CINDERELLA (1950)
dir. wilfred jackson, hamilton luske and clyde geronimi
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@merrysithmas
CINDERELLA (1950)
dir. wilfred jackson, hamilton luske and clyde geronimi

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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So happy to see everyone call Marvel out on their bullshit
This is literally the entire comment section, I'm so proud
But seriously the audacity to post this in particular during Pride month
They’re so dramatic
i sometimes forget star trek had a real "hes gay, jim" moment
the ideal media diet for a child is books and music from at least fifty years ago so they are always out of touch with the references and allusions of their peer group

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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q you worry too much
Quick art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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so metropolitan museum of art has a register of books they’ve published that are out of print and that you can download for free! they’re mostly books on art, archeology, architecture, fashion and history and i just think that’s super useful and interesting so i wanted to share! you can find all of the books available here!
fandoms easily see most male characters as gay, trans, queer etc bc most cishet men arent capable of a full range of emotions or even, sadly, reason. theyve been brutally conditioned from birth to be violent, infantile, and entitled even in insidious ways to the point where coming across a cishet man who is NOT any of those things is genuinely shocking.
so when you see a character expressing a full range of emotions or having a full-fledged personality, it literally doesnt add up with the Straight Cis Default creators often assign to characters. so, as the viewer you easily assume they must have an identity which allows them a greater perspective on life (some kind of queerness) and escape from patriarchal norms. valid af frankly.
this is also really evident in the subgenre of Fantasy, which is the Romance genre, where all the men are mostly written to be cishet. it becomes very, very clear the Man in a Romance genre book or film is more closely related to a fantasy race like an Elf or a Werewolf than a real cishet man. this is very much on display in the modern depiction of Monsters as Romance Leading Men (Edward Cullen, Frankenstein's monster, the Salvatore brothers, Jacob, Scott McCall, Wolverine). They are literally equated to archetypal fantasy characters and set apart from IRL human cishet men.
but a lot of people who consome Romance media don't realize that. and more can be said on that and how it brainwashes ppl into gender roles and false expectations and also upholds patriarchy, but yeah
BRIDGERTON (2020-) KATE AND ANTHONY
2.08 The Viscount Who Loved Me
MY NEIGHBOR TOTORO 1988 | dir. Hayao Miyazaki

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[Same Age AU] v1 But they like 40 or something? Maybe they're also a Force dyad and Jedi Council's biggest headache. Okay, Obi-Wan slightly less troublesome, but only because he knows how to cover his ass.
THE EMPIRE STRIKES BACK (1980) Dir. Irvin Kershner