Mark Chasity

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

The lands that are.

That are what?

Just are.

They just exist?

Precisely.

Is it nice there?

I certainly think so.

Indeed...it is.

How did you get here?

I will answer plenty questions another time, young lady. It is not safe for you to linger long.

Okay. Bye bye Sir Hop A Lot!

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

The lands that are.

That are what?

Just are.

They just exist?

Precisely.

Is it nice there?

I certainly think so.

Indeed...it is.

How did you get here?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

The lands that are.

That are what?

Just are.

They just exist?

Precisely.

Is it nice there?

I certainly think so.

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

The lands that are.

That are what?

Just are.

They just exist?

Precisely.

Is it nice there?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

The lands that are.

That are what?

Just are.

They just exist?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

The lands that are.

That are what?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

I have the dialect of the nobility of my home country, but I assure you, young lady, the land is not called England.

Then what is it called?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

I have no idea what that means.

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

I am not familiar, with that kingdom no.

But you sound English.

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

Far away from here.

Like England?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

Hop a lot. Sir Hop a lot, if you don't mind.

Of course. Where are you from?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

You two have a safe walk home.

Good luck, Mr...

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

Even adults should not waltz into danger if they do not have the proper training.

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

Perhaps we may talk later, young one. Right now I am on business.

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?

[Hop hummed as he walked through the streets of downtown at night. It was nice to see the village, even if he had to wait until there were minimal people out and about on it. As he walked by a seamstress' shop, the window main window shattered.]

[Hop is thinking a similar question, stepping through the now shattered window to investigate.]

[Spotting the strange looking frog going into the shop, Mark picks Mary up so she doesn't step on the glass, and they enter the shop]

It's late, I can't just leave her alone outside.

Allow me to rephrase. Why bring a child into a potentially dangerous situation in the first place?