A Little Life (2015) by Hanya Yanagihara // Project Hail Mary (2026), dir. Phil Lord and Christopher Miller
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A Little Life (2015) by Hanya Yanagihara // Project Hail Mary (2026), dir. Phil Lord and Christopher Miller

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โIf a society puts half its children into short skirts and warns them not to move in ways that reveal their panties, while putting the other half into jeans and overalls and encouraging them to climb trees, play ball, and participate in other vigorous outdoor games; if later, during adolescence, the children who have been wearing trousers are urged to โeat like growing boys,โ while the children in skirts are warned to watch their weight and not get fat; if the half in jeans runs around in sneakers or boots, while the half in skirts totters about on spike heels, then these two groups of people will be biologically as well as socially different. Their muscles will be different, as will their reflexes, posture, arms, legs and feet, hand-eye coordination, and so on. Similarly, people who spend eight hours a day in an office working at a typewriter or a visual display terminal will be biologically different from those who work on construction jobs. There is no way to sort the biological and social components that produce these differences. We cannot sort nature from nurture when we confront group differences in societies in which people from different races, classes, and sexes do not have equal access to resources and power, and therefore live in different environments. Sex-typed generalizations, such as that men are heavier, taller, or stronger than women, obscure the diversity among women and among men and the extensive overlaps between themโฆ Most women and men fall within the same range of heights, weights, and strengths, three variables that depend a great deal on how we have grown up and live. We all know that first-generation Americans, on average, are taller than their immigrant parents and that men who do physical labor, on average, are stronger than male college professors. But we forget to look for the obvious reasons for differences when confronted with assertions like โMen are stronger than women.โ We should be asking: โWhich men?โ and โWhat do they do?โ There may be biologically based average differences between women and men, but these are interwoven with a host of social differences from which we cannot disentangle them.โ
โ Ruth Hubbard, โThe Political Nature of โHuman Natureโโ (via gothhabiba)
Yes.
Here, have a study (x) showing that mothers underestimate their daughterโs physical capacity from as young as 11 months old (though in reality itโs identical to that of their sonโs at the same age). And if you think that parents acting on those expectations wonโt alter their childrenโs development, then I have a sloped bridge to sell you.
"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." โ Inde Navarrette for Fandango "We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." โ Inde Navarrette for A Shot Magazine Obsession (2026) Dir. Curry Barker Get Out (2017) Dir. Jordan Peele
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
Grace + his white converse Project Hail Mary (2026) dir. Phil Lord,ย Chris Miller

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Grace tries copying the tones using the keyboard.
Rocky hums. โClose. Skip first note.โ
โWhy? You always include that.โ
โThis meansโฆ of Rocky, possessive. Of the speaker.โ
โMy.โ
โCorrect. But only for names.โ
โSo youโre calling meโฆ?โ
Rocky repeats the word: โMy Grace. Yes.โย
olivia you did it againnnnnn my goddddd
faves from first listen: drop dead, stupid song (potential to be a great karaoke tune ๐), maggots for brains (didn't really like the lyrics but the instrumentals are great), u + me = <3, purple (omg colors by halsey so true), the cure (BANGER), begged, and less (both made me cry, so fucking sad)
ALSO all the references to the cure (band)?? "you know all the words to just like heaven but i know why he wrote them" And a song called the cure And robert smith on what's wrong with me?? olivia you get me
olivia you did it againnnnnn my goddddd
faves from first listen: drop dead, stupid song (potential to be a great karaoke tune ๐), maggots for brains (didn't really like the lyrics but the instrumentals are great), u + me = <3, purple (omg colors by halsey so true), the cure (BANGER), begged, and less (both made me cry, so fucking sad)
olivia you did it againnnnnn my goddddd
โค๏ธ๐๐GRACEFUL๐๐โค๏ธ
โญ[my social media links]

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when creative partnerships are more intimate than a marriage and the break up is worse than a divorce
Alex with NazarenoZavala in Paris, 11th June 2026
itโs so magical and beautiful that there are sprawling interconnected cave systems carved deep into the earth by various geological forces and you donโt have to go in them. there are miles and miles of stone passageways in total darkness that require you to exhale all the air out of your lungs to squeeze through parts of them and you donโt have to be there. some of these squeezes are underwater and require cave divers to take off their oxygen tanks and push them through ahead of them and me i am above ground looking at the sky as we speak. there are untold subterranean wonders no human has ever seen and i will not be the one to discover them #grateful #blessed
so true there could be any number of undiscovered species down there all of which are none of my business and never will be. peace and love on (the surface of) planet earth ๐
i'm rewatching la la land and jesus. god. i'm obsessed with whatever sebastian's fucking problem is. he's so insanely down bad for mia just INSTANTLY i think he should get blown up.
god Sebastian Lalaland is such a sensitive topic for me!!!!!!!!!!
the way that Sebastian loved Mia so much was willing to do anything for her. he continuously moves his goalposts to fit the trajectory of her ambition. he was sacrificing since the first moment. they walk past his car to hers at the party and he has to circle back around. they move into his apartment and gone are the jazz memorabilia to create space for her things. he hears Mia speaking with her mother about his jazz club, and he sees the water stain on the ceiling in the corner of his room, and decides to take an alternate path for his future where Mia won't have to convince her family and herself of his potentialโone where he can help Mia achieve her dream, even though it's at the end of his own. even at the end, where he was once so resolute that his club had to be named Chicken on a Stick, he named it Seb's because it's what she wanted and it was the logo she designed. he dedicated his dream to her even though he was alone in it. like are you kidding me. are you JOKING.

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is this anything
it was a really fucking insane acting choice to have grace gripping the grass for dear life when heโs being tackled and drugged in order to be taken to the hail mary. i canโt stop thinking about it. ryan gosling when i get you.