Petrova line on her neck. She will not falter, cannot afford to move, and yet still she glares at us. Eva challenges us, daring us to ask if we could do better, if we could hold her burden for even a fraction of the time.