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“If a society puts half its children into short skirts and warns them not to move in ways that reveal their panties, while putting the other half into jeans and overalls and encouraging them to climb trees, play ball, and participate in other vigorous outdoor games; if later, during adolescence, the children who have been wearing trousers are urged to “eat like growing boys,” while the children in skirts are warned to watch their weight and not get fat; if the half in jeans runs around in sneakers or boots, while the half in skirts totters about on spike heels, then these two groups of people will be biologically as well as socially different. Their muscles will be different, as will their reflexes, posture, arms, legs and feet, hand-eye coordination, and so on. Similarly, people who spend eight hours a day in an office working at a typewriter or a visual display terminal will be biologically different from those who work on construction jobs. There is no way to sort the biological and social components that produce these differences. We cannot sort nature from nurture when we confront group differences in societies in which people from different races, classes, and sexes do not have equal access to resources and power, and therefore live in different environments. Sex-typed generalizations, such as that men are heavier, taller, or stronger than women, obscure the diversity among women and among men and the extensive overlaps between them… Most women and men fall within the same range of heights, weights, and strengths, three variables that depend a great deal on how we have grown up and live. We all know that first-generation Americans, on average, are taller than their immigrant parents and that men who do physical labor, on average, are stronger than male college professors. But we forget to look for the obvious reasons for differences when confronted with assertions like ‘Men are stronger than women.’ We should be asking: ‘Which men?’ and ‘What do they do?’ There may be biologically based average differences between women and men, but these are interwoven with a host of social differences from which we cannot disentangle them.”
— Ruth Hubbard, “The Political Nature of ‘Human Nature’“
(via gothhabiba)
Here, have a study (x) showing that mothers underestimate their daughter’s physical capacity from as young as 11 months old (though in reality it’s identical to that of their son’s at the same age). And if you think that parents acting on those expectations won’t alter their children’s development, then I have a sloped bridge to sell you.
"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." — Inde Navarrette for Fandango
"We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." — Inde Navarrette for A Shot Magazine
Obsession (2026) Dir. Curry Barker
Get Out (2017) Dir. Jordan Peele
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
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“This means… of Rocky, possessive. Of the speaker.”
“My.”
“Correct. But only for names.”
“So you’re calling me…?”
Rocky repeats the word: “My Grace. Yes.”
“Are there other Graces? Why do you need to specify?”
Rocky considers this, tapping his xenonite-encased claws idly against the floor.
“No other Grace,” Rocky says. “We just do this.”
“Like an honorific,” Grace guesses. “It goes before everyone’s name? Everyone you know?”
Rocky whirs in surprise. “No, no, no. Not at all.”
“Okay, then who? What makes me qualify?”
Rocky is silent for a moment.
“...Does this offend Grace?” he asks, voice lower.
Grace blinks. “No! I don’t think so. Is there a reason to be offended?”
“Good,” Rocky says, relieved. Grace is starting to recognize what Eridian relief sounds like. “No, no reason.”
“Who else do you call that?”
“You don’t have this on Earth?”
Grace considers. What for, friends? He couldn’t call Marissa “my Marissa.” That would be weird.
“I still don’t know what it means,” he settles on. “So I couldn’t tell you.”
Rocky groans in frustration. He’s a very impatient tutor. “We just say it.”
“Are you my Rocky?” Grace asks. He hits the two keys to make the my note.
“I don’t know!” Rocky says. “You decide this.”
“I decide? Who do you use it for?”
“You. Adrian. I will use it for my pebbles.”
Grace blinks. “So few?”
Rocky shifts. “I am… you do not have the word yet. Eridian who works alone often, not close to many other Eridians.”
“What, mechanical engineer?”
Rocky chitters with amusement. “Acceptable.”
“Is Adrian your only friend?”
Rocky draws back, like he’s taken offense. “I have friends. Coworkers. But different.”
So just Adrian. And him.
“This worries you,” Rocky says.
“Adrian is your mate,” Grace points out. “I’m not your mate.”
“Correct. You are not. You do not like to be a mate.”
Grace isn’t sure how to respond to that, so he ignores it.
“I’m your friend,” Grace says.
Rocky hesitates, for a second. “...Correct.”
“Like your coworkers.”
“No.”
Grace sighs, rubbing his hand across his face. Okay, maybe that’s fair. It’s not like he felt about any of his coworkers like he feels about Rocky.
“Best friend,” Grace amends. “You’re my best friend, too.”
Rocky hums. “Acceptable.”
“Just acceptable? Now you are offending me. Can you just explain?”
This makes Rocky fall silent for a minute longer than usual. Grace is half-ready to apologize and to say let’s move on and to retype his own name without the superfluous my.
“The Earth ‘best friend’ is not strong enough,” Rocky says finally. “It does not translate this way.”
Grace runs his fingers through his hair, a little nervous, for some reason. “Okay.”
“It is…” Rocky pauses. He has to pause more often, now that they’re not using the translator, to simplify his language. “It means that I am not Rocky without my Grace. You are part of… of the whole. When I wake up, I think of you. When I work. When I eat. When I think I am going to die.”
Rocky speaks slowly, but it’s still a lot of Eridian for Grace to grasp all at once. Even as he works out the sentences in his head, he can feel hot tears rising in his eyes.
“It means that when you are sick, I am sick,” Rocky continues. “And it means I will take care of you, because taking care of you is taking care of myself.”
Grace bunches up his sleeve, wiping it across his face, blinking furiously.
Rocky’s voice is soft. “So Grace is part of Rocky. Grace is like a cell. You see? My Grace.”
Grace is quiet, for a moment, trying to get himself together. When he speaks, his voice is shaky.
“...Oh.”
Rocky hums, pressing his carapace gently against Grace’s arm. “You are leaking. Does this make you sad?”
Grace shakes his head, sniffing, crossing his arms across his knees and resting his chin on his sleeves. “Not at all.”
“Good, good.”
“I feel like that,” Grace mumbles. “Just like that. Just exactly—exactly like that.”
“About your old mate?”
“Don’t act stupid. You know I’m talking about you.”
Rocky hums, burrowing closer. Grace curls one arm around his carapace. That’s not enough, so he leans over, dropping his head down so his forehead presses against the xenonite.
“My Rocky,” Grace whispers in English.
“My Grace,” Rocky echoes in Eridian. Grace can recognize the note at the start. He will add it when he plays Rocky’s name.
“How long have you called me that?” Grace asks. “Must’ve been a while. I didn’t notice it change.”
faves from first listen: drop dead, stupid song (potential to be a great karaoke tune 👀), maggots for brains (didn't really like the lyrics but the instrumentals are great), u + me = <3, purple (omg colors by halsey so true), the cure (BANGER), begged, and less (both made me cry, so fucking sad)
ALSO all the references to the cure (band)?? "you know all the words to just like heaven but i know why he wrote them" And a song called the cure And robert smith on what's wrong with me?? olivia you get me
faves from first listen: drop dead, stupid song (potential to be a great karaoke tune 👀), maggots for brains (didn't really like the lyrics but the instrumentals are great), u + me = <3, purple (omg colors by halsey so true), the cure (BANGER), begged, and less (both made me cry, so fucking sad)
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it’s so magical and beautiful that there are sprawling interconnected cave systems carved deep into the earth by various geological forces and you don’t have to go in them. there are miles and miles of stone passageways in total darkness that require you to exhale all the air out of your lungs to squeeze through parts of them and you don’t have to be there. some of these squeezes are underwater and require cave divers to take off their oxygen tanks and push them through ahead of them and me i am above ground looking at the sky as we speak. there are untold subterranean wonders no human has ever seen and i will not be the one to discover them #grateful #blessed
so true there could be any number of undiscovered species down there all of which are none of my business and never will be. peace and love on (the surface of) planet earth 💕
i'm rewatching la la land and jesus. god. i'm obsessed with whatever sebastian's fucking problem is. he's so insanely down bad for mia just INSTANTLY i think he should get blown up.
god Sebastian Lalaland is such a sensitive topic for me!!!!!!!!!!
the way that Sebastian loved Mia so much was willing to do anything for her. he continuously moves his goalposts to fit the trajectory of her ambition. he was sacrificing since the first moment. they walk past his car to hers at the party and he has to circle back around. they move into his apartment and gone are the jazz memorabilia to create space for her things. he hears Mia speaking with her mother about his jazz club, and he sees the water stain on the ceiling in the corner of his room, and decides to take an alternate path for his future where Mia won't have to convince her family and herself of his potential—one where he can help Mia achieve her dream, even though it's at the end of his own. even at the end, where he was once so resolute that his club had to be named Chicken on a Stick, he named it Seb's because it's what she wanted and it was the logo she designed. he dedicated his dream to her even though he was alone in it. like are you kidding me. are you JOKING.
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it was a really fucking insane acting choice to have grace gripping the grass for dear life when he’s being tackled and drugged in order to be taken to the hail mary. i can’t stop thinking about it. ryan gosling when i get you.
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