MERRY CHRISTMAS AND HAPPY HOLIDAYS! gio! @celiabowens ♥
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MERRY CHRISTMAS AND HAPPY HOLIDAYS! gio! @celiabowens ♥
spirited away (2001) dir. hayao miyazaki

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Tian Guan Ci Fu | Heaven Official’s Blessing (2020)
‘Heaven Official’s Blessing’ concept arts
Tang dynasty women playing polo, paintings by Wang Kewei
The word polo is thought to derive from the Tibetan pulu, the wood from which the ball was made.
Much controversy surrounds the origin of polo. Tibet, China, Iran, India, and Central Asia have all been proposed as homelands for the game. It remains possible that the game had more than one point of origin, though a recent study has argued convincingly that polo developed in northeastern Iran out of the equestrian chase games played by the mounted nomads of Central Asia in the last centuries before the Common Era.
Polo probably was introduced to China sometime between the end of the Han period (206 B.C.E.- 220 C.E.) and the early part of the Tang dynasty (618-907). It seems likely that it was introduced by the Xianbei tribes that controlled northern China from the fourth to sixth century. The ruling house of the Tang dynasty, the Li family, itself had Xianbei ancestry, at least on the maternal side. The Xianbei, because of their nomadic origins, had a great fondness for horses, a trait that (like many aspects of their culture) was inherited by the Tang dynasty. It is also notable that the Xianbei accorded higher status and more physical freedom to women than the Han Chinese, so women became avid polo players under the Tang dynasty.
The emperors of the Tang dynasty such as Zhongzong, Xuanzong, Muzong, Jingzong, Xuanzong, Xizong, and Zhaozong were all supporters and participants themselves in the polo sport. In the 6th year of the Tianbao era (747), Emperor Tang Xuanzong issued a special order, and declared that polo would become one of the subjects for military training.
Polo was wildly popular during the Tang dynasty but it was also dangerous; riders thrown from their horses were frequently injured or killed. So sometimes donkeys were used instead of horses - as a safer alternative.
The Tang era terracotta figurines of polo players, both male and female, were unearthed in China. The game is also depicted on paintings and on frescoes in excavated tombs.
From Tang times on, the education of the upper class became more bookish, and martial skills, such as horsemanship, archery, and swordsmanship, came to play a lesser role in the elite life. So polo also gradually lost its popularity and completely fade away by the Qing dynasty.
Women stopped playing polo much earlier - when the conservative Neo-Confucian teaching grew in popularity after the Tang dynasty fall. For women, Neo-Confucianism placed extra emphasis on chastity, obedience and diligence. A good wife should have no desire other than to serve her husband, no ambition other than to produce a son, and no interest beyond subjugating herself to her husband’s family. Of course, this left no space for physical training, horsemanship and sport.
https://sites.asiasociety.org/arts/asiangames/power02.html
Tian Guan Ci Fu | Heaven Official’s Blessing (2020)

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Recreation of the Tang Dynasty in The Longest Day in Chang’an.
The attention to details in this show is amazing.
Map of Chang’an in the Tang dynasty by Spherical_Melon
(Must have while watching or reading The Longest Day in Chang’an)
Source: https://www.mapmania.org/map/2802/city_map_of_tang_era_changan
I’ve already watched Heaven Official’s Blessing episode 1 twice, I’m dying?? It’s so good, the music is to die for, ahh I have too many thoughts atm. I have never managed to get through the whole novel but I love this story so much. It’s hands down my favorite MXTX work.

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Faraway Wanderers Reading Blog: Chapters 06-10
I AM BACK! Maybe I’ll be able to finish this live blog series before the live action comes out? Hopefully?
I’m going to have to do a proper re-watch of The Lost Tomb/Daomu Biji series and finally buy the 6 volumes that actually received an English translation, but I have to scream some thoughts going into the Reboot/Reunion first:
(spoilers for the series)
the lost tomb reboot is finally airing??
aaaHHHH
I find your thread about Hanfu in relation to Han supremacy both interest and frustrating, in that the current "Han" people aren't even really all that "Han". Like you really can't trace ancestry in China? A last name doesn't really give it away, as plenty of people changed last names during the CR. More people have mixed heritage than they even realize, so how do you measure "Han" culture and hanfu in relation to that when it's at most an interpretation and not even historically accurate?
What considered Han has been debates for thousands of years and even Confucius talked about it. Han culture traditionally is more of a cultural agreement (?) than actual blood heritage thing (“诸侯用夷礼则夷之,夷而进于中国则中国之” 韩愈). Clothing, writing, language, ceremonies, music, calendar, measuring units… Those are the things that really define Huaxia.
Not sure about people from other parts of China, but many family in the southern provinces can trace their family back reliably at least 10 to 20 generations because they manage to hide their family tree book, also they have relatives who have copies in the South East Asia. Also Han culture is so patrilineality that the origin of the mother doesn’t matter as much in the long run.
I also think a lot of Han people don’t really care what kind of heritage they have, like some white Canadian friends said that they have like 16% Italian 10% German etc. Chinese will be like… they are Chinese. That is all they need to know. Some of my friend’s parents doesn’t even know which province their family origin from (that information is important for weddings and funerals and coming of age ceremony).
China is such as big place anyway so of course there are variation in the genetic make up and costumes. Blood and heritage means something, but I don’t think it is the most integral part of the whole Han Chinese identity.
To echo @fouryearsofshades point, “Han Chinese” really isn’t a racial/blood heritage concept so much as it is a cultural/historical one. This is something that the majority of Chinese people (including those in the hanfu movement) acknowledge. After all, China is so big, and it couldn’t have gotten that way without mixing involved (through unification and territorial conquest). I mean, just speaking for myself - my mom’s side of the family is from rural Sichuan near Tibet, so I could very well have mixture from some ethnic minority groups from that area. I dunno, I’ve never taken an ancestry test. (I have also been told by multiple Chinese people within China that I don’t look 100% Chinese, soooo). But I identify with the Han Chinese identity and hanfu because of the shared language, culture, and history.
“They were monsters! They were not human!” “Have you ever considered, that that was exactly what they thought of us?”
The Poppy War by R.F. Kuang

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Chinese Swords Collection Ⅰ ——-Tang dao(唐刀), Chinese swords in authentic Tang dynasty style, part Ⅱ. According to administrative code book, 唐六典,which was finished in A.D.738, tangdao is the generic term of four types of swords. Yi dao(仪刀), swords for ceremony, long, blade is straight, gorgeous in appearance, with golden ring on the tail of grip; Zhang dao(障刀), swords for shield, slightly curved, short and portable, designed for close combat; Heng dao(横刀), swords for the court guards, blade is long, narrow and straight, grip is long, with many decorations on sheath; Mo dao(陌刀), swords for foot soldiers, long and heavy, can be wielded to cut the legs of steeds of cavalry. See part Ⅰ.
A vision of a vivid escape, a glimpse of another world. The soft light catching, the speckles of dust dancing through the air in the hot summer sun. From the careful creeping rays of the morning’s slumber to the perfectly placed flowers as though Mother Nature was dabbling in interior design, we often overlook the smallest things.
For artist 鱼俞木, he makes sure to depict everyday things like doors and entrances as magical portals to another world, full of surprises and adventure.