Haven’t had a chance to watch the tutorial yet, but I’m seriously considering making this for my gf’s niece
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Haven’t had a chance to watch the tutorial yet, but I’m seriously considering making this for my gf’s niece

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Code is a liability (not an asset)
I'm coming to COLORADO! Catch me in DENVER on Jan 22 at The Tattered Cover<, and in COLORADO SPRINGS from Jan 23–25 where I'm the Guest of Honor at COSine. Then I'll be in OTTAWA on Jan 28 at Perfect Books and in TORONTO with Tim Wu on Jan 30.
Code is a liability (not an asset). Tech bosses don't understand this. They think AI is great because it produces 10,000 times more code than a programmer, but that just means it's producing 10,000 times more liabilities. AI is the asbestos we're shoveling into the walls of our high-tech society:
https://pluralistic.net/2025/09/27/econopocalypse/#subprime-intelligence
Code is a liability. Code's capabilities are assets. The goal of a tech shop is to have code whose capabilities generate more revenue than the costs associated with keeping that code running. For a long time, firms have nurtured a false belief that code costs less to run over time: after an initial shakedown period in which the bugs in the code are found and addressed, code ceases to need meaningful maintenance. After all, code is a machine without moving parts – it does not wear out; it doesn't even wear down.
This is the thesis of Paul Mason's 2015 book Postcapitalism, a book that has aged remarkably poorly (though not, perhaps, as poorly as Mason's own political credibility): code is not an infinitely reproducible machine that requires no labor inputs to operate. Rather, it is a brittle machine that requires increasingly heroic measures to keep it in good working order, and which eventually does "wear out" (in the sense of needing a top-to-bottom refactoring).
To understand why code is a liability, you have to understand the difference between "writing code" and "software engineering."
"Writing code" is an incredibly useful, fun, and engrossing pastime. It involves breaking down complex tasks into discrete steps that are so precisely described that a computer can reliably perform them, and optimising that performance by finding clever ways of minimizing the demands the code puts on the computer's resources, such as RAM and processor cycles.
Meanwhile, "software engineering" is a discipline that subsumes "writing code," but with a focus on the long-term operations of the system the code is part of. Software engineering concerns itself with the upstream processes that generate the data the system receives. It concerns itself with the downstream processes that the system emits processed information to. It concerns itself with the adjacent systems that are receiving data from the same upstream processes and/or emitting data to the same downstream processes the system is emitting to.
"Writing code" is about making code that runs well. "Software engineering" is about making code that fails well. It's about making code that is legible – whose functions can be understood by third parties who might be asked to maintain it, or might be asked to adapt the processes downstream, upstream or adjacent to the system to keep the system from breaking. It's about making code that can be adapted, for example, when the underlying computer architecture it runs on is retired and has to be replaced, either with a new kind of computer, or with an emulated version of the old computer:
https://www.theregister.com/2026/01/05/hpux_end_of_life/
Because that's the thing: any nontrivial code has to interact with the outside world, and the outside world isn't static, it's dynamic. The outside world busts through the assumptions made by software authors all the time and every time it does, the software needs to be fixed. Remember Y2K? That was a day when perfectly functional code, running on perfectly functional hardware, would stop functioning – not because the code changed, but because time marched on.
The difference between “today’s task” and “accretive work”
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2026/07/02/canonization/#operate-iterate-improve
One thing I've learned about paradoxes: often the answer to the riddle of "how can this one thing have such a contradictory set of features and effects?" is "it's not one thing, it's two things*."
That's the idea that set me on the path to writing about "reverse centaurs" and AI. I was hearing from experienced programmers whom I knew to be reliable narrators of their own experience who described how AI was letting them write the best code of their lives; and from equally experienced and reliable coders who described a nightmare of tech debt: "I work in aviation, and I just don't think anyone should ever fly again, those things are now unsafe at any altitude, thanks to the code I had to sign off on":
https://pluralistic.net/2025/09/11/vulgar-thatcherism/#there-is-an-alternative
For so long as I thought of both of these groups as doing the same thing and getting wildly different outcomes, this was a paradox. But as soon as I realized that the former group were "centaurs" (workers who get to decide and direct their adoption of automation) and the latter were reverse centaurs (workers who were conscripted to serve as peripherals for automation systems), it all snapped into place. It only looked like they were doing the same thing – they were actually engaged in fundamentally different activities, which is why they were having such different experiences.
The same goes for vibe coding. Plenty of people I knew had gotten real value out of vibe coding personal utilities that made things better for them in a way that I instantly recognized from a life spent around people who'd been able to adapt and customize the systems they used to make their lives better:
https://pluralistic.net/2024/01/25/today-in-tabs/#unfucked-rota
Vibe coding can be seen as part of a lineage that includes shell scripting, Applescript, Hypercard and Visual Basic: ways for technical novices to directly create personal software, without having to ask a programmer to interpret their needs (and without having to pay every time they wanted to do something new with their computers):
https://pluralistic.net/2026/06/15/vernacular/#hypercardian
But if that's so, how to make sense of the seeming paradox of all that tech debt? For a tech company, code is a liability, not an asset:
https://pluralistic.net/2026/01/06/1000x-liability/#graceful-failure-modes
AI's pitch to bosses is that they can fire most of their workers in order to terrorize the remainder into tolerating a working life wherein they are made to mark the AI's homework, at superhuman speed, and to assume the blame when it goes wrong. This is obviously a terrible way to write code:
https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs
But it's also obviously going to produce terrible code:
https://pluralistic.net/2025/05/27/rancid-vibe-coding/#class-war
So is vibe code a way of empowering people to have the personal, vernacular tools that they design and adapt as they see fit? Or is it a way to shovel technological asbestos into the walls at scale, filling up our high-tech society with ghastly, lethal technical debt we'll be digging our way out of for generations?
I had to read a Heinlein book for a literature class on sci-fi and it was HORRIBLE and the only thing that got me though it was thinking "it's time for more Deep Thoughts With Heinlein(tm)" what a strange man this author was...
my working theory is that the most foundational works of literature in a given genre are the ones that inspire the most concepts and tropes that are carried forward in the genre and this inspiring property is frequently because there is, to simplify, something deeply wrong with them
So, uh... following that train of thought... what's deeply wrong with the Lord of the Rings?
Johnald Ronald Rolkien Tolkien built fifteen different elvish languages and wrote poetry in all of them and you ask me what was wrong with him
Groovy Baby.

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The Muppet Show rare behind the scenes photo
One of the funniest running gags on Bob's Burgers is that one of the storefronts next door is always changing; these businesses - which often seem to be a sketchy (but hilarious) idea with an equally bad pun in the name - always seem to go under.
Here's a sampling of some of the "stores next door":

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the silmarillion bride
There was a time when it seemed possible that we could visit a real life licensed Dream Park, based on concepts found in the 1981 Niven and Barnes novel, where roleplaying games would be acted out by guests and staff with a variety of practical effects and virtual reality enhancements. ("The Ultimate Dream Park" by Douglas King, Australian Realms magazine 8, Nov/Dec 1992)
Many of these plans are remarkably specific but were never completed by this Dream Park Corporation which went bankrupt in 1997. Some similar concepts have appeared in the MagiQuest game installations, found at several locations including Great Wolf Resorts. A new company calling itself DreamPark is creating what it calls "the world's first downloadable mixed-reality (XR) theme park platform," with one location active at a Dave & Busters on Hollywood Blvd in LA.
The original Dream Park company was at Gen Con one year in the mid 90s and I played one of the games they were running. A headset was feeding me automated information based on my characters abilities, and a live GM answering when needed. Props in the scenario were moving remotely based on what we were doing. I was 100% convinced actually playing the South Seas Treasure Game was only a few years away. Shame it didn’t work out.
Also, everyone should check out the Dream Park novels if they haven’t. Those books are tremendous fun.
“But it gets worse, because that same executive order about mail-in voting also directs the Department of Homeland Security to build its own state-by-state lists of who’s eligible to vote, exactly the kind of national database you’d assemble if your real plan was to pressure states into purging their rolls. If that sounds like paranoia, it’s only because we’ve already forgotten that we lived through it. In 2000, Jeb Bush’s secretary of state, Katherine Harris, who also happened to be co-chair of his brother George’s Florida campaign, hired a private firm to scrub the voter rolls using a list of supposed felons that included eight thousand names shipped in from Texas. The matching was deliberately loose, flagging anyone whose last name was an 80 percent match to a felon’s, and the Brennan Center later found that at least 12,000 eligible voters were wrongly purged, 22 times George W. Bush’s 537-vote margin. Black Floridians were 11 percent of the electorate and 41 percent of the people thrown off the rolls. Bush took the presidency by that sliver, and the Florida Supreme Court-ordered recount that would have caught the theft was shut down by a Supreme Court whose deciding majority included a justice his own father had put on the bench, Clarence Thomas, whose wife was at that very moment collecting résumés for a Bush administration, and Antonin Scalia, whose sons worked for firms representing Bush, neither of whom saw any reason to step aside. That’s the voter merge-and-purge playbook, and they’re dusting it off on a national scale for this November with new, borrowed-from-Putin tweaks. Or at least they’re trying their hardest to.”
— This confession proves Trump’s terrified cronies know what’s coming for them
here's where to find it on windows 10
Ugh, it was in mine. It's off now.
IT GETS WORSE
I had to turn this off, but it's something that allows Windows and anyone using your device to generate text/images.
LOBOTOMIZE YOUR MACHINES
AI is a freacking plague, I share this for any windows user.

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Looking through some old Judges Guild stuff, opened the Character Codex and was met with this absolutely phenomenal illusionist by Jennell Jaquays. Such flair!
That's it, that's the post. Just needed everyone to see the illusionist.
I was reading through the U.S. Copyright Office's "What Does Copyright Protect?" page, mostly to make sure that I wasn't being wrong on the internet, but I absolutely love that this is part of their FAQ:
How do I protect my sighting of Elvis? Copyright law does not protect sightings. [,,,]
There are only 12 questions on the FAQ, and this is one of them.