Hello there. My name is Dennis, and I am the Adult Services Librarian at Maring-Hunt Library in Muncie. If youâve been following this tumblr for a while, you know that this year Iâm doing the 365 Film Challenge. In 2015, Iâll watch 365 never-before-seen-by-me movies, and here we are at the end of my cinematic journey. I had already completed the challenge by the start of December, but I thought that I could end it with an even 400 movies, so thatâs what I did.
 It occurred to me that since Iâm a librarian, I should talk a little about how you can find these movies (and others). After all, thatâs my job! I have personal subscriptions to both Netflix and Hulu, and indeed about 220 of the 400 films came from one of these 2 sources. Hulu, while known mostly for its TV offerings, has an outstanding film library. They have a whole section on Criterion movies; any film buff knows all about the Criterion movie releases. Basically, they package and release very nice DVD and Blu-ray editions of foreign, art, and classic movies. I also found Youtube very helpful. One can find an amazing array of material on there. On Youtube, just search for â_____ full movieâ. Or you can also search for them as â_____ full movie English subtitlesâ. If itâs a foreign movie, you may have to play around with the built-in captioning settings to get the subtitles. It works more often than youâd imagine. Also, when looking for what movies to watch, I did various Google searches for specific types of movies. Examples might be: âBest films from the 1940sâ, âBest films from Australiaâ, âBest film Westernsâ, âBest short filmsâ, etc. Someone somewhere has already compiled lists like this, and after comparing 2 or 3 different lists, and specific titles start appearing again and again, you can safely assume the movie is worth your time. And of course, I utilized the film collection here at Muncie Public Library. We have an impressive variety of movies for you to check out.
 So then, the final batch of my 2015 Film Challenge is:
 374. Intolerance â 1916, D. W. Griffith, USA
375. Murielâs Wedding â 1994, P. J. Hogan, Australia
376. Waste Land â 2010, Lucy Walker, JoĂŁo Jardim & Karen Harley, Brazil
377. Black God, White Devil â 1964, Glauber Rocha, Brazil
378. The White Reindeer â 1952, Erik Blomberg, Finland
379. Three Times â 2005, Hou Hsiao-Hsien, Taiwan
380. Before Sunrise â 1995, Richard Linklater, USA
381. Before Sunset â 2004, Richard Linklater, USA
382. Before Midnight â 2013, Richard Linklater, USA
383. 7 Boxes â 2012, Juan Carlos Maneglia & Tana Schembori, Paraguay
384. Mother Joan of the Angels â 1961, Jerzy Kawalerowicz, Poland
385. Ali: Fear Eats the Soul â 1974, Rainer Werner Fassbinder, West Germany
386. Elevator to the Gallows â 1958, Louis Malle, France
387. Capricious Summer â 1968, JiĹĂ Menzel, Czechoslovakia
388. Umkhungo â 2010, Matthew Jankes, South Africa
389. Printed Rainbow â 2006, Gitanjali Rao, India
390. Witness â 1985, Peter Weir, USA
391. Osama â 2003, Siddiq Bartak, Afghanistan
392. Star Wars, Episode VII: The Force Awakens â 2015, J. J. Abrams, USA
393. Two Days, One Night â 2014, the Dardennes, Belgium
394. Solaris â 1972, Andrei Tarkovsky, USSR
395. Viva Cuba â 2005, Juan Carlos Cremata, Cuba
396. The Secret in Their Eyes â 2009, Juan JosĂŠ Campanella, Argentina
397. A Christmas Carol â 1938, Edwin L. Marin, USA
398. The Street Fighter â 1974, Shigehiro Ozawa, Japan
399. The Substitute â 1961, DuĹĄan VukotiÄ, Yugoslavia
400. Dial M for Murder â 1954, Alfred Hitchcock, USA
 It would seem that the library doesnât own copies of several of the movies I watched this month. I will do my best as A/V librarian to cure this in the near future. For now, check out these 3 from December:
 Elevator to the Gallows
            Louis Malle is a French director active from the 1950s through 1990s, and his Elevator to the Gallows was his first film. Itâs possibly one of the âcoolestâ movies Iâve seen. It was made in 1958, when France was waking up to the same beatniks and jazz that American kids loved during those years. The movie is about a young couple who decide to kill the girlfriendâs husband, who is also the boyfriendâs boss. The plot leaves you asking why they think they could ever get away with such a crime, but the look and atmosphere of Elevator to the Gallows is amazing. Most of the shots in the movie are like the one represented here. They look like modern-day Caravaggio paintings. Add to this the unreal musical score by Miles Davis, and you have something that really is too cool for the room. Â
I have this one friend that is a huge Star Trek nerd. He has accused me several times in the past of not liking sci-fi, and I couldnât disagree more. I realized what he was really saying is that I do not like Star Trek in particular. This is true; I actually have a very short fuse when it comes to Star Trek. Â But I do find many other sci-fi texts a lot of fun, and interesting. Throughout this 365 Film Challenge, one of my newly-discovered favorite filmmakers is Andrei Tarkovsky. His 1972 Solaris is widely-regarded as one of the best sci-fi movies ever. The crew of a Soviet space station over the planet Solaris is experiencing all sorts of odd phenomenon, and a psychologist is dispatched there to try and determine the problem. I wonât reveal the plot, but I will say that what I love about this type of sci-fi is that itâs not about lasers and enemies and other, âWesterns-in-spaceâ types of things that so many mainstream sci-fi is. Solaris is much more existential, and, like all Tarkovsky works, gorgeously photographed.
Dial M for Murder is one of the films by Hitchcock Iâve not yet seen. This was indeed the 400th and last film I saw in 2015, and in selecting it, I thought that I should have more than one from Hitchcock on the list (I saw Torn Curtain a few months ago). Several of his movies take place in one claustrophobic location. Rope, and Lifeboat are two great examples, with Dial M being another. The movie follows a man who finds that his wife, played by Grace Kelly, is cheating on him, and vows to kill her. The whole movie takes place in their apartment, where we see the murderâs planning, execution (pun intended), and aftermath play out. Itâs full of minute details that the viewer has to follow in order to stay with the plot. You wait for the murderer to screw up, and you try and figure out at what point he will ruin his chances at successâŚor does it all go off without a hitch? Youâll just have to watch to find out.
I might add that Three Times, The White Reindeer, and the new Star Wars movie are all a lot of fun in their own ways. Even though this challenge is over, Iâll still definitely be finding new things in 2016 and beyond.
Thank you for following along on this journey through film. I hope it has encouraged you to look outside of the box to find your new favorite movies. And if you want to talk more about movies, Iâd like to suggest our relatively new cinema club here at the library. CineMuncie meets the final Wednesday of the month at 6pm at Carnegie Library (301 E. Jackson St.). I will be your host for a film viewing and discussion afterwards. Themed snacks are included, but feel free to bring your own to share as well. Check out the schedule here:
 Thanks, and happy watching!