ALSO!
Can we please talk about Adam’s growly, little “yeah” x3 at the start of Gravity?
Because I’m, like, totally normal about those.
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@miniagula
ALSO!
Can we please talk about Adam’s growly, little “yeah” x3 at the start of Gravity?
Because I’m, like, totally normal about those.

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They're like... A family or something... toxic edition...
Well, the song was cool
Grabbing people by the scruff of their necks and shaking them. You know Jax being a terrible person was the point right. That she pushed everyone away despite having all the opportunity to be better.
It's meant to be tragic. That even after all that she realized she wanted to change as her last words and thoughts. She didn't want to go.
It's okay I understand this is baby's first nuance.
Also good to keep the additional nuance in mind, though, that not every transfemme, who faces similar struggles, visibly and consciously chooses to consistently suppress their empathy and be an abuser.
Now, don’t get me wrong, I’m going to enjoy fanon content of Jax a lot. I’m not a “hater” in the sense that I want her off my screen, like some ppl. Bc there are things to like about her.
I’m going to enjoy seeing her go through a struggle arc of becoming a better person.
But that’s not the canon character.
Like. Gooseworx still refers to her as a piece of shit. Gooseworx still condemns her. By all context, Jax is genuinely a bad person even outside of being repressed.
I feel like people on the other side of this jump to woobify her because of her transness, but that is not what’s going on.
“want to change” she literally did not say that. She said she didn’t want to die. Fairly big difference. Death is scary. Almost her last words to Pomni were “I hate you”
Now, it wasn’t totally literal. But even in death, she couldn’t say “I’m sorry.”
Nuanced =/= everything is scrubbed away by 1 trait.
That’s the antithesis of nuance.
i need the alastor betrayal to hit so hard for both charlie and al
alastor never caring if he hurts someone, but seeing charlie hurt makes his usual sadism flicker
imagine a charlie v alastor fight where you can tell they don’t want to hurt each other

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PLEASE LOUDER OHMYGODDDD LOUDER
they are also the only relationship that matters to me... like they have so muuuch going onnn, like their little heartwarming connection. it LITERALLY SAVED A SERIES TO ME
AND LITERALLY THANK YOU SO MUCH FOR PUTTING THESE TAGS IN BECAUSE EVERY DAY IN THIS FANDOM FOR ME IS SPENT LOOKING FOR PEOPLE WHO SEE MY VISION, FOR WHOM LOONEY AND OCTY MATTER!!!! THEY DO!!!!
Thank you, thank you. I feel so much less alone. I appreciate your tags, and OUR GIRLS LOOK AT THEM SILLY LOOK AT THEM GO
HAHA UR SO WELCOME!! i get a real kick out of them lol, they only had like two minutes of screentime together in SS and they stole my heart. the way loona flourishes and blooms under a mentorship role (genuinely don't think we've ever seen her so sweet with anyone) and coaxes via out of the shell she wrapped herself up tight into is everything to me, especially after having been disappointed by her father for a majority of the seeing stars. just, that someone found her, someone who could relate to being so miserably alone, and tried to cheer her up in a way she needed was so lovely to see.
that and this shot always fizzles my neurons lmao. in my heart of hearts i started wearing the shipping goggles from here; we've GOTTA find a way of lighting cigarettes that feels less homoerotic
Her biggest fan
vaggi and alastor as the angel and devil on charlie’s shoulders in season three
Urghh...wief....wife...
John Doe is really living the life. He gets to live inside the head of his favorite person in the world, AND he even has a special corner inside of said mind where he can write his little stories. He forged his own identity. He was forgiven even when he was convinced he couldn't or shouldn't be. He is so loved.
Every day, he and Arthur wake up and face the world together. They walk down the street together, and John takes everything he sees and lovingly polishes it before handing it over to Arthur, so they can both have it. Every moment an act of cooperation and sharing, of building something beautiful by merely passing it back and forth. Arthur pilots them forward, taking the burden of every blow, every uncertain interaction, every tough choice where the answer never feels quite right. And all the while, they're always talking to each other. Always testing out how a situation feels by putting it in the other's ear and seeing what they think.
God, John's so lucky.

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john asking in the smallest voice if arthur is annoyed at the mail that is sent to him about his stories because arthur made him question the value of his work. him continuing the conversation in the saddest voice, not even caring to act petty about oscar, because arthur chose the business mail instead of fan letters for john– i'm gonna strangle that british bitch with a hanger
a bit scared of what will happen if/when faroe learns about john and the whole story. how awful would that be? your father doesn’t know you, isn’t your father at all, AND CHOSE NOT TO TELL YOU. I would be so betrayed. Faroe is clearly mature and independent, so honestly, arthur should’ve told her from the start.
it sucks because i would love to see jarthur and faroe as one happy family, but it does not seem likely in the slightest
When Malevolent is your coping mechanism, but you're in THOSE episodes...
thinking about Them again and i'm sick in the mind...i need al to manipulate charlie on any and every level he can reach i need charlie to push back against him and pierce right through the mask he wears i need them both to petrify each other, talons in, unable to let go
the key thing about radiobelle to me that I desperately need more people to appreciate is that before Alastor is anything else (a mentor, a father figure, a friend) he is Charlie's Mephistopheles. He's an avatar of dangerous temptation that might make her dreams come true and might bring them crumbling down, most likely both at once, and she's dancing with him anyway because she's arrogant enough to believe that she can safely toe the line. This was the original context their relationship was introduced in and while it has grown to encompass far more since then, that basic idea has never stopped being relevant. there is a fundamentally predatory aspect to their dynamic offset only by the fact that charlie, despite all appearances, is much more than mere prey, in some sense having become as much of a threat to him as he is to her. And of course this is all underlaid by the irony of the former mortal (who himself made a very classically faustian bargain in life) playing the temptation to the daughter of the literal devil.

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"Hey. Hey. Don't do this to me. Open your eyes. C'mon, open your eyes, don't do this to me."
"...I don't think she's—"
"No. Not like this. Not like this. C'mon, come on."
Cleanup animation from Harvest Moon Festival posted to Anthony Wyatt's twitter April 30, 2021.
[source]