Since weâre throwing haymakers at the kyriarchy today, I think this is something that we should really be talking about too, because it happens
Level 1: People of Color from Medieval, Renaissance, and other Early Modern European works were often literally painted over in later decades or centuries.
For example: In this painting, Giulia deâMedici (the child) was painted over in the 19th century:
Level 2: It was very fashionable in a lot of 17th and 18th century paintings to have a Black servant featured in portraits of very important historical figures from European History.
Honestly? Theyâre practically ubiquitous. A lot of the very famous paintings youâve seen of European and American historical figures have a Black servant in them that have been cropped out or painted over.
Those silly stock photos from your American History Professorâs Powerpoint?
Your Professorâs PowerPoint for âGeorge Washingtonâ:
Your professorâs Powerpoint on Jean Chardin:
PowerPoint on Maria Henriette Stuart (with some commentary about the Habsburg jaw):
But, because of whitewashed history curricula, teachers and professors continue to use the cropped images because they donât want their lecture to get âderailedâ by a discussion about race.
These images are also more commonly seen on stock photo sites, including ones for academic use.
I honestly canât find anyone really writing about this, or even any analysis on how often the cropped photos are used.
The reason they are so easy to crop out is because of the the artistic conventions which reflect the power hierarchy:
Oil paintings of aristocratic families from this period make the point clearly. Artists routinely positioned black people on the edges or at the rear of their canvasses, from where they gaze wonderingly at their masters and mistresses. In order to reveal a âhierarchy of power relationshipsâ, they were often placed next to dogs and other domestic animals, with whom they shared, according to the art critic and novelist David Dabydeen, âmore or less the same statusâ. Their humanity effaced, they exist in these pictures as solitary mutes, aesthetic foils to their ownersâ economic fortunes.
This is drastically oversimplified, but at least it addresses it directly.
If anyone knows more on any studies or statistical evidence on this tendency, feel free to add it.