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mossbawn

people on here are always saying “we NEED a story where the art of storytelling is abandoned” like ugh literary devices are soo annoying like that wouldn’t happen in real life that only happened to further the story (why is there story in my story) why would orpheus turn around when he was explicitly told not to why would icarus fly so close to the sun romeo&juliet catcher in the rye why are they so earnest why pour your heart and soul into anything why bother why cant all art be quippy logical monotony like my marvel movies there’s a void in my heart bc i refused to fill it and the curtains were blue

mossbawn

“i hate poetry its so pretentious” but then you reblog a quote or a throwaway line and say “why does this go so hard” you are desperate for poetry you are starved for it and u dont even realise you’re hungry

loucifersbitch

if you need me, i’ll be sobbing on the floor. humans, man

fishandshesmygills

love the word lackluster. well it sucks because it’s not shiny

zzoupz

ravenfleesfire

random-brushstrokes

Leonid Pasternak (Ukrainian, 1862–1945) - The Torments of Creative Work

caressthosecheekbones

oh leonid, we're really in it now

wintersmitth

Leonid, you really understand it.

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theoptia

Hélène Cixous, from The Laugh of the Medusa

Text ID: By writing her self, woman will return to the body which has been more than confiscated from her, which has been turned into the uncanny stranger on display-the ailing or dead figure, which so often turns out to be the nasty companion, the cause and location of inhibitions... / Censor the body and you censor breath and speech at the same time. / Write your self. Your body must be heard.

manicpixiedckgirl

theaudientvoid

There are multiple chapters that are set in hospitals where the characters are attempting to recover from injuries that never fully heal. I must once again stress that my experience in WWI was perfectly normal.

lonequixote

My brain hums with scraps of poetry and madness.

— Virginia Woolf

bitesizedpoetry

Sylvia Plath, aged 26, NOTEBOOK, from "The Unabridged Journals of Sylvia Plath" (dated January 20, 1959)

skribblegurl

some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.

heywriters

I couldn't remember the word "doorknob" ten minutes ago.

bumblewyn

ok but the onelook thesaurus will save your life, i literally could not live without this website

breelandwalker

REBLOG TO SAVE A WRITER'S LIFE

myfairkatiecat

LIFE SAVED

REBLOGGING TO SAVE ANOTHER WRITERS LIFE

sirowsky

I use this every time I sit down to write. It's the best tool in the world and I would be lost without it!

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lamignonette

571rr-deactivated20251227

I talked with someone who works in book publishing, and they mentioned they get a lot of AI slop these days. I asked how they know what's human-written, and they said that there's one thing that will reveal AI slop without error, and that's the author not knowing their own creation.

A real author can talk about their story for hours. They love to elaborate every character, every twist, every detail. Because those existed in their head long before they ever made it to the paper. They were loved before they were written.

AI slop wasn't. It was just vomited into existence.

Someone who generates their story with AI will never bond with their story the way real writers do. That's why they may not know what to say when they're asked why did the character do this, or even remember the scene in the first place. It's something they read, not something they wrote. And to a writer, those are not the same.

There's a unique bond between the creator and the creation. If your writing doesn't come of you, you'll always lack that.

I keep hearing soon we won't be able to tell. And perhaps, in a superficial sense, that's true. But there is a difference. It's not em dashes or repeated words. It's whether the story was made by someone who loves it and cares about it.

If the writer's eyes light up when asked why did the character do that? and they start their very own Ted Talk about that specific scene...

then it's real.

sourdough-seal

"why did you stop writing your story!!! never stop writing!!!!!!!!!!!" well you see the character had to drive one mile to a new location and the sentence "she got into the car" was quite simply my undoing

kitchen-light

“the poem begins not where the knife enters but where the blade twists.”

— Hanif Abdurraqib, from his poem ‘The Prestige’, published at Poets.Org

a0ra

"What makes Heroic? — To face simultaneously one’s greatest suffering and one’s highest hope."

- Friedrich Nietzsche

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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the-youthclub

Monika Gora: 'A Drop of Light' (1998)

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Life is beauty, Life is art