Happy (belated) birthday!!!
in case you can’t read my shitty handwriting
MC and Saeyoung: Happy birthday Saeran!! We love you!!
Saeran: *avoiding eye contact* ...thanks...
hello vonnie
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@mel-pomene
Happy (belated) birthday!!!
in case you can’t read my shitty handwriting
MC and Saeyoung: Happy birthday Saeran!! We love you!!
Saeran: *avoiding eye contact* ...thanks...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
"Hello darkness, my old friend"
Izzy Hands as the only human in a muppets film is one of the best descriptions I've seen of a character's energy
A very quick drawing I made for the twins... drawing speedrun lol-
favorite character from any media BUT it has to be a woman. in the tags now go (pls talk to me about your favorite fictional women pls pls pls pls)
im thinking abt sinners and The Scene: how Sammie played so beautifully that the house caught fire and showed the people inside, but he wasn't the center of it - there was so much movement in that scene!!! so much to SEE - no two people danced the same way - you're focusing on the spirits of the old and the new and how Together everyone looked even without four walls around them.
And then you have Remmick and his song. There's uniformity in the dancing!!! in the singing!!!! in the movements!!!!!!! Those same people who were dancing so freely and expressively!!!!! Now following remmick step after step!!!!!
Whiteness as vampirism!!! Leeching away individuality!!!! culture!!! freedom!!! ughhgghh this movie !!!!!¡!!! so good !!!!!¡!!!!!!!

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the comparison of the Irish experience to the Black experience, finding out that Remmick comes from a time when the Irish were colonized... while still acknowledging that he was able to use that privilege to escape the vampire hunters... and the first thing he did was un-racist those fuckers in the home he ran in to.
and the absolute juxtaposition of Sammie escaping the vampire hivemind with his life, only to go back home to the church where he is expected to give up the music of his life to assimilate into his father's church
FUCK
Ryan fuckin Coogler the man that you are
i'm not going to shut the fuck up about this movie
saw a theory that the SmokeStack twins were posing as one man in Chicago, which helped them get away with stealing from both sides. i'm poised to believe that because visually their clothing was very clearly of the two mobs. smoke was full irish— tweed, bowler hat. while stack had the full mafia look. yk italian leather shoes, fedora etc etc . like the details!!
im thinking abt sinners and The Scene: how Sammie played so beautifully that the house caught fire and showed the people inside, but he wasn't the center of it - there was so much movement in that scene!!! so much to SEE - no two people danced the same way - you're focusing on the spirits of the old and the new and how Together everyone looked even without four walls around them.
And then you have Remmick and his song. There's uniformity in the dancing!!! in the singing!!!! in the movements!!!!!!! Those same people who were dancing so freely and expressively!!!!! Now following remmick step after step!!!!!
Whiteness as vampirism!!! Leeching away individuality!!!! culture!!! freedom!!! ughhgghh this movie !!!!!¡!!! so good !!!!!¡!!!!!!!
Something something the brutality of harmony versus the freedom of chaos
Sure, boss, I’d still be ya henchman if you was a woim
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
This is further paralleled when the KKK come by the Juke Joint after sunrise. In the same way as the vampires, they circle the Juke Joint. They try to get in but all the doors are locked. They're denied access. It's just that, this time, Smoke is prepared for them. In their mannerisms, approach, and effect, the vampires and the KKK are the same. The only difference is that their motivations are different. Debatably, that makes the vampires worse. Smoke was always prepared for the clan, you don't carry around guns of that caliber without reason, but he was not prepared for Remmick. The only reason any of them lived to see the dawn because Annie was there.
And how would you really prepare for a person like Remmick? Because while yes, Remmick is white and he came with white folk, that doesn't mean that they're all white. Vampires could be anyone. While the fact that they needed an invitation to come in could be considered a red flag, most places require an invitation to get in. It's one thing if a person randomly shows up to your door step and asks to be let in, that's weird, but if it's a friend? Well, showing up to the doorstep randomly is a bit odd but not unheard of. And walking in without an invite? that's just rude.

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The portrayal of white people who have been violently separated from their own culture stealing the power of black culture and music to try to get reconnected was SO literal and somehow not at ALL heavy-handed or trite. Fkn remarkable.
we are all sinners
"Useless ray of goddamn sunshine. You could have taught an old fool like me a lot."
Referenced Ivan the Terrible and His Son Ivan (1885)
anya my dear
vomit

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The little world next door
I love our flag means death so fucking much because they were like “here are two guys. They’re in love. One of them is a dilf who kills a man because he hurt his boyfriend and then immediately slams said boyfriend into the wall to make out with him. The other is a babygirl who wears a cat collar and builds blanket forts and asks his boyfriend to practice his ‘captain voice’ on him. Now guess which fucking one is which.”