I canāt believe Noelās reaction to Arthur admitting to killing 7 people was to take him to a cafe, ask him if heās married and give him his number
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I canāt believe Noelās reaction to Arthur admitting to killing 7 people was to take him to a cafe, ask him if heās married and give him his number

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ok note to self i gotta leave the house regularly so that i dont feel like im slowly transforming into an evil fucking shadow clone of myself
So as it turns out your sense of self doesnt exist in a vacuum. You gotta actually use it and bounce it off of other people like echolocation to see where you are as a person and shit. So if you dont regularly interact with other people the echoes just get weaker and weaker and before you know it your personality is a blurry fucked up fog clone of its former self. which it sucks because this makes it really hard to interact with people again but yknow
i donāt even know how to render or color āproperlyā i take my brush and attempt some bullshiiiiit. and it works sometimes
First time painting from life
As someone who has overcome substance abuse, I find this decadeās framing of addiction incredibly insulting.
Somewhere along the line, we decided that any repeated behavior, any source of pleasure, any coping mechanism, any habit that isnāt monk-like and productivity-optimized must be labeled an addiction. You like scrolling art before you create? Addiction. You watch comfort shows after work? Addiction. You check your phone in line at the grocery store? Addiction. You drink coffee with breakfast? Addiction. The word has been stretched so thin it barely means anything anymore, except āa behavior I personally disapprove of.ā
Addiction is not āI enjoy stimulation.ā It is not āI have habits.ā It is not āI seek input before I produce output.ā Addiction is a specific, devastating pattern of compulsion, harm, loss of control, and often self-destruction. It dismantles relationships. It corrodes trust. It hijacks the reward system so thoroughly that survival itself becomes secondary. It is not equivalent to liking Pinterest boards or needing music to focus.
When everything becomes addiction, nothing is. The language gets diluted, and with it, the gravity of what actual addiction is. People who have clawed their way out of substance abuse know the difference between compulsion and preference, between destructive dependence and deliberate engagement. Collapsing those distinctions into a trendy moral panic about ādopamineā is not enlightened. Itās sloppy. Unserious, even.
Thereās also something deeply puritanical about it. The 2020s seem obsessed with pathologizing pleasure. If something feels good, it must be suspect. If it captures your attention, it must be hijacking your brain. If it isnāt explicitly productive, it must be rot. Weāve replaced older moral frameworks with neuroscience-flavored shame, but the tone is the same: you are wrong for enjoying things.
What bothers me most is how casually the word is thrown around in creative spaces. If you gather inspiration through music, images, movement, conversation, suddenly youāre āstimulus addicted.ā If you canāt brute-force a novel in a silent white room with no input, you lack discipline. Never mind that many artists throughout history have relied on immersion, community, environment, and cross-media inspiration. Now itās framed as weakness, as though the only legitimate art is produced under self-imposed sensory austerity.
This framing flattens nuance. There is a difference between avoidance and incubation. There is a difference between doomscrolling to numb out and deliberately engaging with material that fuels your imagination. There is a difference between compulsively chasing a hit and consciously choosing input that enriches your work. But nuance doesnāt trend. Alarmism does.
Thereās also a strange individualizing move happening here. Instead of asking why people are exhausted, overstimulated, underpaid, isolated, or burnt out, we zoom in on their coping mechanisms and label them addictions. Instead of examining structural monotony, economic precarity, and social fragmentation, we scold individuals for having ābad dopamine habits.ā Itās easier to diagnose peopleās scrolling than to confront the conditions that make endless scrolling appealing.
Calling everything an addiction also erases agency. It suggests that people are perpetually hijacked by their brains, incapable of intentional choice unless they purge all sources of easy stimulation. Thatās not empowering. Itās infantilizing. Adults are capable of enjoying things without being enslaved by them. Adults can have rituals, comforts, and creative processes without it being pathology.
When I hear the word āaddictionā tossed around to describe normal human behavior, it doesnāt sound like insight. It sounds like moral grandstanding dressed up in pop psychology. And for those of us who have actually lived through the wreckage of substance abuse and fought to reclaim control, it feels like watching something serious get turned into a meme.
We deserve better language. We deserve distinctions. We deserve a culture that can tell the difference between compulsion and preference, between harm and habit, between numbing out and nourishing ourselves. Not everything that holds our attention is a disorder. Not everything pleasurable is a vice. And not everything repetitive is an addiction.

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This one will be a hit (2 notes)
Every ad I get is so incomprehensible the only thing I can understand is gambling on tumblr. Why does everything I get on YouTube look like a short experimental silent movie with a budget spent exclusively on having Zendaya in it so they donāt even have props. Am I in a looney tunes episode or am I losing my mind.
Is it incredibly old timey to think that some part of an advertisement process includes showing the product you are trying to sell?
how it feels to challenge yourself to an exceptionally difficult drawing and it turns out fucking awesome
My scrunky
Whatās up, Iām not dead yet

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āmodern auā āhighschool auā human/non-powered au"
Why donāt you just watch glee then.
I use this to torture my victims:
they throw regular rats at eachother
my fav relationship ship dynamic is where it doesn't matter if you call it platonic or romantic or queerplatonic because they always act the same in every type of relationship. and the way they act? fucking weird.
prediction for malevolent part 56:
Arthur: so, in order to stop Kayne, I need a body, and in order to get that... I have to kill you. And I am so sorry but -
Dennis "the Butcher" Collins (probably post lighter): so then that makes me eight, maybe?
Arthur: ...
Collins: or have you killed a few more people since we last talked?
Arthur: you cannot be serious.
Collins: Come on, lad! Can't I be curious? Oh, I can see it. Come now. How many.
Arthur: ... Two?
Collins: are you about to say maybe. You know, it's real unprofessional to not know these things.
Arthur, suddenly less conflicted about what he needs to do: oh fuck you
Relistening to malevolent and their dynamic in season 1 is so funny to me, Iāve completely forgotten about it. Johnās attempts at manipulation. Arthurās readiness to kill a man at slightest provocation. The mutual bitchiness. The stupid decisions. The āArthur, your whimpering is awfully distractingā. The sinister laughter. The āyou have a look of a man not to fuck withā. The usage of āJesus Christā as a comma
So. Kayne killed every alternative version of himself(minus the manager). Good for him.
How are all the Jarthurs doing without him then? Like. No scammy deals with a god that wants to take advantage of you? No mayhem in the most unfortunate moment? Also how did Johns get back to their Arthurs after the whole King in Yellow fiasco? Or does Kayne pop up in their lives too?
Post cancelled Iāve forgotten about the bone citadel

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was about to make a "gay people can never flirt normally" post about arkayne but realized kayne does actually.
-"my love" and similar: self explanatory. normal flirting
-giving him a dagger: shiny trinket like crow. kayne's not the one who decided to stab himself with it
-helps with his wound in coda and probably also part 28
-watches his entire life in this and thousands of other timelines: he wants to know more about arthur. normal crush behavior probably
-writes and directs a christmas special starring one of those other arthurs: creative expression. like a journal to him i think.
-sends his enemy to hell, kills his enemy-turned-half-situationship, and sends his other situationship to spain (?): he just wants some alone time is that really too much to ask
-plays him a song on the piano :)
-sends him on a fetch quest to the 1200s: he got nervous idk. don't we all
So. Kayne killed every alternative version of himself(minus the manager). Good for him.
How are all the Jarthurs doing without him then? Like. No scammy deals with a god that wants to take advantage of you? No mayhem in the most unfortunate moment? Also how did Johns get back to their Arthurs after the whole King in Yellow fiasco? Or does Kayne pop up in their lives too?