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My Favorite Wife (1940) — dir. Garson Kanin

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wizardnaturalist

Cary Grant being obsessed with Randolph Scott in My Favorite Wife (1940)

#my favorite wife

daisywords

not everything in a story has to or should be "realistic" but in my opinion there's a level of illusion that should be maintained, and I think that's the actual problem that many people try to pinpoint with the "unrealistic" criticism. Dialogue shouldn't be written like an actual transcript of human speech, but should contribute to the illusion of a real person speaking. A character is a tool of the story, not a narrative, but we're trying to maintain the illusion that they are a person. Worldbuilding should exist to serve the story, not to be a perfect simulacrum of how every aspect of nature/society etc. would actually play out for real. But there should be the illusion that it could be real, that organizations and systems would operate in such a way, that people might behave in such a way.

in conclusion: "Is this realistic?" <<wrong question. "Does this serve the illusion or disrupt it?" <<now we're talking

keyfili

PORTRAIT OF A LADY ON FIRE / faceless 2019 • dir. Céline Sciamma

#portrait of a lady on fire

nocturnaltigerrevelation

>have problem

>recognize it as part of my divine punishment

>no problem

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tragbarerpanzrabwehrkomplexfagot

natandacat

Claudia talking to Louis while he's having sex with Lestat is still making me insane. How to better represent the complete absence of appropriate boundaries in rue royale. We all laugh at claudia' "two blood fat cocks" comment in s2 but in s1 she was fully having a conversation about how to kill lestat while he was balls deep in Louis. It's just another example of how enmeshed she is in Louis' sexual life despite his efforts to fulfill his protective roll at first (he's righteously upset at Lestat for first crossing that line by bringing her to the cruising spot to hunt and therefore being directly responsible for her sexual awakening).

Claudia's accusatory "which one of you is gonna fuck me" is not just a provocation, it's a sobbering and factually true assessment of her situation. The only times she explores sexuality outside of Louis' relationships (first with Lestat then with Armand), she is severely punished (first emotionally by lestat for Charlie's death then lethally by armand and the coven for the making of Madeleine). In her inability to make a companion or to control herself with humans, she fully depends on Louis for either direct sexual connection (talking to him while he's having sex with lestat or witnessing his fantasies of armand) or for the making of a sexual companion that she can safely engage with sexually (we see that she fears her lack of control around Madeleine's menstruation).

Incestuous dynamics truly are a product of isolation and lack of oversight that plague the nuclear family especially when they are as marginalized as the rue royale (a mixed race vampiric queer family) and later on claudia and louis as a single unit (codependent trauma bonded parent/child duo).

L'enfer c'est les autres, I'd even add l'enfer c'est la famille

#iwtv

marypickfords

Cat People (Jacques Tourneur, 1942)

“For example, in Cat People, Lewton’s first RKO horror film, ‘odd girl’ Irena is heterosexually frigid, but has a strange alliance with a mysterous woman who shares her particular national and spiritual heritage, as well as her ‘corrupt passions’. Their only exchange pointedly takes place during Irena’s wedding celebration: the catwoman gives her an incredulous stare and greets her as ‘my sister’. Screenwriter DeWitt Bodeen, noted after the release of the film that ‘some audience members read a lesbian meaning into the action. I was aware that could happen with the cafe scene, and Val got several letters after Cat People was released, congratulating him for his boldness in introducing lesbiana to films in Hollywood… Actually, I rather liked the insinuation and thought it added a neat bit of interpretation to the scene. Irena’s fears about destroying a lover if she kissed him could be because she was really a lesbian who loathed being kissed by a man’ Indeed, Irena’s monstrous ability to turn into a panther and kill men (specifically the psychiatrist who tries to cure her by making love to her) serves as an often-cited metaphor for lesbian sexuality in the films of this era. As the ad campaign would have it: ‘She was marked with the curse of those who slink and court and kill by night!'” - Harry M. Benshoff, from “Monsters in the Closet: Homosexuality and the Horror Film”, 1997.

#cat people

gettingscrazy

RENATE REINSVE as NORA SENTIMENTAL VALUE (2025) dir. Joachim Trier

#sentimental value

pissbataille

Just remember: Life without me... would be even more unbearable. [LESTAT LAUGHS]

INTERVIEW WITH THE VAMPIRE (1994) DIR. NEIL JORDAN

#iwtv

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pissbataille

INTERVIEW WITH THE VAMPIRE (1994), Dir. Neil Jordan

#iwtv

pissbataille

INTERVIEW WITH THE VAMPIRE (1994) DIR. NEIL JORDAN | INTERVIEW WITH THE VAMPIRE (2022-?)

screenshot redraw :)

London tube travel shot and GIF’d by me this morning.

cryinganabell

Rewatched death note after years it was gay asf

#death note #art

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