Ok from this specific angle unfinished like this, it just looks like the world's saddest tree

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@medicinemane
Ok from this specific angle unfinished like this, it just looks like the world's saddest tree

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It is kinda cool that at this scale I'm realizing I really do need to make every bit of every branch and every sprout instead of just implying it by placing logs covered in leaves in a direction
Even with the giant dark oaks I want to make it'll probably just be branches but not another more detailed, so it's neat being forced to provide the specifics of what the tree looks like (imagine if I was working with a unit smaller than a 1x1 cube... or also when I build an even bigger tree around the gold farm eventually)
First branch, think I'm mostly happy with it, though...
This is the one part I'm maybe not happy with, and the annoying part is if I want to move the little shoots further that'll mean tearing out the leaves and redoing them... doable, but annoying
Big branch though I think is in the right place, and I think 3 shoots is the right about, and I think the leaf style looks good. There was a 4th shoot, but I decided it looked bad, so it's gone now
I think this is working from every angle so far (the birch signs are just where I'm thinking of doing another branch... I also should when I'm on the texturing phase make sure I go in and add some knots and such). I think if anything it's making every angle look better, now that I got rid of shoot 4 there's no angle that I think doesn't work (in terms of this branch)
So it is coming along, though it is a little hard to differentiate between the green and brown from spawn... but... also I still don't have glasses, so that certainly doesn't help
I cannot recommend bringing your heritage and culture into how you view media enough.
It is important to consider the culture of the person who created the piece, absolutely; but the different perspectives offered by the viewers is fascinating in and of itself and does not always detract from the message.
As an example, when I was younger, I watched Schindler's List. This movie is famously shot in black and white except for one section, concerning a little girl in a red coat. The camera follows her until her eventual death.
I am Turtle Island Indigenous and I was always taught that the only color spirits could see was red, because it is the color of life and blood.
So the second the girl in the red jacket came on screen, something inside me chilled with fear.
The only color in the movie was that red. At some point, I, the viewer, had died.
I remember sobbing at the sight of the burning human piles that were shown, convinced I was buried in there somewhere. The reason I had only seen red on the girl was that my death was recent. I was the ash in the air mistaken for snow. I had died before her and had followed her, helplessly, until she followed me.
The message I got for that was maybe not what the creator had intended: that there was no "being clever enough" or "good enough" or "kind enough" that would shield or protect you from such a massive tidal wave of evil.
You are not exempt from tragedy, that red jacket whispered. You are not special.
When I told some of my white friends about my experience with viewing Schindler's List, some were shocked and the rest just out-and-out mocked me for my "media illiteracy".
"it was just a filming trick to make you feel something," I remember one saying, which terrified me. How had he not felt anything even before she showed up?
However, when I repeated my viewing to a college class, they were fascinated. The implications of what I had seen and felt made the film all the more terrifying and solemn. It encouraged a lot of people to try to ask themselves what media meant from a cultural perspective, where they hadn't done that before.
Ok, I think these are looking a bit better now. Still probably a lot of refining to go once I'm texturing and can... you know... actually see anything other than just the void, but pic 2 especially looks better... 1 is maybe still a little off

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every time I think about how they apparently made yoda's swamp hut an instinctual thing that his entire species crawls off and builds I fucking lose it again
[yoda suffering anxiety attack voice] hmm build a mud hut I must. for reasons I don't know.
[yoda suffering manic episode voice] a really good fucking idea, a mud hut is
The thing they don't tell you about autism is the rage.
Like for real it's something I don't see too terribly often in autistic-coded characters and something I NEVER see in Canon Autistic Characters(tm) is how fucking frustrating everything is and how much anger you just carry in you and how it can explode out of you.
Or is that just me?
my entry for @poketcg-art's tcg redraw contest ^^
i realize i still have a lot to learn regarding rendering and overall composition but i'm happy that i tried something new that was scary for me. a lot of my pieces are just characters floating in voids so this was fun to try and replicate.. salamence i hope i did you justice
original card:
i’m losing my mind

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using the bus tracker app is like. oh it's going to be here in three minutes. now it's five minutes. oh the bus has killed itself
The first time she learned of the ghost was from the realtor. They had been very upfront about it, just like they had made it very clear that it being haunted was the only reason this stately Victorian home was anywhere near her budget. So she had taken it, of course she had. It was a sweet house, a family home. No manor or mansion by any definition of the word, but built before the time that people were concerned with saving space. It was stately, but in disrepair, and most definitely, absolutely, undoubtedly haunted.
It shouldn't really have surprised anyone that he did not move on when he died. He had been the butler of the house when the family had lived there, had become its custodian during their absence, and what was the purpose of a custodian if not to wait with the house for the return of its owners? Except they never returned.
The first time she felt the ghost was when she went to clean the place up. Which is why she came back with a sensible supply of ibuprofen the next time. It was very hard to get anything done with impending migraines stabbing at her temples. The bone chilling cold that seemed to seep from the walls was harder to keep at bay, but she did not hold it against him. If she had been trapped in this place she would be kicking up more fuss than the occasional cold spot. Besides, it was a good incentive to keep busy. It's impossible to be cold while scrubbing a floor. By the time she had gotten around to restoring the fireplaces to their original marble with paint stripper and a scraper, she didn’t even feel chilly anymore.
They might have abandoned the house, but he hadn't. He had kept it tidy, well aired out, and in good repair, decade after decade. Over half a century. What was a century more? It was a good house, a fine house. It did not need “developing”, it did not need these people with grey paint and eggshell paper. They should have left the finials and weathervane in place.
The first time she heard the ghost was while looking for the kitchen door. There were bits and pieces missing of the house, her house. Someone, at some point, must have taken that door off its hinges, in a vain attempt to approach open-plan living. It was nowhere to be found, but she would find it, if only that terrible rattling and wailing would stop. It did stop, once she found the ladder that had dropped down from the attic. The attic the realtor had told her was completely inaccessible. The attic filled with ornaments and antique doorknobs, a battered weathervane, and a panelled kitchen door.
Restore... That was a quaint word. Not at all like “remodel” or “modernise”. There were a lot of words he had never heard before, he had not bothered to listen for a long time. Such a cheerful, appreciative voice.
The first time she saw the ghost was while poring over a sample book, fretting over the few scraps off wallpaper she had found behind a patched-up baseboard. The colours were too faded to make out and she did not want to get it wrong. Victorian reproductions were expensive, and the leaves and the feathers looked so much alike. She had nothing but a corner of paper to go on and she stared and stared and stared, until a hand reached out of nowhere, and turned the page to the maroon one. She barely breathed, she put the scrap of paper on the page, a perfect corner of the pattern, and smiled.
It was a fine house, a beloved house. And people came there again, not to buy and destroy it, to visit. There were people who said they wanted to buy it, people with broad smiles and greedy eyes. But that would not happen now. They were always sent away.
But the first time she met the ghost was on a pale autumn morning, stumbling from the car to the front door with her arms full bolts of damask for the curtains. She had just begun to wonder how she'd reach her keys when the fine oak door swung open, all stately hospitality, and on its doorstep, standing respectfully aside, was the same tall, well groomed man, clad all in black. He bowed and stepped aside, speaking in a hollow voice warmed by respect and satisfaction:
“Welcome home, ma'am.”
Bowl with Fish design , Iran, probably Kashan, late 13th–mid-14th century, stonepaste; black decoration under a transparent turquoise glaze
Listening to my evil advisor
let's corrupt mama
Reblog this photo of a käpylehmä to have a käpylehmä in your blog
It's a trick! If you reblog you get TWO käpylehmäs in your blog!
They're traditional Finnish toys, little cows made out of spruce cones, on their way to see the world from one tumblr blog to another
@elodieunderglass not horrible, but things with legs?
I’ll send them on their lovely journey, thank you!

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weevil 1269
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I think the issue with that one angle is one of the roots
It's my least favorite root in general, the one I'd be least willing to say looks good, and I think it needs to bulk up towards the tree more to make it look more stable
Looking at the opposite side I think that's the difference, and since I want to change that root anyway... think that's my next step tomorrow
As for the other problem angle... I think I need to bulk out the top a bit more (and reshape that bit I just tore out, which I think was a good call)
I think the base looks good except for that one root, I think the changes I want to make shouldn't effect the other angles except maybe making them look even better, I think these are the right directions to go in
Man will I be glad when the tree is done