Sometimes, neither does he.Â
He has comrades enough, numbering by the dozensâtroops and swords alike to support each other in battle and chores. ButâŚdid they care? They look at him andâhalf of them donât see his face, hidden away in his hood.
Luke moves in and Yamanbagiri has to tell himself not to move out, gaze fixated on the offending shoulder. Theyâre not even touching but heâs wary anyways, too many memories of a boy who did the same and ended up clinging to his back.
(For all his fragility, Issei had a grip stronger than death.)
ââŚyou are yourself,â he tries, echoing his own words. âKnowing your boundaries is a part of knowing who you are.âÂ
âHaving the confidence to show thatâŚit helps, I think.â Despite this, Yamanbagiri draws the hood around him closer. The closer he speaks from his heart, the less he wants anyone to see.Â
(If I were more open, maybe Iâd be less confused.)
But a lifetime of sitting speechless, quietly taking in the mistaken assumptions of users and strangers alike, had left an impression. If they couldnât stop to see him for who he was, he wouldnât let them see at all.
âYou have people who believe in you,â he finishes quietly. âI think thatâs good enough.â
The things he says are true.
Luke knows it, in the colour of his skin and the too-white rigidity of his bones. The same white the manâs cloak would be, probably, if it werenât so dirty and ripped by time. When he looks over, he can no longer see the face behind the hood, only watch bright-light explosions and distant fireworks play in shades against the cloth. The things he says are true.
And Luke knows itâs true, what he thinks: you donât believe that yet.
He lifts his head, offers a smile he knows the man wonât see.
Itâs good enough for him, and thatâs -- in the end, thatâs what matters. He will feel for the man who does not meet his eyes, and this experience will linger in him, like a passenger who does not leave the train, even after its final stop. But he rises to his feet, leaves the box of cake where itâs at. You are yourself. You have people who believe in you.
âYou should try believing that too.â He stands to face the stranger, rubs his hands distractedly before he shoves them in his pockets. There is nothing in his voice that is looking down. There is everything in his voice thatâs empathy, and gratitude, even though the chill of the night and the way the guy hides himself away says... keep it simple. âBut... thanks. That really, um. It means a lot to me. And I...
âFor the record?â he says, and when he finally, finally has the guyâs attention, he beams again.
His name is Luke. He will not realise the stranger never introduced himself until later, much later, when the skyscrapers are around him again and the noise is further than ever. But he will think --
Theyâll have a second chance.