‘And we know that by fighting, against all odds, we who had nothing, not even our real names, transformed the universe. Our ancestors did this with very little, and we who have more must do the same. This is the joyous destiny of our people—to bury the arc of the moral universe so deep in justice that it will never be undone. But all the fighting in the world will not help us if we do not also hope. What I’m trying to cultivate is not blind optimism but what the philosopher Jonathan Lear calls radical hope. “What makes this hope radical,” Lear writes, “is that it is directed toward a future goodness that transcends the current ability to understand what it is.” Radical hope is not so much something you have but something you practice; it demands flexibility, openness, and what Lear describes as “imaginative excellence.” Radical hope is our best weapon against despair, even when despair seems justifiable; it makes the survival of the end of your world possible. Only radical hope could have imagined people like us into existence. And I believe that it will help us create a better, more loving future.’

Medusa lost her beauty—or rather, it was taken from her. Beauty is always something you can lose. Women’s beauty is seen as something separate from us, something we owe but never own: We are its stewards, not its beneficiaries. We tend it like a garden where we do not live. Oh, but ugliness—ugliness is always yours. Almost everyone has some innate kernel of grotesquerie; even fashion models (I’ve heard) tend to look a bit strange and froggish in person, having been gifted with naturally level faces that pool light luminously instead of breaking it into shards. And everyone has the ability to mine their ugliness, to emphasize and magnify it, to distort even those parts of themselves that fall within acceptable bounds. Where beauty is narrow and constrained, ugliness is an entire galaxy, a myriad of sparkling paths that lurch crazily away from the ideal. There are so few ways to look perfect, but there are thousands of ways to look monstrous, surprising, upsetting, outlandish, or odd. Thousands of stories to tell in dozens of languages: the languages of strong features or weak chins, the languages of garish makeup and weird haircuts and startling clothes, fat and bony and hairy languages, the languages of any kind of beauty that’s not white. Nose languages, eyebrow languages, piercing and tattoo languages, languages of blemish and birthmark and scar. When you give up trying to declare yourself acceptable, there are so many new things to say.