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I have, as a hobby-folklorist, always considered the (water-)kelpie and the each-uisge (literally water-horse) as two separate folkloric beings. Distinguished mostly by the each-uisge being even more monstrous and dangerous than the kelpie, which can also be charming. And secondarily by the each-uisge living in the sea while the kelpie lives in lochs.
But I had already seen conflicting accounts of the sea versus loch versus river division and now I've hunted down some Victorian sources I'm afraid the distinction is becoming decidedly less clear. So this post is not so much an essay or an explanation, as log of my own frustrations, for those of you that might be interested.
First things first, I alwasy start with my trusted Encyclopedia of Fairies by Katharine Briggs.
Briggs calls the kelpie "the best-known of the Socttish water-horses" and says that it "haunted rivers rather than lochs or the sea" and could "assume human form, in which he appeared like a rough, shaggy man" but that "his most usual shape was that of a young horse", which shape he uses to trick people into mounting him and then "rushing with them into a deep pool, where he struck the water wih this tail with a sound like thnder and disappeared in a flash of light. He was suspected of sometimes teaering people to pieces and devouring them." She also mentions that a kelpie sometimes has a magic bridle that can be stolen to gain power over the kelpie, or that putting a bridle on an unbridled kelpie might "subdue him to [your] will". (Briggs, 1976, Pantheon Books, p 246)
The each-uisge is called "the fiercest and most dangerous of all the water-horses" and Briggs states that it differs from the kelpie because it haunts "the sea and lochs, while the Kelpie belongs to running water". It can change into a handsome young man, but is most often seen as a "handsome horse" by whom everyone who dares to ride it "is carried at headlong speed into the lake and devoured". Notably the liver of the victim (and sometimes the heart and/or lungs) will later wash ashore. Examples of the each-uisge's powers are riders sticking to its back, it's back stretching to accommodate more riders. (Briggs, 1976, Pantheon Books, p. 115-116)
Alright, so far the only confusion might be that "loch" and "lake" are used for the each-uisge and that the kelpie goes into a "pool", not a river. But calling a loch a lake is a common anglicisation, and if kelpies live in rivers it's not unreasonable to find them in the pools that the river feeds. However, when I go to the books Briggs herself refers to (J.F. Campbell's Popular Tales of the West Highlands and G. Stewart's Popular Superstitions) it does not get more clear.
John Francis Campbell, in his largely orally collected Popular Tales of the West Highlands, originally published in 1862 in Edinburgh, considers the kelpie and the each-uisge as one and the same:
These shew that in the Isle of Man, and in the Highlands of Scotland, people still firmly believe in the existence of a water-horse. In Sutherland and elsewhere, many believe that they have seen these fancied animals. I have been told of English sportsmen who went in pursuit of them, so circumstantial were the accounts of those who believed that they had seen them. The witnesses are so numerous, and their testimony agrees so well, that there must be some old deeply-rooted Celtic belief which clothes every dark object with the dreaded form of the EACH UISGE. The legends of the doings of the water kelpie all point to some river god reduced to be a fuath or bogle. The bay or grey horse grazes at the lake-side, and when he is mounted, rushes into the loch and devours his rider. His back lengthens to suit any number; men's hands stick to his skin; he is harnessed to a plough, and drags the team and the plough into the loch, and tears the horses to bits; he is killed, and nothing remains but a pool of water; he falls in love with a lady, and when he appears as a man and lays his head on her knee to be dressed, the frightened lady finds him out by the sand amongst his hair. "Tha gainmheach ann." There is sand in it, she says, and when he sleeps she makes her escape. He appears as an old woman, and is put to bed with a bevy of damsels in a mountain shealing, and he sucks the blood of all, save one, who escapes over a burn, which, water-horse as he is, he dare not cross. In short, these tales and beliefs have led me to think that the old Celts must have had a destroying water-god, to whom the horse was sacred, or who had the form of a horse. (Campbell, 1890, Vol. I, p. lxxx-lxxxi)
He even reiterates in Volume II:" There is no word in Gaelic that could be corrupted into Kelpie, but he is the same as Each uisge." (Campbell, 1890, Vol. II, p. 207).
W.G. Stewart's The popular superstitions and festive amusements of the Highlanders of Scotland, first published in 1823 in Edinburgh, also groups them together:
WATER-KELPIES.
In the former and darker ages of the world when people had not half the wit and sagacity they now possess, and when, consequently, they were much easier duped by such designing agents, the âEch Uisque,â or Water-Horse, as the Kelpie is commonly called, was a well-known character in those countries. The Kelpie was an infernal agent, retained in the service and pay of Satan, who granted him a commission to execute such services as appeared profitable to his interest. He was an amphibious character, and generally took up his residence in lochs and pools, bordering on public roads and other situations, most convenient for his professional calling. (Stewart, 1851, Part IV, p. 101)
Stewart did his research primarily among what he called "the most celebrated professors of traditional lore" and he was possibly the first to attempt a somewhat comprehensive work Highland folklore. He includes a marvelous tale about a kelpie getting its bridle stolen, told to him by Mr. Mac Grigor Willox, a descendant of the tale's hero.
So far, then, we have Briggs who makes the distinction between the (water-)kelpie and the water-horse, and the two sources she cites who do no such thing.
However, looking at another source from around the same time, Superstitions of the Highlands and Islands of Scotland by John Gregorson Campbellâwhich was based on information he collected solely from oral sources between 1861 and 1891âdoes give the exact distinction that Briggs does:
The Kelpie that swells torrents and devours women and children has no representative in Gaelic superstition. Some writers speak as if the Water-horse were to be identified with it, but the two animals are distinctly separate. The Water-horse haunts lochs, the Kelpie streams and torrents. The former is never accused of swelling torrents any more than of causing any other natural phenomenon, nor of taking away children, unless perhaps when wanted to silence a refractory child. A Shetland friend writes: âKelpies, I cannot remember of ever hearing what shape they were of. They generally did their mischief in a quiet way, such as being seen splashing the water about the burns, and taking hold of the water-wheel of mills, and holding them still. I have heard a man declare, that his mill was stopped one night for half an hour and the full power of water on the wheel, and he was frightened himself to go out and see what was wrong. And he not only said but maintained that it was a Kelpie or something of that kind that did it.â (Campbell, 1900, p. 216)
But it is very hardâand may be impossibleâto tell whether the difference between a kelpie and a water-horse was universal in Scotland or whether it differed from region to region, or whether there never was a real distinction in oral tradition and it was applied retroactively by folklorists.
The only older use of the word in print that I've found so far is in Sir Walter Scott's 1802's Minstrelsy of the Scottish Border: Consisting Of Historical And Romantic Ballads, Collected In The Southern Counties Of Scotland; With A Few Of Modern Date, Founded Upon Local Tradition. In Three Volumes.
In Vol. I he mentions: "Shellycoat must not be confounded with Kelpy, a water spirit also, but of a much more powerful and malignant nature." (Scott, 1806, p. cxi). Vol. III includes a poem in "Lowland Scottish" by Rev. Dr. Jamieson of Edinburgh, meant to imitate "the classical compositions of our ancient bards". This poem has the kelpie coming out of a river and diving into a pool (which my Scottish does consider part of the river) and states that when someone drowns in a pool or river ford, it's sure to be the kelpies doing and that both rivers an wide waters obey the kelpie's law, from the very source of rivers down to the sea (Scott, 1806, p. 383-391). So while this kelpie is certainly connected to a river (the South Esk to be exact), it seems to imply you might well find one in a loch.
While the poem does not specifically describe the kelpie as a horse, it does say that if you manage to but "bit and bridle" on it, it will be forced to work for you, which does imply it is at least horse-like. In the footnotes Scott adds: "It is believed in Angus, that the spirit of the waters appears sometimes as a man, with a very frightful aspect; and, at other times, as a horse" (Scott, 1806, p. 392).
If anyone knows of any other folklore collections from before the mid 1800s I would really love to hear about them! Because while I don't think this mystery is quite solvable I would love to either prove or disprove my theory that J.G. Campbell made some generalisations that he perhaps oughtn't have.
Rebecca opened her eyes and looked up from where she was sitting with her arms wrapped around her knees. âHm?â
Laurie came to sit in front of her, resting her hands on Rebeccaâs knees. âI wanted to talk to you about your drinking.â
âWow, okay, thatâs giving me flashbacks to being human,â she said with a grimace. It was meant as a joke, but Laurie didnât laugh.
âThe way youâre feeding,â Laurie said soberly. âI think you should stop.â
Rebecca frowned at her. âWhat do you mean stop,â she said curtly.
Just after she had been turned Rebecca had expected that not being able to eat or drinkâespecially alcoholâwas going to be hard for her. Surprisingly, it hadnât been. She had missed it as an activity, as something to do with her hands, but for some reason the tastes, smells and sensations had faded so quickly there had been no opportunity to long for them. No, not eating or drinking wasnât hard. But her being fond of drinking hadnât stopped when she stopped being human. Being moderate, that was hard. Laurie always said that unless you got hurt, there was no reason to drink more often than once a month and Rebecca knew she was right. She wanted to drink more often though.
âI donât mean stop drinking,â Laurie said gently. âI mean stop hunting the way you do.â
âYou do the same,â Rebecca retorted. Of Laurieâs two preferred methods, Rebecca had chosen the one that didnât rely on her charming her way into strangersâ homes. She didnât like it. She didnât have Laurieâs innocent elegance, and, well⌠She was more of a flirt than Laurie. It was hard, having to choose between kissing and biting. And as a vampire the line between people being genuinely charmed by her or falling under her Sway seemed so thin. Too thin. Besides, she could never forget the first time she had fed. Not from Laurie, but the first time she had fed to still the hunger. It had been satisfying to see the fear on the face of the man that had chucked that bottle at her head. She had laughed at the irony of someone so vile still tasting good.
âThere are better waysââ Laurie began, but Rebecca interrupted her.
âWhy does it matter?â she demanded, sitting back and letting her knees lower, shaking off Laurieâs hands. The way Laurie was looking at her made her squirm inwardly, but she refused to feel guilty. She didnât feel guilty. Not for those people, not for turning predators into prey for once. She doesnât kill, she didnât maim, she didnât overdrink. She just made the threat on the streets a little more equal.
âIt matters,â Laurie said earnestly. âBecause itâs not good for you.â Before Rebecca could argue she grabbed her hands and said pleadingly: âYouâre so low, Rebecca. And it gets worse after youâve drunk, Iâve seen it happen. Feeding is supposed to make us feel better. It should beâŚa positive thing.â Her dark eyes were large and concerned. âI am not blaming you. For anything. But you are exclusively feeding in violence and maybe⌠Maybe you shouldnât.â
Rebecca looked down at Laurieâs hands clasping her. They were still paler than hers, always had been, always would.
âWe have to feed,â Laurie said quietly. âBut however we do it, it has consequences. Every time you hunt, you seek out the absolute worst among the people around us. The exceptions. I feel like youâre starting to forget that they are exceptions. Iâm just worried, Becca. I donât want you toââ She fell silent for a moment. âI want you to be happy.â
It was impossible to argue with Laurieâs affection. Rebecca still wouldnât meet her eyes, but she couldnât help thinking that Laurie might be right. She didnât enjoy hunting anymore. Not really. As soon as the high wore off the idea of it repulsed her. âThen what am I supposed to do?â she said. Her voice sounded rough.
Laurie squeezed her hands and Rebecca finally lifted up her eyes to look at her. âYou could feed on animals,â Laurie said seriously.
Rebecca frowned. Laurie couldnât stand the thought of feeding on animals. âYou hate that.â
âWhatâs right for me isnât necessarily whatâs right for you, Becca,â Laurie said gently.
Drinking from animals had never been as distasteful to Rebecca as it was to Laurie. She had done it before, when they were in more rural areas. It had never occurred to her to drink nothing but animal blood though.
âAnimal blood isnât as potent as a humanâs,â Laurie said, cautiously gauging Rebeccaâs reaction as she spoke. âBut you can drink from me if you ever need to get your strength up.â
She sounded so careful and worried that Rebecca made an effort to grin. âThat sounds like bribery to me.â
A smile flashed on Laurieâs face. âYou know you only ever have to ask,â she said affectionately.
Rebecca nodded silently and considered it. Maybe⌠Maybe this would be better. At least for now. She could just try it out. âOkay,â she said, meeting Laurieâs eyes again. âAlright.â
Laurie looked so relieved her entire face seemed to light up. âThank you,â she said, lunging forward and wrapping Rebecca in a hug.
Rebecca wanted to argue, because it really shouldnât be Laurie being thankful, but instead she just hugged back and muttered: âThanks for looking out for me.â
Laurie pulled away and nodded, eyes glistening rather damply. âLetâs both not to do that anymore.â
âHey,â Rebecca said, raising her eyebrows. âWhat happened to âwhat is right for me isnât right for youâ, hm?â
Laurie puffed up her chest a little, searching for a retort. âWellâŚâ she said. âWhatâs bad for you is bad for me too.â
Once again, Rebecca didnât argue, she just smiled.
[This is part of my novella The Rescue of Laurie Cadieux, which you can download for free đ]
I have, as a hobby-folklorist, always considered the (water-)kelpie and the each-uisge (literally water-horse) as two separate folkloric beings. Distinguished mostly by the each-uisge being even more monstrous and dangerous than the kelpie, which can also be charming. And secondarily by the each-uisge living in the sea while the kelpie lives in lochs.
But I had already seen conflicting accounts of the sea versus loch versus river division and now I've hunted down some Victorian sources I'm afraid the distinction is becoming decidedly less clear. So this post is not so much an essay or an explanation, as log of my own frustrations, for those of you that might be interested.
First things first, I alwasy start with my trusted Encyclopedia of Fairies by Katharine Briggs.
Briggs calls the kelpie "the best-known of the Socttish water-horses" and says that it "haunted rivers rather than lochs or the sea" and could "assume human form, in which he appeared like a rough, shaggy man" but that "his most usual shape was that of a young horse", which shape he uses to trick people into mounting him and then "rushing with them into a deep pool, where he struck the water wih this tail with a sound like thnder and disappeared in a flash of light. He was suspected of sometimes teaering people to pieces and devouring them." She also mentions that a kelpie sometimes has a magic bridle that can be stolen to gain power over the kelpie, or that putting a bridle on an unbridled kelpie might "subdue him to [your] will". (Briggs, 1976, Pantheon Books, p 246)
The each-uisge is called "the fiercest and most dangerous of all the water-horses" and Briggs states that it differs from the kelpie because it haunts "the sea and lochs, while the Kelpie belongs to running water". It can change into a handsome young man, but is most often seen as a "handsome horse" by whom everyone who dares to ride it "is carried at headlong speed into the lake and devoured". Notably the liver of the victim (and sometimes the heart and/or lungs) will later wash ashore. Examples of the each-uisge's powers are riders sticking to its back, it's back stretching to accommodate more riders. (Briggs, 1976, Pantheon Books, p. 115-116)
Alright, so far the only confusion might be that "loch" and "lake" are used for the each-uisge and that the kelpie goes into a "pool", not a river. But calling a loch a lake is a common anglicisation, and if kelpies live in rivers it's not unreasonable to find them in the pools that the river feeds. However, when I go to the books Briggs herself refers to (J.F. Campbell's Popular Tales of the West Highlands and G. Stewart's Popular Superstitions) it does not get more clear.
John Francis Campbell, in his largely orally collected Popular Tales of the West Highlands, originally published in 1862 in Edinburgh, considers the kelpie and the each-uisge as one and the same:
These shew that in the Isle of Man, and in the Highlands of Scotland, people still firmly believe in the existence of a water-horse. In Sutherland and elsewhere, many believe that they have seen these fancied animals. I have been told of English sportsmen who went in pursuit of them, so circumstantial were the accounts of those who believed that they had seen them. The witnesses are so numerous, and their testimony agrees so well, that there must be some old deeply-rooted Celtic belief which clothes every dark object with the dreaded form of the EACH UISGE. The legends of the doings of the water kelpie all point to some river god reduced to be a fuath or bogle. The bay or grey horse grazes at the lake-side, and when he is mounted, rushes into the loch and devours his rider. His back lengthens to suit any number; men's hands stick to his skin; he is harnessed to a plough, and drags the team and the plough into the loch, and tears the horses to bits; he is killed, and nothing remains but a pool of water; he falls in love with a lady, and when he appears as a man and lays his head on her knee to be dressed, the frightened lady finds him out by the sand amongst his hair. "Tha gainmheach ann." There is sand in it, she says, and when he sleeps she makes her escape. He appears as an old woman, and is put to bed with a bevy of damsels in a mountain shealing, and he sucks the blood of all, save one, who escapes over a burn, which, water-horse as he is, he dare not cross. In short, these tales and beliefs have led me to think that the old Celts must have had a destroying water-god, to whom the horse was sacred, or who had the form of a horse. (Campbell, 1890, Vol. I, p. lxxx-lxxxi)
He even reiterates in Volume II:" There is no word in Gaelic that could be corrupted into Kelpie, but he is the same as Each uisge." (Campbell, 1890, Vol. II, p. 207).
W.G. Stewart's The popular superstitions and festive amusements of the Highlanders of Scotland, first published in 1823 in Edinburgh, also groups them together:
WATER-KELPIES.
In the former and darker ages of the world when people had not half the wit and sagacity they now possess, and when, consequently, they were much easier duped by such designing agents, the âEch Uisque,â or Water-Horse, as the Kelpie is commonly called, was a well-known character in those countries. The Kelpie was an infernal agent, retained in the service and pay of Satan, who granted him a commission to execute such services as appeared profitable to his interest. He was an amphibious character, and generally took up his residence in lochs and pools, bordering on public roads and other situations, most convenient for his professional calling. (Stewart, 1851, Part IV, p. 101)
Stewart did his research primarily among what he called "the most celebrated professors of traditional lore" and he was possibly the first to attempt a somewhat comprehensive work Highland folklore. He includes a marvelous tale about a kelpie getting its bridle stolen, told to him by Mr. Mac Grigor Willox, a descendant of the tale's hero.
So far, then, we have Briggs who makes the distinction between the (water-)kelpie and the water-horse, and the two sources she cites who do no such thing.
However, looking at another source from around the same time, Superstitions of the Highlands and Islands of Scotland by John Gregorson Campbellâwhich was based on information he collected solely from oral sources between 1861 and 1891âdoes give the exact distinction that Briggs does:
The Kelpie that swells torrents and devours women and children has no representative in Gaelic superstition. Some writers speak as if the Water-horse were to be identified with it, but the two animals are distinctly separate. The Water-horse haunts lochs, the Kelpie streams and torrents. The former is never accused of swelling torrents any more than of causing any other natural phenomenon, nor of taking away children, unless perhaps when wanted to silence a refractory child. A Shetland friend writes: âKelpies, I cannot remember of ever hearing what shape they were of. They generally did their mischief in a quiet way, such as being seen splashing the water about the burns, and taking hold of the water-wheel of mills, and holding them still. I have heard a man declare, that his mill was stopped one night for half an hour and the full power of water on the wheel, and he was frightened himself to go out and see what was wrong. And he not only said but maintained that it was a Kelpie or something of that kind that did it.â (Campbell, 1900, p. 216)
But it is very hardâand may be impossibleâto tell whether the difference between a kelpie and a water-horse was universal in Scotland or whether it differed from region to region, or whether there never was a real distinction in oral tradition and it was applied retroactively by folklorists.
The only older use of the word in print that I've found so far is in Sir Walter Scott's 1802's Minstrelsy of the Scottish Border: Consisting Of Historical And Romantic Ballads, Collected In The Southern Counties Of Scotland; With A Few Of Modern Date, Founded Upon Local Tradition. In Three Volumes.
In Vol. I he mentions: "Shellycoat must not be confounded with Kelpy, a water spirit also, but of a much more powerful and malignant nature." (Scott, 1806, p. cxi). Vol. III includes a poem in "Lowland Scottish" by Rev. Dr. Jamieson of Edinburgh, meant to imitate "the classical compositions of our ancient bards". This poem has the kelpie coming out of a river and diving into a pool (which my Scottish does consider part of the river) and states that when someone drowns in a pool or river ford, it's sure to be the kelpies doing and that both rivers an wide waters obey the kelpie's law, from the very source of rivers down to the sea (Scott, 1806, p. 383-391). So while this kelpie is certainly connected to a river (the South Esk to be exact), it seems to imply you might well find one in a loch.
While the poem does not specifically describe the kelpie as a horse, it does say that if you manage to but "bit and bridle" on it, it will be forced to work for you, which does imply it is at least horse-like. In the footnotes Scott adds: "It is believed in Angus, that the spirit of the waters appears sometimes as a man, with a very frightful aspect; and, at other times, as a horse" (Scott, 1806, p. 392).
If anyone knows of any other folklore collections from before the mid 1800s I would really love to hear about them! Because while I don't think this mystery is quite solvable I would love to either prove or disprove my theory that J.G. Campbell made some generalisations that he perhaps oughtn't have.
I'm doing a square metre of flax with help of a museum, and they send out instructions on what to do with it every so often. I'm almost at the harvesting point. One of the things I'll be doing after the retting (letting the bast break down) is rippling (removing the seeds by combing the stem).
In Dutch this step is called repelen. In Dutch, Rumpelstiltskin is called repelsteeltje (ripple stem). So now I'm wondering if the name of the central character in the flax centred story is related to flax production.
That's so fun I never knew "repelen" is an actual step in the flax treating process!
The Dutch version might well have wanted to make an allusion to spinning, even though in the Grimm's version that is usually translated as Repelsteeltje in Dutch the heroine has to spin straw to gold, not flax. It could be that they were struggling to translate Rumpelstiltskin, which combined "rumpeln" (to make noise or rattle) and "stilzer" (someone who limps) and was apparantly close to the name of an old German game (this article explains it well but doesn't have sources, I knew about the meaning of the name but not about the older game and I haven't verified it.)
But there are many variants of this folktale, many of which do indeed include spinning flax, and the names of the magical helper are very different and not directly linked to spinning. From D.L. Ashliman's overview on "The Name of the Helper" folktales:
From Germany, spins flax, is called Nägendßmer (might mean "dumb as nails")
From South Tirol, spins flax, is called Tarandandò (might mean "runaway")
From England, spins flax, is called Tom Tit Tot
From Ireland, spins flax, is called TrĂopla TrĂşpla (might mean "thrice")
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I've been growing up oak trees on my balcony, ready to plant out in a community woodland next year.
They're doing so well that a juvenile Ghillie Dhu has decided that they're a forest glade and taken up residence.
I'm not sure that a third floor balcony is the right place for a (young) old man of the woods and I don't want to accidentally domestic it (it already likes to join me for my morning coffee and smoke).
Any advice on how to gently re-home a lost forest spirit?
Hello!
That is quite the conundrum. We have consulted several experts, but we have not yet found any successful attempt to transplant a Ghillie Dhu. They pose a particular challenge because they bond with a whole woodland rather than a single tree.
Some researchers believe that they generally prefer birch woods over all others. But even if we could find a suitable birch grove, it is unlikely we could persuade this spirit to move to a place it has no knowledge of. It is very likely, however, that when the trees are moved and planted, the Ghillie Dhu will go with them. If it is possible for you to host him until then, that might be the most gentle solution. There is little chance of any harm coming to a being like this by being exposed to humans. They are known to interact with humans and look out for lost children ever since our mutual discovery.
Should this be impossible, we have enclosed the details of an occult arborist, who can attempt to trap the Ghillie Dhu in a single tree, which can then be moved. But this is obviously not an ideal solution and a bit of a last resort.
âWell Iâll be darned,â Lysander sighed heavily, slowly emerging from behind one of the larger mausoleums. âFlorence Nightingale doing blood rituals in my graveyard.â
âI wanted to apologise,â Harper replied. âAnd thatâs not what Iâm doing.â
âI donât want an apology.â He was keeping his distance, but not by much. âAnd what are you doing then?â
They carefully screwed the top back onto the thermos they had just opened and held it out to Lysander. âThis is pigâs blood, I warmed it up. Itâs supposed to be closest to human blood. I know the viscosity is off, but I figured mixing it with sheepâs blood wouldnât make it taste any better, and thatâd be harder to find too.â
Lysander stared at them. He did not look so dreadful as he had done last night, but his face was still hollow, his eyes still sunken.
âI know it wonât be good,â they said. âBut if you can drink it, it should help. Somewhat.â
They had heard of vampires that did drink animal blood, they were sure, but they didnât know if that was universal. It probably wasnât.
Lysanderâs expression was very difficult to read. It looked somewhere between uncertainty and disgust. Then, after what seemed like an excruciatingly long time, he stepped forward and took the thermos from their hand.
He sat down on a gravestone and Harper made an indignant noise at the back of their throat.
âThey donât mind,â he deadpanned. âI asked.â And before they could argue he put the thermos to his lips and drank.
Harper felt all the nerves they had ever felt before starting a patient on a new treatment compounded together. There were no protocols or colleagues to fall back on here, and nothing but anecdotal evidence. âIs it alright?â they asked after a fraught momentâs silence.
Lysander paused for a moment and while his voice was strained he did not look unwell. âI can keep it down.â
âIs it helping?â
âItâs not hurting.â
Of course he didnât need to breathe, but Harper could only imagine that the speed at which he was drinking was to get it over with as quickly as possible. He looked so much like someone hastily knocking back coffee that they could almost forget what they really gave him, but whenever he lowered the thermos to compose himself there were the red stains on his mouth and the metallic scent of blood thickening in the air. They swallowed and tried not to breathe too deeply.
âYou look like youâre gonna be sick yourself,â Lysander remarked with a wry smile.
âIâm a vegetarian,â they defended.
âYeah,â he sighed. âI know.â
Harper gave him a level stare, but decided not to ask. Their anxiety was subsiding and they managed not to keep looking at him quite so obviously while he emptied the thermos. At last he closed it with shaking hands and let it fall down onto the grass. They cautiously reached out to take it back and Lysander shuddered.
âYou alright?â
He made an ambiguous movement with his head and half turned away from them. Harper quietly screwed the top back onto the thermos, wondering how it was that even after so many years in the medical field they had still not learned to meet the imperfections of any attempt healing with anything other than indignant resistance. While they put away the thermos Lysander had dug a large cloth handkerchief out of his coat pocket and was somewhat obsessively wiping his mouth. They did not ask again, but clearly their expression had been loud enough, because after a while he said, without looking at them:
âThe stuff from the clinic, thatâs dead by the time I drink it, sure, but thisâ I donât like drinking from butchered animals.â
Harper looked at him with a sharp jolt of alarm. Dead blood; he had used that term before, but they had presumed it was just about the taste. But then, what had he said the night he confronted the slayers for them? Something about not liking the taste of fear.
âOh godâŚâ they muttered, feeling queasy again. âIâm sorry.â
He shrugged and half shook his head. âCanât be helped, on occasion.â
They tried to study for any improvement in his appearance without staring. He did look a little less gaunt, less faded, but it hadnât done as much as they had hoped.
âIs it the fact that itâs from an animal or that itâs not fresh blood, that makes it less nourishing to you?â they asked slowly. He might not want to answer that.
âBoth.â The lines around his mouth had lost much of their tightness. âItâs wasteful. I must have downed more than a litre just now and itâs done no more than take the edge off.â
Something slotted into place in Harperâs memory with dreadful comprehension. âIs that why you feed off people in clubs? So you donât have toâ So theyâre too buzzed to know anything about what youâre doing except that theyâre having a good time?â
âMaybe,â Lysander said with a very poor attempt at snark. âOr maybe I just like getting high on your patients.â
The tone of his voice barely registered through the exhaustion and distaste still visible on his face. They had been so furious when they finally put together why so many people suddenly came in with low haemoglobin. Furious about their foggy memories and the barely visible marks on their necks. Too furious to care that apart from the fatigue all of them had reported being completely fine. Well, maybe they had cared, but only enough not to bring any garlic.
âYou still look like shit,â they said gruffly, resolutely pulling up the sleeve of their oversized jacket. âTake some of mine.â
Lysander froze, but he did not recoil like last night.
âYouâre not starved now,â Harper pressed him. âItâs not like yesterday. I trust you to have the necessary control now.â That was the reason their offer had startled him so much, they were sure of it now.
Lysander made a hoarse noise that sounded something like âtrustâ, but he still hadnât moved an inch. Only his hands were gripping the edge of the gravestone and his head was lowered as he stared at them. âYouâre not wearing your nasty berries. Why not.â
âBecause I came here to help you,â Harper said emphatically, adding with growing confidence: âAnd youâre not going to hurt me.â
âIâmââ Lysanderâs eyes darted from their face to their exposed arm and back.
âI wouldnât offer if I didnât mean it,â they insisted. âLet me help.â They were fine with pain, and after everything that had happened they were fine with the risk, they could not accept having endangered someone without trying to help them while it was so completely within their power to do so.
Lysander had gone completely still, but suddenly he lifted his head. âDo you have a watch?â
âYes?â they said after a momentâs confusion, glancing down at the little fob watch pinned to the breast pocket of their flannel by force of habit.
âNo, something with a stopwatch,â he said tensely.
âI can countââ
âNo you canât. Do you have your phone on you?â
âYes, I do,â Harper replied reassuringly, slipping involuntarily into their medical voice. They dug it out of their back pocket. âYou want me to set a timer?â
Lysander slid soundlessly off the gravestone. âTwo minutes.â He waited for them to set the alarm before sinking slowly to his knees beside them.
âYou stop me after too minutes.â His eyes fully met theirs for the first time since telling him he would not hurt them. âTwo minutes.â
âTwo minutes,â they agreed, taking their phone in their left hand and holding their right arm out to him.
He touched them so carefully the chilly touch of his fingers almost tickled.
âItâs fine, Lysander,â they assured him.
âFor you maybe,â he muttered, but he took a slightly firmer grip and bowed his head. âTimer,â he said in a curt, tense voice.
Harper tapped their phone, hummed their agreement, and forgot they were holding the phone before it slipped from their hand and tumbled into the grass.
The icy prick of Lysanderâs fangs was so brief they barely had time to consider the kind of pain it was, but they were unable to focus on anything, let alone pain. Their heartâseemingly the only part of them with the good sense to sound the alarmâwas racing beneath their ribs, but instead of pain or panic, a wondrous, light, glowing feeling was spreading through their body. It was only very slightly like the haziness of alcohol; it felt like being carried, like the intricately interwoven strands of their being were gently unravelling. Just enough to feel⌠Happy? That was peculiar. They knew what being happy felt like and this wasnât it. At least not...not their happiness. But they had no other word for this feeling. It was floating somewhere at the very edge of their awareness. Something happy and grateful andâ
A sudden, jarring noise blared in their ears and Harper let out a noise of profound annoyance. What on earth was that? They reached blindly with their free hand to make it stop and suddenly everything stopped. The floating, the untangling, the glow of foreign happinessâthey inhaled a rush of cool night air their eyes opened to the sight of Lysander, sliding sideways out of his kneeling position and clutching both hands to his chest.
âThank youâ Thank youâŚâ
They had never heard his voice sound so unguarded. Harper blinked at him in dazed confusion and only the sight of him licking his bloodstained lips made them glance down at their right arm. That too was stained with blood, but there was no wound, no sign ofâ It was their phone that was making that blasted noise. Harper snatched it up off the ground and turned it off.
It restored the nightly silence, but did very little to restore their scattered mind. They idly wiped at their arm, equal parts fascinated and confused. âIt doesnât even hurtâŚâ they muttered.
At least they thought they did, perhaps they didnât quite articulate all the words, because Lysander was suddenly right in front of them and looking straight into their face. âHeyâ Look at me. Harper?â
They were looking at him. He looked much better. His complexion was healthier and his eyes were a much darker, calmer red somehow.
âHarper.â
âYeah, Iâm listening, donât yell,â they complained and their voice wavered to some places they really did not intend it to go.
Lysanderâs expression did something complicated very near a grimace. âAnd of course you're a lush,â he groaned. He made a desperate noise at the back of his throat. "I stopped, I didn't even take that much."
"I know, I know,â Harper said hastily, responding more to his distressed tone of voice than the actual meaning of his words, which had come rather too fast for them to follow. âI feel fine, just... Am I drunk?"
Lysander didn't answer them. âDid you drive here?â he asked instead.
â...yes.â Where did they park their car?
âOf course you did,â he sighed, getting abruptly to his feet. âI have to bring you home.â
Harper had to tip their head back to keep looking at him. They were so relieved this worked. He looked like his normal self again. Like the fire hadnât happened. âYou look good,â they sighed in relief, smiling up at him.
He turned abruptly away from them for a moment. When he turned back he no longer met their eyes but asked gruffly: âCan you stand?â
âCourse I can stand,â they grumbled, getting unsteadily to their feat. âExcuse me if Iâm a little woozy, you just bit me.â
âYouâre not woozy, youâre high. Come on, whereâs your car?â
They did manage to find their car and while they were keenly aware that it would not be safe for them to drive, letting Lysander get behind the wheel was another thing entirely.
âI know how to drive,â he growled. âIâm not from the eighteen hundreds.â
âWhen are you from?â they blurted out and he glared at them.
âNone of your business. Get in.â He took a beat and added: âPlease.â
Harper flopped into the passenger seat and buckled their seatbelt. To their surprise it didnât give them any trouble and they realised, however faintly, that there was very little wrong with their coordination. It was just...so hard to focus.
Lysander was driving them home, the exact route they would have taken, but they had almost expected him to by now. They wanted to ask him if it was the venom he had talked about that made them feel like this, but somehow while looking at their arm they lost their train of thought.
âYou donât bite deep,â they heard themself say. âI could barely feel your teeth.â
He kept his eyes on the road, both hands gripping the steering wheel. âYeah, youâre welcome.â
âHow did you heal it?â
âBy knowing what Iâm doing,â he replied shortly. âI donât bite too deep, I donât go near major arteries.â
âYeah but how did you heal me,â they insisted. They tipped their head back and closed their eyes. âSmall biteâs still a bite. So howâŚâ
There was a brief silence. âI bite myself at the end, that healed you.â
Harperâs eyes flew open. âYour blood is regenerative?â
Lysander let out a sharp laugh. âOh that wakes you up, does it? Once a medic always a medic, I guess.â
But he made no further answer and Harper didnât know how to press for one without it sounding creepy. People were freaked out by a lot of things they considered quite normal. They had learned to stick to small talk at work until other people started asking questions. That reminded them, this better not leave a hangover, they had to work tomorrow.
Slowly they leaned their head against the cool surface of the car window and watched the world flit by with unfocused eyes. They sang softly to themselves, trying to remember what it had felt like before the alarm on their phone had gone off, until they realised that the car had stopped moving. They lifted their head and looked around. Lysander was looking at them.
âWhat?â
âNothing, Nightingale,â he muttered and he gave a motion with his head. âHere we are, can you make it to the door? Donât invite me in.â
They stared at him, startled by the sudden shift in his tone of voice. âI wasnât going toâŚâ
âGood.â
They both got out of the car and he gave them back their keys, but after locking the car they just stood there, weighing them in their hand. Lysander stood by them, tense and uncertain, but the picture of health, compared to how he had been before. Perhaps he had been starving much longer than the fire, in a way.
Harper let out an involuntary sigh. âIâm sorry for pulling a knife on you the second time we met,â they said. âYou laughed at me for caring about my patients and it pissed me off.â
Lysander shook his head. âGet inside,â he said, in an oddly soft voice. âSleep it off.â
So they wished him goodnight and went through the door, making their way up to their apartment as quietly as possible. They should probably shower. And check if there was blood on the inside of their sleeve.
By the time they had closed and locked their front door behind them they had forgotten all of that and they sat on the edge of their bed for a long time, half-dreaming, and wondering if it was possible that the strange happiness they had felt was Lysanderâs.
Okay, so vampires are easier to write into my kind of hopeful urban fantasy, because you can take out the compulsion to kill and still have all the blood drinking drama, but I have so many thoughts on werewolves:
⢠What if werewolves who have children with humans have kids that have way more trouble with shifting and are more prone to half transformations, painful transformations, or not easily shifting back when the full moon sets.
⢠What about a werewolf who has their shifting well enough under control not to be too destructive or dangerous, but who struggles so much with the loss of their full human consciousness that they will not let anyone near them. And whose physical transformation is not at all the problem, but the mental one is, so their loved ones have to spend at least half a day gently reminding them that they are human again, that they can speak, and that they are not and never were a threat to them.
⢠What if someone becomes a werewolf quite young and none of the people around them understand either werewolves or even wild animals, so they can't think of anything to keep them and themselves safe except for chaining them up every full moon. Until someone who does know better gets introduced to them and they are absolutely horrified and resolve to undertake the harrowing job of slowly gaining the trust of a severely damaged werewolf and their guilt-ridden support system.
⢠What about a werewolf who grew up treating their condition as a disease they have to hide as much as possible, until they end up under the care of a doctor or other medical professional who will not rest until they have helped them cope with this mysterious chronic illness.
Hi, sorry if this has been answered before or too personal but I've been wondering what major you took? (If you went to uni haha) You just know so much about folktales/folklore and it's so inspiring!
Hi, that's so kind of you to say! I'm from the Netherlands so our system's a little different, but I went to a small university to study humanist theory (a lot of sociology and philosophy) and then specialised in moral counseling.
So it had very little to do with folklore, but did teach me how to wade through crusty pdf's, parse old primary sources, and do research on complex topics. That being said, I definitely consider myself a hobby-folklorist with the emphasis on hobby. I love learning about folktales and diving down rabbit holes, but excepting the rare occasions I get very obsessed I absolutely do not hold myself to academic standards!
What do you think of DnD? Have you played it before?
I have! I was lucky enough to have one shots DM'ed for me by the delightful @feyland (who let me slap a wizard to death with necrotic touch) and my dear sister @badassindistress (who let me keep a baby mimic as a pet handbag).
But I think I prefer watching DnD actual plays to playing it myself. Perhaps unsurprisingly I prefer playing TTRPG systems that focus slightly less on mechanics and more on collaborative storytelling. But I love seeing people that know how to make the most of DnD do their thing ^^
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Reasons to incorporate "marked for vampirism" folklore into urban fantasy:
â It comes in exciting varieties! For instance if you were born⌠during a new moon, as the seventh child of a seventh child, with a red birthmark, with two hearts, with teeth. Take your pick!
â Character struggles: a person might know they are destined to become a vampire after death and be conflicted about it.
â Angst potential: people might not know about the mark and only find out in the nick of time that their loved one will rise after death, bringing with it all the guilt with almost leaving them for dead.
â More angst potential: even if everyone knows they will return from the grave, you could take the "gathers their strength for 40 days before rising" from Bulgarian folklore and give everyone terrible doubts.
â Certain vampires might devote their unlife to finding marked humans to make sure they are aware of their condition and to offer their help.
â Vulnerability: vampire hunters might be on the lookout for certain marks at a burial, to take precautions like burying them with a coin in their mouth, a stone under their chin, or wild roses on their grave.
â If the world also has turned/bitten vampires, that opens the door for a lot of diversity among vampires. Potentially with differences in strength, characteristics, or, if that's your thing, social status.
â If you want them to be, these marked humans could (also) be/become living vampires before death, for even more variety.
Laurie knew it was a bad idea, of course she did. But no matter how often she told herself so, she still kept walking. It was just impossible not to want to know. She had tried so hard to persuade herself otherwise. But it was no use. The past few days arguing with herself had been infuriating. If she hadnât given her her jacket, Laurie might have been able to forget about her. But now she couldnât get rid of the girlâs scent and she had to know. Nobody had ever been so selflessly kind to her. No one human, at least. Laurie felt like she should repay her. She should at least give her the jacket back⌠And if she could possibly learn her name while she did that, that would beâŚnice.
The generous young woman had smelled like ink, coffee and alcohol. So did her jacket, only fainter. Laurie wasnât wearing it now, she was carrying it. She had dressed more warmly on purpose. Not that that was strictly necessary, but she suspected the helpful stranger wouldnât take her jacket back otherwise.
Laurie had a fairly good sense of direction and it took her little effort to find her way back to the corner where her three potential victims had been standing the other week. There was no one hanging about there now. The sun had only just gone down and people were hurrying along the street to get home for dinner. Laurie went left and left again, until she found herself in front of a familiar building. She looked up at it hesitantly. Of course she didnât know whether the stranger was home. She might be inside already. Still, sneaking in seemed an even worse idea than showing up here in the first place. Laurie turned around and leaned back against the wall, keeping an eye out for a familiar silhouette of slouched shoulders and dark hair. She could afford to wait a little while.
[This is part of my novella The Rescue of Laurie Cadieux, which you can download for free đ]
An Archive of Our Own, a project of the Organization for Transformative Works
The Knight and her Lady | Lady Elissa/Sir Kaye | Gen | 16k
Deep in the Forest of Dreams grows the cure for all heartache. They are scarlet berries on a golden bush and taste like crushed hopes long forgotten.
Sir Kaye now found herself on a quest to find these berries, because Lady Elissa had set her heart on them. Not for her own sake, her heart remained happily unbroken and âas far as Sir Kaye could tellâ untouched.
Unfortunately, Sir Kaye can't say the same...
Sir Kaye held out her hand and Lady Elissa put her hand in hers, trusting as always. Kaye placed it lightly on the iron buckles of her armour. She did not flinch or burn.
this is how you make sure that your unconfessed true love has not been replaced with a faerie
âI was wondering when youâd show up,â the exorcist said with a shake of her head. (She personally preferred the term incorporeal entities removal specialist, but it was impossible to advertise with.) âIt was common knowledge your place was infested by the time you bought it.â
âHaunted,â the tired young man corrected. âI have ghosts, not bedbugs.â
âGood thing too,â she winked. âI wouldnât know how to get rid of the latter for you.â She gave him a reassuring nod. âBut your problem I can solve. Give my team twenty-four hours, or twelve if youâre willing to wait until the next full moon, and weâll have your house cleansed top to bottom. Tell you what. If it turns out thereâs more than four in there, Iâll give you the bulk discount too.â
âThereâs six,â the young man replied. âBut I do not want the whole house cleansed. I only want you to remove three of them.â
The medium-turned-businesswoman looked up from the form she had wanted to hand him. âExcuse me?â
âI donât want the whole house cleansed, I donât want it to be spiritually uninhabitable.â
âYou-â She gaped. âWhy on earth wouldnât you want to sweep the hole house?â
Even through the fatigue on his face the young man looked indignant. âBecause thereâs kids in there!â
Her lips moved silently around unspoken words. âThereâsâŚâ
âKids in there!â he repeated. âChildren! Three of them. Two little ones and their older sibling, I think. They havenât talked to me yet.â
âSir, youâre talking about ghosts,â she emphasized.
âIâm talking about children,â he said stubbornly. âAnd Iâm not throwing them out. Theyâre more scared of the others than I am!â He shook his head. âNo, the wailing one in the attic and the two who keep scratching at the windows and leaving wet footprints on the carpet definitely need to go, thereâs no reasoning with them. But the kids stay. If you canât guarantee their safety during your procedure I will find someone else to help me.â
Never in her twelve years on the jobâ âWell,â she said hesitantly, looking at her potential client rather more nervously than before. âI suppose I could call in a colleague toâŚI presume some sort of personalized ward would do it.â She crossed her arms. âBut this is highly irregular! It means a custom job. I wonât be able to give you a reliable estimate of the price, and itâs certainly going to cost you!â
The young man smiled the smile of a man who had very recently bought a twice cursed, triple haunted house both willingly and gladly. âWe all live under the spectre of capitalism,â he said wryly. He dragged the form towards him and began to fill in his address. âThe kids stay. Whatever the costs.â
âThe place is fucking haunted. I knew it was too good to be true.â
It was the first time in a year and a half that he could confidently say he looked and felt just as tired as his sister. He shouldnât have bought the stupid house. He should have questioned the price, shouldnât have been taken in by the woodshop in the basement and the French windows.
âMaybe itâs not quite haunted,â his sister suggested hopefully. âMaybe itâs just cursed. You could get a witch in. Iâm sure I could find you one, trans kids love growing up witchy.â
âNo itâs definitely haunted,â he grunted, rubbing his face with his hands. âThereâs some thing that wails in the attic whenever I go near it and whenever it rains thereâs this awful scratching at the downstairs windows and four sets of footprints appearing on the carpet.â
His sister opened and shut her mouth, her optimism flagging.
âThereâs hardly a whole mug left in the house, the keys to the attic just went missing, and then thereâs the screaming every night and the sobbing every morning and my damn books being dragged around and stacked in front of my desk.
His sister took in a singing breath. âSounds like kids.â
He lifted his head out of his hands, staring at her. âWhat?â
She grimaced. âIâm sorry. I donât want to be that mom. Iâm listening, I swear. It sounds horrible, Iâm sorry.â
âNo, what did you just say?â he pressed.
She gave him a tired, wry smile. âI donât know about the attic and the windows, but, screams of terror in the night, crying in the early morning, things breaking and getting lost and being set out for you to find⌠Sounds like just like kids.â
He was still staring, almost frozen, at the lines of fatigue and determination etched into his sisterâs face.
âYou⌠Youâd be able to tell a childâs cry apart from any other wouldnât you?â
She snorted. âFrom five miles away with my ears plugged. âOnly the birthing parent gets superhuman hearingâ my ass.â
âIf I find someone to help Millie with the kids for an evening, will you come to my house toâŚlisten to ghosts?â
It was now her turn to stare. âYou think youâre haunted by children? By child ghosts??â
âI meanâŚâ His mind passed frantically through every sensation of crowded panic he had ever felt in that blasted house. But it was his house now. His responsibility. What if there were kids in there? âMaybe!â
There was a single beat of silent, parental horror.
Even with her most clairvoyant colleague to help her, it had taken her three whole hours to figure out what was wrong with this damned house. And that was just the diagnostics! She could have fully exorcised a house twice this size in that time! Served her right for taking on a custom job, she ought to know better.
When it came down to it, it turned out that there werenât six ghosts after all. It took them an embarrassing amount of time to discover it, but the wailing in the attic had not come from a real ghost at all. It was only a sensory haunting, a spectral echo of some wraith long since departed. Once they had diagnosed this, it was very easy to dispel.
The scratching and wet footprints at the entrance were part of a similar confusion, but of a different kind. It was not two ghosts leaving two sets of footprints, it was one ghost leaving two sets of paw prints. A Black Shuck to be precise, and a very confused one, since it kept trying to get into the house. It didnât seem to mean any harm, but the child ghostsâthere were indeed three of themâwere clearly terrified of it, so here she was, with all her occult accolades, building a bloody dog house at four in the bloody morning.
âI donât care what you say,â her fellow medium grinned. âIâm writing this one up for the newsletter.â
âLeading it to the nearest crossroad should have worked,â she grumbled, scratching the last of the runes into the wooden roof.
âWell, weâre nearly done, and at least we wonât have to banish it.â
âI suppose.â Neither of them liked exorcising protective spirits, it felt ungrateful.
Her friend glanced back over at the house. âDo you think itâll work out? With those kids?â
She pulled a face. âWell, heâs stubborn enough to stick at it, thatâs for sure.â She followed her friendâs gaze. The lights flickering behind the windows looked different now than when they had just arrived, warmer, and calmer. Well, with the whole house swept clean of lingering energies, and the shuck guarding the edges of the propertyâŚ. Who knew.
She turned back to the rather shoddy dog houseâit didnât need to be weathertight anywayâand pretended not to hear, at the very edge of her clairvoyant senses, the distant sound of youthful laughter.
The distant sirens didnât wake them, the knocking on their door did.
âHello?â they croaked, still shaking the sleep from their head.
âItâs me, Harper, open up,â came the urgent reply and Harper hastily opened the door to Isabelle Lupus. She also looked like she had just woken up, but her broad shoulders were squared with tension.
âHi Belle,â Harper blinked. âYour mum said youâd come stay the night, what do you need?â
âMumâs fine,â she said in a low voice. âYour vampire is in trouble.â
âMyâ what? What do you mean,â they demanded, grabbing for a coat.
âThereâs a fire at the cemetery.â
Luckily Belle drove as fast as she ran, because Harper could not have listened and driven at the same time. Someone had started a fire in the historical part of the cemetery, where the crypts and mausoleums were. Harper had no idea where exactly Lysander hid away during the day, but it had to be there. Those disgusting, cowardlyâ
âNo sign of the wannabe inquisition,â Belle muttered, her grip on the steering wheel tightening momentarily. âTam says there's a witness who saw a truck with custom tires parked by the wall over at the far corner, but he didn't make out a licence plate.â
"Really?" Harper replied with an unwavering voice. "Are you sure? Didn't he recall something like 94-RP-XK?"
There was a flash of yellow in Belleâs hazel eyes while she grinned. "Now that you mention it, he did. I'll be sure to tell Tam it must have slipped her mind."
Harper barely gave Belle time to park the car, before sprinting into the dark. The noise and lights of first responders did not bother them, but the smell of smoke made their stomach twist. Lysander was troublesome and brash, but he had never really hurt anyone, that they knew of. That slayer excepted, of course, but that had beenâ Harper circled round to the place where they had once managed to trap him in the wild roses all those months ago. This had to be closer to his hideout than where the fire had been.
âHow the devil are you here.â
Harper gasped for air, almost dizzy with relief. Almost fully concealed in the shadow of a tall gravestone, slumped against it like the headboard of a bed, was Lysander. âWell,â they breathed, âcontrary to what you like saying I am luckily not the only one looking out for this town.â
Lysander lifted his head and his sunken eyes and sallow skin startled them. âThereâs no occult presence in your law enforcement,â he protested sharply. âItâs the first thing I scope out when I go somewhere new.â
They supposed it was a good sign that he was still so combative. He looked like hell, but he couldnât be too gravely injured. âWell, no,â they said, slowly lowering themself down to sit on the grass. âNot since Will retired some years ago. But Mrs Lupus' eldest is a firefighter, and two of her nephews are EMT's. How do you think I got to know them?â
Lysander stared at them in incredulous mortification.
âThe wolves called you? To help me?â
Harper looked steadily back at him. âYou helped me, didn't you? And I help them.â
The silence that followed was deafening.
âDid they⌠are you hurt?â They did their best to sound professional about it, but there was only so much they could do considering they were wearing shoes without socks and a coat over their pajamas.
âIâm fine.â
âWhat about your place? Did you have a⌠did they destroy anything necessary?â
âWhat?â he sneered. âLike a favourite coffin?â He shrugged his shoulders dismissively. âI donât have to crawl underground during the day, you know. I just prefer it here because the general graveyard presence makes me harder to find for people looking with magical means.â His crimson eyes flashed at them for a moment. âLike witches.â
âI'm not a witch,â they said quietly.
âOf course not,â he griped. âYou're a good Samaritan who made it their business to ruin my undeath.â
âMy father was a witch,â they added calmly. âBut I don't need witchcraft to see youâre lying.â
âGods, you drive me insane,â Lysander suddenly burst out, throwing his weight forward and letting one hand claw into the dirt. âWhy are you here? I have done every single thing youâve told me to do from the moment I set foot in this townâ What more do you want from me?â
Harper had instinctively scrambled back and was sitting with their legs awkwardly outstretched, staring back at him. âYouâre hurt. Let me help.â
âIâm fine,â he repeated. âIâll heal.â
It wasnât as easy as that though, they knew that much. âHow much blood do you need to recover?â
There was no answer. Maybe he didnât know. Or maybe he just didnât want to tell them. A hurt vampire was a hungry vampire. That was dangerous. For everyone. For Lysander and everyone he had to deal with.
âWe can go to my place,â they offered. âI have equipment there, I canââ
âNo.â
They shut their mouth. His eyes were a different shade of red. âThen just take some.â
Lysander moved away from them, back into the shadow of the gravestone. âWhat?â
âYou know how to bite safely,â they argued. âYou barely leave marks, Iâve seen it. So just take what you need to be well again.â
His expression was no longer visible for them, but Harper could tell he was still staring. âYouâre not serious,â he breathed.
Like hell they werenât. They sat up straight, pulled loose the pouch of juniper berries and tossed it aside before trying to roll up the sleeve of their coat.
Lysander made a choked noise. âWhat the hell are youâ Put that back on!â
Harper ignored him. âYou put yourself in danger because of what I asked you to do.â
âBullshit, those little assholes would have tried this eventually. Only a matter of time. Keep your damn coat on.â
Harper stopped short of pulling off their coat and made an earnest attempt to meet his eyes. âYou need blood.â
Even cast in shadows they could catch enough of his expression to see the struggle in him. âNo,â he said at last, his voice hoarse. âI need rest. The sun will be up soon, Iâm sure they hoped Iâd get caught by the dawn by smoking me out.â
âDo you even have a place to stay now?â they asked uneasily.
âPlenty of space here, once your wolf friends stop crawling all over it.â
Theyâd argue, but while Tamzin had never turned anyone, let alone a colleague, she sure as hell considered every last one of her fellow fire fighters as part of her pack, so. âFine.â They hesitated. âCan I come check on you later?â Whatever he said, they had had a hand in this.
âI have no illusions whatsoever about being able to keep you from sticking your nose in,â Lysander grunted, but Harper could not let that stand.
They were not above breaking some rules to protect their town and their patience, but they did not force their help on people. They felt a pang. Lysander went out of his way to help them, to do what they wanted without getting them in danger, and it nearly got him killed. âIf you want me to leave you alone, I will.â
Another, heavy silence.
âCemeteryâs a public place, isnât it,â he said gruffly. âIâm not going to tell you where you can and cannot go.â
It was not an invitation, but it wasnât a dismissal either. And as far as Harper was concerned, a positive dismissal was required for them to give up on someone that looked that sorely in need of medical attention.
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Urban Fantasy with a couple of witchy, poly boys, 3k.
Cw: swearing, non-pov injury and unconciousness, anxiety, animal skulls, blood, nail biting, imagery of death, necromancy-like magic
The incantations didnât have to be said out loud for them to work, but it felt more natural to Noah than sitting and staring in silence. So he had been chanting his throat raw, only stopping to soothe the ache with one of his herbal teas whenever he felt he couldnât go on. His client â for lack of a better word â had dutifully brought him whatever ingredients heâd asked for, but had refused to drink any of the tea himself. Privately Noah thought that a calming drink might have done the guy some good; with every hour that passed, the dread that Noah felt seeping out of Damiri had gotten more oppressive. In all fairness, Noah suspected that his own emotions probably werenât having a particularly calming effect on Damiri either right now. Being an empath had to be hell at times. Maybe that was why he barely spoke. Noah was sure he wouldnât even have told him his name if Noah had not insisted on it.
Noah felt his voice give way, cracking hoarsely in the middle of a sentence. It made Damiri start upright in his chair in the corner. He had been biting on the skin around his nails, slowly ruining them.
âDid something happen?â His voice sounded almost as raw as Noahâs.
âNo,â Noah shook his head, taking a sip from the strangely dainty cup Damiri had brought him. âNothing bad, just me.â
It was late, well past two in the morning, and Rebecca sat on the fire escape of her building. The noise of the city was always comforting. It helped with the noise in her head. Night-time noises ought to be distant though, any sound from the street below at that hour was bound to be bad. Like the sounds she heard drifting up to her just then. Slow footsteps and soft, dreamy singing. The voice was sweet and gentle and that was exactly what made Rebecca sit up and look down. This was a rough neighbourhood. Sweet and gentle didnât belong there, definitely not after dark. She leaned out as far as she could and on the street below her she just caught a glimpse of long, light brown hair. A strange girl was wandering idly down the street.
Rebecca hesitated, but before she could make up her mind she saw the trio standing on the corner of the street. Damn. They had probably spotted the heedless brunette already. She was walking straight towards them. Rebecca grabbed an empty bottle from the small collection on the step below her, aims, and hurled it into the dark. The sharp noise of shattering glass was enough to startle the guys on the corner into temporary inattention. More importantly, the girl stopped walking, which gave Rebecca time to climb down the fire escape and hurry up behind her.
âNice of you to wait up, babe,â Rebecca complained loudly, coming to walk as close beside the stranger as she felt she could without startling her.
It wasnât very successful. The stranger hastily turned to face her and for a moment they were both startled. But the young womanâvery young, Rebecca concludedâlooked far too shocked for her to change her mind.
She deliberately turned her back on the guys on the corner and made very pointed eye contact with the strange girl. âJokeâs on you though,â she continued cheerfully. âCause I have the keys.â
She was dressed like a hippie, she realised. Flower print and tassels as well as the long hair. âIââ she began uncertainly. âIâ Um.â
âCome on, babe,â Rebecca urged, trying for a meaningful look once again. âThis way, remember?â
She nodded sharply towards the street on the left and finally the hippie moved and walked with her.
Rebecca kept up her boisterous chatter for the benefit of the trio that was still watching them, but she didnât look back. Instead she studied her unexpected damsel. She was short and slight, and it could be a trick of the street lights, but she looked very pale. She was also very quiet and seemed almost afraid to look at her. Well, Rebecca didnât blame her for being rattled. What the hell was this girl doing out here anyway? The two of them rounded the corner, and by then they were out of sight of the three lurkers.
Rebecca let out a measured breath and slowed her pace a little. She gave the girl a questioning glance, trying to make eye contact again. âYou okay?â
Two dark eyes stared back at her. ââŚyes.â
âGood,â she said, giving her an encouraging pat on the shoulder. âThat brings me to my next point of order: what the fuck are you doing here?â She began walking again and the girl followed, still looking at her with an almost distressed expression. Perhaps she felt guilty about needing to be rescued.
âIâŚI just wanted to go for a walk,â she muttered. âClear my head.â Her accent was American, Rebecca realised, she hadnât clocked that before. Figures sheâd be a tourist.
She gave the girl an incredulous look. âA stroll? Here? You make shit choices, girl.â The stranger glanced down and Rebecca felt a pang, adding hastily: âI dig your style though, sick bellbottoms.â
âThanks?â She didnât sound very convinced.
Rebecca repressed a sigh. Even when she did something genuinely good, she had to fuck something up. âThis is a bad neighbourhood, is all I meant,â she said. âAnd those guys back there are trouble.â
âYeah,â she muttered, eyes still on the ground. âI figured⌠Um⌠Thank you.â
Rebecca made a dismissive noise and flinched inwardly. Great, now it must have sounded like she was angling for gratitude. She held still, pointing at the building on their left with her thumb. âThis is where I live,â she said. âUp there somewhere anyway.â By taking two lefts Rebecca had led them to her own front door. She didnât really feel like climbing up the fire escape and through the window again.
âRightâŚâ The hippie looked at her, and for the first time Rebecca noticed how deep brown her eyes were. Beautiful. Not just her eyes, all of her, and without the fear on her face it was suddenly very hard to miss.
Rebecca cleared her throat. âIâd invite you inââ she began and the girlâs eyes widened in shock, ââbut you donât know me,â she finished hastily. âSo I wonât.â She tugged on the hair at the back of her neck. âUm, do you know how to get home? Or to your hotel, orâŚ? Do you want me to walk you to the nearest bus stop?â
For the first time something that looked vaguely like a smile flickered across the girlâs face. It was still hesitant and a little incredulous, but it was visible. âNo, thank you,â she said. âI know the way.â
âOkay, good,â Rebecca nods, but she was almost disappointed.
The hippie swayed on her feet a little, as if she was still undecided whether to start walking or not, and because she couldnât think of anything else to do, Rebecca held out her hand.
âNice meeting you. And um, stay safe and stuff.â
The girl hesitated for a beat, but then reached out a delicate hand and shook Rebeccaâs.
âFucking hell,â Rebecca breathed as soon as her fingers touched hers. âYouâre freezing.â
The girl immediately let go and drew back.
Rebecca looked at her with genuine concern. It wasnât as cold as it had been the past weeks, but she wasnât from around here andâupon further considerationâdefinitely wasnât dressed to be outside at night. âHow far is it to get where youâre going?â she asked with a frown. âWait, hereââ
Before the girl could answer Rebecca shrugged off her jacket and put it around her narrow shoulders. The black denim looked wholly out of place on her floral blouse.
âOh, I canâtââ she stammered. âYou donât have toââ
âItâs an old jacket,â Rebecca waved her protests away. Her being slightly more covered up made her feel better about letting her go on alone anyway. The thought left a bitter taste in her mouth, but it was the truth.
âOh⌠Alright, thank you,â the hippie muttered, drawing the jacket closer around her. ââŚyouâre very kind.â
The sudden level of earnestness in her voice took Rebecca by surprise and left her scrambling for a response. She nodded, half-shrugging it away by force of habit. âYeah, wellâŚgânight.â
âGoodnight,â the girl nodded and she started walking as Rebecca hurried up to the front door of her building. She fumbled with her keys, but looked back over her shoulder as soon as she managed to unlock it.
The street was empty, the strange girl nowhere to be seen.
Rebecca could feel her shoulders sag a little, both hands still on the door. It suddenly occurred to her that she didnât even know her name. Oh well, this was a memorable night at least. She went back inside, locking the door behind her. As she walked up the stairs without her jacket, she thought that it really was rather a cold night. Cold and dark. She frowned one more time. Really not a night to go for a stroll.
This is the start of my urban fantasy novella The Rescue of Laurie Cadieux and you can download it as Epub or PDF!