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asa refusing to turn denji into a weapon and denji refusing to let asa die to kill yoru is beautiful and heartbreaking when they mirror each other's personality, history, suicidal tendencies and they literally won't give up on each other even when they've given up on themselves
In a previous post, I claimed that the romantic subtext between N and the player character in Black and White extends far beyond the moment on the Ferris Wheel. This subtext is established through the frequent use of fairytale tropes and motifs.
In this meta, I consider how N embodies the Cursed Prince archetype while also sharing some attributes with the Maiden Trapped in a Tower.
N as the Cursed Prince
The most well-known example of the Cursed Prince archetype is the Beast in Beauty and the Beast. The Beast is a young prince who has been cast under a spell that transforms his outward appearance to reflect his inner brutish and callous nature. He is essentially a man-child who must endeavor to shed his harsh exterior and be restored to the noble young man he always had the potential to be. The prince's breaking of the curse is representative of maturation during a troubled adolescence.
N has royal lineage and is crowned the King of Team Plasma during the game's prologue. His abandonment in the wilderness and subsequent "rescue" by Ghetsis can be viewed as a metaphorical curse. In addition to grooming N "since his infancy" to be a perfect pawn and figurehead, Ghetsis also alienated N from the rest of humanity through isolation and manipulation. N finds it difficult to understand people and identifies more with Pokemon, thus making him almost more akin to a creature than a man.
While N is perhaps less hostile and harsh toward the "Beauty" i.e. the player than your typical Beast, he does at times engage in villainous behavior, puts up a front of confidence, and adopts a dismissive posture toward the player. Case in point: the Ferris Wheel.
The inciting incident in many Beauty and the Beast stories is the Beast capturing the Beauty in some shape or form. He may hold her hostage or take her prisoner, though this is usually temporary. This is how I contextualize the moment in which the player is trapped, albeit briefly, in a confined space on the Ferris Wheel with N who leads you there under false pretenses. N deliberately deceives the player in order to buy his grunts time to escape, then throws down the gauntlet while the player is still reeling from the shock of his betrayal.
I think it goes overlooked how stone-cold N is in this moment which is a shame because it adds an interesting wrinkle to his characterization. He laments humanity's propensity for cruelty and dishonesty, but he, too, is not above these human shortcomings.
This moment is even more of a sucker punch given that the game intentionally invokes the Rondez-View Ferris Wheel's association with romance beforehand only to subvert it. The name of the Ferris Wheel is a play on the word "rendezvous" which can refer to a date, and the ride serves couples only. Additionally, the electric bulletin board in the Nimbasa City gate advertises the Ferris Wheel as a place where a "heart-pounding encounter" will take place. This turns out to be true, but not in the way one might initially expect; rather than referring to the exhilaration of young love, the player's heart pounds from the suspense of N's reveal.
Though the Beast takes the Beauty captive, it is he who becomes completely captivated by her. I've already written about how N is utterly mystified by the player from the moment he lays eyes on you. After the moment on the Ferris Wheel, N becomes all the more determined to try to figure you out.
In the Chargestone Cave, he continues to ask you probing questions, and if you don't answer them to his liking, he responds with displeasure and perhaps a touch of condescension.
If you respond "No" when N asks if it surprises you that he says you're chosen:
"If you don't understand what that means, it's not likely to surprise you."
If you respond "No" when he asks if you have a dream of your own:
"As if anyone without a dream could ever understand me!"
Compare this to N's more even-keeled, unperturbed reaction when you respond "Yes" to these questions:
"Of course. Such news should be a surprise."
"You have a dream... That's wonderful."
To me, this contrast is indicative of N's expectation and desperation to feel understood by the player.
Overall, N's demeanor in this location strikes me as betraying his immaturity and youth. He tries to act like he has all the answers, but all this posturing is simply a way to overcompensate for his self-doubts. Furthermore, his outburst at the Professor, while I think offers an interesting critique of the Pokedex as taxonomy, is peak angsty teen behavior.
N takes a notably different tack the next time he sees the player outside of the Mistralton gym. He tries to understand you better by speaking with your Pokemon, yes, but perhaps more significant is that he drops his confident front and displays uncertainty, vulnerability, and empathy for the player. In other words, this is the moment when the Beast starts to reveal his true self. Also of note is that Skyla just told the player that Team Plasma already moved on ahead toward Icirrus city, so N hangs back to chat with the player entirely for personal reasons.
Despite N's growing sympathy for and fascination with the player, and despite all his doubts, he continues down the path that Ghetsis laid before him. Again, this is typical of this kind of storyline; even though the Beauty sees past the Beast's veneer, he's not quite ready to let go of his Beast form. N befriends the legendary dragon, storms the Pokemon League, and defeats the Champion with the intent of separating people and Pokemon for good. Only the player stands in the way of him accomplishing this.
As the final showdown approaches, N's posturing and dismissive demeanor toward the player reappear in full force. He calls your perspective on Pokemon battles "ridiculous" and downplays his feelings for the player, stating he "actually kind of liked you a little" but was kidding himself.
However, the tyrant-prince in his faraway castle is not the heroine's gravest threat; the true villain is the wicked witchâthe murderess of the innocentâa role played by Ghetsis. N is crushed but ultimately accepting of his defeat at the hands of the player; at this point Ghetsis berates and dehumanizes N for his failure, reveals the true extent of his evil machinations, and expresses his intent to eliminate the player in a surprise extra battle.
In a split-second moment that is presented somewhat ambiguously, N intervenes on the player's behalf to heal their Pokemon before the fight with Ghetsis. This crucial detail is easily missed amid the commotion, but it is a pivotal point in this storyline! N calls the player's name, a bell chimes, and then when the fight starts, the player's Pokemon are auto-healed.
Although I've seen some people suggest that Cheren heals the player in this moment, further evidence points to N being the player's intercessor. Moments earlier, N went out of his way to heal the player before his battle with you, saying there is no honor in fighting a weakened opponent. This establishes that it would be in his character to take issue with Ghetsis jumping straight into the fight. Additionally, Ghetsis's dialogue just before the fight supports this interpretation. He yells, "I won't allow anyone to stop me! No matter who does what!" which sounds like something he would say in response to someone doing something he didn't account for.
Ghetsis never accounted for N exercising agency to aid the player in your moment of crisis. Nor did he account for N developing a bond with the player which ultimately proves stronger than all of Ghetsis's manipulations and whatever sense of loyalty N may have felt for Ghetsis. This moment is huge in terms of N's character development!
The Beast's intervention/sacrifice on the Beauty's behalf earns her forgiveness which in turn breaks the curse over him. This is usually accompanied by a love confession. Given the player in BW is a silent protagonist, the closest we get to this is the heartfelt conversation between N and the player before the credits roll in which N unambiguously expresses his sincere admiration and respect for the player.
Since we only have access to one side of this conversation, it's left to our imagination to read between the lines. As N bares his soul to the player, the tone of his words is affectionate and remorseful. N expresses feelings of unworthiness with respect to the player, saying there's no way he could measure up to you. This begs the question, what exactly does he feel unworthy of? The player's sympathies? Forgiveness? Companionship?
What's more, N recounts his recollections of your first meeting which tilted his world on its axis and shattered his preconceptions (this is a common trope in love declarations, by the way). He goes on to say that he needed to put his beliefs to the test against you in battle "more than anything." Finally, his parting words encouraging the player to follow their dreams are poignant and affectionate ("If anyone can, it's you!").
The events in the throne room constitute a spiritual death for Nâhe is defeated by the player and learns that his whole life has been a lie. But this is necessary as the Beast must die so that the Prince can rise. N's new journey of self-discovery will restore him to a newfound sense of life and purpose. Indeed, we see N in the sequel fulfilling his duty as hero and king by confronting his father, passing on the torch to the sequel protagonist, and articulating a new dream to act as a bridge between people and Pokemon.
Now that the Prince's curse has been lifted, his happy ending usually entails taking the Beauty as his bride in a sacred marriage. Together they can restore balance to their kingdom. This is the only part of this story structure that remains unfulfilled in Black and White and its sequel games. However, all signs point toward a heartfelt reunion between the player and N. By the end of the sequel, he plans to set off on a new quest in search of the player and express his gratitude and feelings to them. N speaks about the original player with unmistakable reverence, wistfulness, and longing. This longing is reciprocated as we learn from the player's mom that they set off abruptly in search of N. That the player and N circle each other in this way suggests that their true sense of belonging lies in each other.
This makes sense given that the game establishes N and the player as yin and yang counterparts, equal and opposites, two sides of the same coin, etc. While the original heroes of legend were brothers described as twin heroes, the player and N are twin flames. Some dialogue from the sages in BW's post-game also hints at the depth of this connection. In particular, Giallo, while referencing the player and N's links to their respective legendary dragons, says that if two people truly understand each other, even if they are as far apart as the sea and the sky, it's like they're right beside each other.
Reading N as a Cursed Prince gives greater significance to details that often go without much analysis such as N's deception and capture of the player in the amusement park, the game designers' deliberate choice to draw attention to N's stunted development by directing the player toward his childlike playroom (the cursed prince is a man-child!), and N's intervention on the player's behalf before the final fight with Ghetsis.
Also, N's original concept art makes it even more clear how he fits into the cursed prince archetype before his design was sanitized.
At the same time, N is a mirror image of the player and resembles a typical Pokemon protagonist. N captures the box legendary, proving his heroic status, challenges the Pokemon League, and defeats the champion all before the player accomplishes any of these feats.
As Ghetsis points out, "Added to all that, his heart burns with the desire to improve the world." Unlike the player who merely wishes to defend the status quo, N possesses what the player will always lack: the ability as an outsider to radically reimagine a future that aims to redress harms perpetuated by this status quo. In my estimation, this makes him a much more admirable character than the player.
N as the Maiden in the Tower
An alternative lens through which to analyze this story is to consider N as a maiden trapped in a tower and the player as the hero who rescues him.
In many ways, N resembles a stereotypical princess character. He has two step-sisters, a wicked (step)parent in Ghetsis, and the ability to talk to wild creatures. N also seems to have the gift of foresight as he often speaks of envisioning the future. It's unclear to me if this literally means he has visions or he's just using his imagination. Either way, his daring to imagine a better world is a kind of power in itself.
N's seclusion in his castle is metaphorically identical to a young maiden's imprisonment in a high tower. It represents a loss of autonomy and total subjection to the will of the parental figure. The maiden's golden hair is a symbol of her untarnishable goodness, and she is a beacon of innocence and hope. It's noteworthy that descriptions of N by other characters like his sisters and the sages foreground similar idealized feminine traits: his generosity, beauty, innocence, kindness, and purity.
Although N is permitted to leave his tower after he is coronated as Team Plasma's King, he remains metaphorically trapped in its walls throughout his journey. He is captive to his rigid ways of thinking and to the pain and suffering he was exposed to during his youth. The player begins to penetrate these walls and shows N a different point of view. But N doesn't truly escape Ghetsis's influence until he casts it off during the climactic moment in the throne room when he stands with the player and against Ghetsis.
In the Rapunzel tale, the prince and the maiden fall in love and devise a plan to escape her tower, but they are discovered by the witch who thwarts them. She cuts off Rapunzel's hair and banishes her to the desert. Then, she throws the prince out of the tower whose fall is broken by thorn bushes that leave him blind. The two wander the desert for ten years before they reunite, and Rapunzel's tears restore the prince's lost sight.
Upon discovering N's defeat and the player's status as a true hero, Ghetsis attempts to eliminate the player and reconstitute N as a puppet ruler. Although Ghetsis is not successful, he does reveal his true intentions. N learning the sorry truth, much like the cutting of the maiden's hair, can be viewed as a loss of innocence. N must undergo a journey of self-discovery, so he departs the region and wanders for two years which is a kind of self-imposed banishment.
Meanwhile, it can be presumed that the player at some point grows listless and, like the blinded prince, lacks direction. Eventually, they leave the familiarity of the region to seek out N. The yearning to reconnect with him is so urgent that they leave behind a worried mother who has no means of contacting her child.
The eventual reunion between these two characters would entail the healing of each other's wounds and the restoration of the player's lost sense of purpose. N is very clear-eyed about his new dream, and certainly there would be room for the player to share in the synthesis of their previously held ideals.
Conclusion
Ultimately, the narrative of Pokemon Black and White tells a love story between the player character and N. Whether you want read it as romantic or platonic is up to you, but the love is there either way. I suspect that the romantic elements are largely kept as subtext because N's interactions with player are identical regardless of the player's gender. If the protagonist were strictly female, my guess is that the romantic elements would have been a lot more overtâGameFreak did something similar, for example, with Shauna in X and Y whose interest in the player is only addressed when you play as a boy. Basically, as usual, heteronormativity is at the scene of the crime.
It has always frustrated me how large portions of the Pokemon fandom treat shipping the player and N as nothing more than the ridiculous fantasies of silly fangirls. I remember reading a Nuzlocke comic back in the day that dedicated an entire installment to making a mockery of the idea. Still, even fans who aren't as derisive about any it often treat it as a funny footnote that's entirely incidental to the game. I hope I've been able to demonstrate how the relationship between N and the player, including any romantic implications, is not only structurally at the heart of the story, but it's also metaphorically and thematically resonant.
i hate that em dashes are becoming indicative of ai writing... i just learned how to use those beautiful things and i love a sentence that's too long and never ends pls dont piss me off
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The Parallels of Max and Nathan's Photography, and How Jefferson Exploited Them Both
Life is Strange is, at its core, a story about photography.
Max and Nathan are the only two students in their class who are defined by photography; not just talented, not just interested in it, but dependent on it. They both need it like air. There's an unspoken connection there that the game never explicitly names, despite how obvious it is once you see it.
Sure, Victoriaâs life revolves around photography too, but for her, itâs largely about status and vanity. And Chloe, while supportive, doesnât seem to fully understand Maxâs passion beyond a few passing comments and the gift of Williamâs old cameraâwhich, honestly, feels more like a touching coincidence than true understanding of her friend's passion.
Max and Nathan, though, could uniquely relate to each other through photography. Their styles are polar opposites, yet I think theyâre driven by the same core desire: to capture how they feel inside, to externalize their inner worlds.
Nathan photographs death, decay, and suffering because thatâs the world heâs trapped in; the slow drowning he feels existing every day. His work feels like self-portraiture through horror.
Max, on the other hand, photographs quiet moments of beauty and authenticity. As she says herself:
âIâm happiest when Iâve got a great image in my lens. Iâm not lonely, not afraidâŚâ (Ep. 1)
Both of them are trying to stave off their anxiety and loneliness. Both are trying to capture their emotions and make it all visible and tangible. The way they search for meaning through photography and literally cover their walls with their own work is, to me, one of the most powerful parallels in the game.
This leads me to another parallel I donât see discussed often: Jeffersonâs fixation on both Max and Nathan for their artistic eye.
Nathan doesn't just latch onto Jefferson. Jefferson latches onto Nathan, too. He recognizes Nathanâs hunger immediatelyâ not just for personal and fatherly approval, but for artistic validation. Jefferson realized he was the first adult who truly saw that desperation, and he exploits it. He even admits as much:
â[Nathan] tried so hard, but you canât just throw a few subjects around and expect a cohesive style or theme⌠But he had an eye for shadows.â (Ep. 5)
Max is similarly drawn in by Jeffersonâs photographic style, which makes her vulnerable to his influence. And he's drawn to her, too, in a way he isn't to Victoria or Kate or even Rachel. From the moment he meets her, Jefferson fixates on her like a hawk, just as he did Nathan. He sees something special in her:
ââŚYou do have a gift⌠to frame the world only the way you envision it.â (Ep. 1)
He also recognizes her anxiety, her self-doubt as an artist, her awkwardnessâ and uses all of it to push her in the direction he wants. Sound familiar?
And you could argue that Jeffersonâs praise of Max was just a means to an endâa way to lure her into the Dark Room. But that same manipulative tactic was also how Jefferson lured in Nathan:
âI told him what he needed to hear. In return, I had access to the Prescott fortune. Who do you think paid for this glorious dark room and equipment? How else could I get all these hip new drugs for my subjects?â (Ep. 5)
The point stands: Jefferson saw Max and Nathan as uniquely artistically-minded and vulnerable individuals who he could take advantage of. He saw them both as genuinely talented artists...
But also as uniquely hungry for personal and artistic approval due to their genuine passion for photography, in a way that he could exploit each of them for his own goals.
If Max had grown up in Nathanâs environment, itâs not hard to imagine her acting out in similar ways to him. Which raises an uncomfortable question:
If Max had been more vulnerable â and had met Mr. Jefferson earlier â how much influence might he have had over her too?
Because of these commonalities, I genuinely believe Max/Nathan has the potential to be one of the least toxic ships. They could understand each other on such a deep, soul-baring level. They could understand each other through their art and help each otherâ Max's anxieties and loneliness, Nathan's chaos and self-destruction.
Canonically, Max actually does understand Nathan's photographs â she saw the artistry in them, even if she called them "creepy", even while she suspected him of horrible crimes.
So what if theyâd met before those crimes began? (That question is the core premise of my fic, Seraph and Sentinel!)
And finally, one last detail: Nathan stealing Maxâs photograph. Why did that image mattered to him at all? What did he see in it? What did he recognize?
Maybe he saw someone doing, in her own way, exactly what he was trying to do with his own work; capturing reality and genuine emotion. Reaching out through an image and hoping, quietly, that someone else might understand.
(Thank you to @betty-fran for inspiring this post âŁď¸)
ihave this theory stuck in my head lately that jefferson targeting those close to nathan using them to frame him - that hes responsible for the kidnappings hope im not the only one who thought about this lol
edit: i hope it make sense if it does sound stupid feel free to criticize hoping to hear any one of ur guys opinions abt this đ
wdyt nathan would think of a reader whos into rude/mean peopleđ§
i think if nathan ever realized someone enjoyed being talked down to/humiliated, he'd find it funny as well as weird asf bc he tends to project his feelings onto others . he himself does not tolerate that behavior bc it means weakness which is a big fat NO-NO so why would anyone like that??
if he isnt already bullying them, hes definitely going to start. of course his attempts dont really work, so he digs in harder because it really fucking bothers him reader isn't getting shitty back. and he has this strange feeling in his chest like excitement, like something not quite prey-drive but not quite happiness. whatever it is, he doesnt like it, as it forces him to look a but more inwards than he'd like to.
he quickly realizes his horrible attitude towards them is just not hitting the same. the bane of a bullies existence is indifference, everyone knows that, but what about when instead its *enjoyment*?? he really loses his footing and it throws him off.
unfortunately for his target, nathan starts to distance himself when he realizes he A. can't effect them the way he wants to with power dynamics, and B. he realizes he also lowkey kinda likes it. he likes when he spits something shitty and instead of getting up in arms, the person LEANS INTO it.
honestly its a really fun dynamic id love to explore one day. maybe w a one shot lol
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COFFEE RUN. robert robertson & dispatcher!reader
â hey look, there's a new guy that needs to be added to the office coffee order
Fridays were the best. Not because of the work, since that never stopped, but because it was a finish line. But with all the onboarding going onânew dispatchers coming in left and right to replace the regularly occurring vacanciesâyou had to put in a little extra work these days to keep team morale up.
You knew about Robert long before he arrived at SDN. Blazer couldn't stop mentioning how she had someone in mind for the Z-team, someone perfect and capable, and how she thought he could be a great fit for them.
He looked smaller than you expected. You caught glimpses of him throughout the day: his arms and face were faintly sunken from malnutrition, and the bags under his eyes were prominent. In one word: cute. Despite his less-than-ideal condition, he seemed to be in good spirits.
When you finally had the chance to speak with him, it was the end of the day. He was involved in a sweet conversation with the other new hire, Waterboy.
"Rough day?" You leaned against Robert's cubicle, hand on your hip.
He jumped slightly, whipping his head over his shoulder. You raised an eyebrow in response, tilting your head.
"Sorry...?"
"No, no, don't apologize, I'm..." He cleared his throat as he turned, rubbing the back of his neck. "I'm a little jumpy. Force of habit."
"No, I get it." You smiled and introduced yourself. "Blazer told me today's your first day, and..." Your smile slowly dropped as your gaze drifted behind him to his ruined desk. "What is that..?"
"Cream."
You grimaced, "Cream?"
"Donut cream." He clarified.
"Which I am goingâ cleaning up!" Waterboy interjected, peeking out behind Robert's figure.
You smiled at the other new hire. "Thank you. While you get to that, though, I came to ask you about both of your coffee orders."
Robert's lips pursed, eyes narrowing slightly in confusion. "Isn't there a coffee machine in the break room?"
You hummed affirmatively. "But we like to treat everyone at least once a week with some of the stuff with better quality."
"Ah." He nodded slowly. "And you're, likeâyou're the coffee girl, or something?"
"Well... not officially. Over time, we've observed that a few of us get discounts at the cafe nearby, so we go there in rotation. Saves the network a little bit of that recreational money." You answered.
You were trying not to seem like you were picking him apart with each passing second. The little freckles under his eyes were almost invisible under the sunset's glow, but for every freckle, he had two scars. He was a retired heroâwho, you wondered?
In the end, it didn't really matter to you. You were more than happy to have a cute face in the office. He had a nice voice, too. Which you were actively tuning out...
"âI'm guessing?"
Your eyes fluttered as you returned to the conversation. "Um... Sorry, I zoned out for a second. What'd you say?"
Robert's eyes widened and immediately darted to the side. "Oh, I was wondering if you guys got that discount 'cause you're... uh, pretty."
Your cheeks heated until they burned. "That's... the theory, yeah."
"But if it works every time, it becomes fact, no?" He let his head drop to his shoulder, giving you no chance to avoid those deep brown puppy eyes he had going on.
"IâI guess?" You just came here to take their coffee order. You didn't sign up for feeling this awkward. "If you say so."
Robert shoved his hands into his pockets, meeting your eyes. "I say so."
You failed to suppress your grin, dropping your gaze to the floor. "Okay."
"Okay," he echoed with an awkward chuckle, mirroring your beaming smile. "And I like black coffee."
"Noted." You hummed. His eyes were stuck on yours and yours on his, until you took a deep breath and diverted the conversation. "Waterboy?"
"Oh, I don'tâdrinking coffee isn't really feasible for me. I'm practically burstingâlots of water in here." He pat his abdomen. "So I just eat the grounds."
You blinked, brows furrowed. "Like... the actual coffee? From the package?"
"Youâright, you got it!" He gave you a thumbs up.
"Alright... also noted." You shared an amused glance with Robert.
"You should let me come with you sometime," he started, grabbing his backpack. You began to walk towards the elevator after saying your goodbyes to Waterboy.
"Need to get away from your band of misfits that badly?" You peeked at him from the corner of your eye.
"Yes," His eyes flipped to the ceiling with the annoyance he suffered with throughout the day. "Very badly."
The soft elevator music played in the background of your conversation. In closed quarters, his proximity was much more realâhe smelled like fresh linen with a faint hint of metal. His shirt was untucked and unbuttoned just enough for you to catch some more scars.
You swallowed your curiosity and laughed softly. "You're welcome to tag along."
Robert shouldered his backpack, his gaze dropping to the floor. "Can't promise any extra discounts, though."
"What? Don't say that. You've got a sad, nerdy kind of thing going on. That's big nowadays."
"Are you speaking from experience?" He shot back, looking up at you.
You could hear the smugness in his tone and smiled knowingly. You underestimated him. You thought he'd be sad and pathetic, a little mopey and a lot of sulky. You still think he's sad and a little pathetic, but he was surprisingly quick with it.
You smiled and shrugged noncommittally. "Maybe."
He chuckled lowly. "Noted."
Those coffee runs were just the beginning.
idk how i feel abt this but i eat sleep breathe robert robertson now so
+ indoor and the visitor checking. Theyre both human! Yippie!
adeuce but theyre in no im not human..
anyway thier bodies are from Justin Bieber and Zac Effron.
Heres them hanging out.
So. Yeah <3 lore below cut
AUGH posted early wtvrâŚ
okay soâŚ!!! Ace!! I talked about him in my last post before i redid his sprite THREE TIMES.
Heâs was out with some friends for a vacation when the whole end of the world thing started happening, and he got separated from them after they had a huge fight over what to do, he realized too late that they had his backpack with his phone, so he canât call his brother to come get him. He comes to yuuâs house to use their phone, but his brotherâs phone goes to voicemail, so he decides to stay and try again later. (Spoiler: his brotherâs not going to come pick him up. His brother is dead.)
Deuce had a fight with his mom, he had promised to stay away from his âfriendsâ (read: gang he was a part of) after he had been arrested a few too many times, and he went back to them, she found some drugs and knives in his room, and confronted him, to which he got upset, and ran away. He stayed with his âfriendsâ, and was planning to go back, but this pissed his âfriendsâ off, so they beat the crap out of him, and abandoned him way away from his hometown. He has to hide in a small brick house for a few nights, where he gets into a fight with a visitor, and then has to run until he finds a house to stay in, which happens to be yuuâs. He lies about this and just says that his friends had forgotten about him when travelling.
ellievsbear
snowghoul
gummygunk
areudirty
germansingergirl
vaporwave
