another old shit sound design for artist ๆฑ้งฟ้จฐ ๐๐ค๐ค๐๐๐๐๐ง๐ฒ๐ฟ๐น๐๐๐บโป๏ธโซ๏ธโฌ๏ธโฝ๏ธ ใ ๅ ซๆๅไบ ใโAuguest 15thโ โๆๆก็ง Lin Yi-Hsiu ้ๅปไธๅนด๏ผๆฑ้งฟ้จฐๅพ่ฟๆผๅฐๅ่ๆฐ็ซน็็ ง่ญทๆฉๆง๏ผ้ขไธญ็ไบบๅ่ขซ็ ็ๆฆๅป่จๆถ่่บซๅ๏ผ็ญๆซ็่จๆถๅๆฎตๅฆ้่คๆญๆพ้ต่ฌ็ฝๅผ่่บซ้ซ๏ผไปคไปๅ้่ตฐใ่บ่บใๅฐๆชๆณ่ตทๅๅๅบฆ้บๅฟใๅจ่จๆถ็ๆๅทฎไธๆฏๅคฉ้่ค่ๅไธๆฌก็่ชๆไป็ดนใๅจ่ฉฑ้กๆชๆญ่้่ซๆๅ็่จ่ซ๏ผ้ไบๆฏไปๅ็ๆฅๅธธ๏ผๆฅๅธธๆฏไธ้ไธๆท้ๅ็ๅๅฅใ . For the last year Chu ChunTeng has spent much of his time traveling between centers in Taipei and Hsinchu that care for patients with dementia. The individuals in these institutions have had their memories and identities wiped away by illness, with segments of short-term memory leading their bodies like a replay button, as they wander, hesitate and forget things before even remembering them. Memory lapses mean that every day they repeat the same self introduction as before, returning to the beginning of conversations while still in the middle. This is their daily life, a question repeatedly being asked. . ใไปฅ่ฃ็ฝฎไฝๅๅปบๆงๆไบใๆฏ้ปๅฝฑ่ๆฏๅบ่บซ็ๆฑ้งฟ้จฐ่ฟๅนดไพ็ๅตไฝๆนๆณ๏ผ่็ฑ็ฉไปถ็็็พ็ๆ ๏ผไปๆ็บไปฅๅไบบ่งๅบฆๅฑคๅฑคๅ็ๆญทๅฒใๆๅ่็คพๆ็้ไฟใๆญคๆฌกไปไปฅใ8ๆ15ๆฅใๅ้ขไธญไธๅๆฃ้ฟ่ฒๆตท้ป็็้ท่ ็บ่ตท้ป๏ผ่ฉฆๅไปฅๆด็ด็ฒน็ๅฝฑๅๅฑ้ๆๅใๆทๅ่ช็ฃ่ฆๅจ็ซ้ข็่ฃ็ฝฎๅฝฑๅ๏ผ่จ้ไธๅ่ณไปๆช่ฝๅฐ็ฒ็ๅคฑ่นค่ไบบ่บซๅฝฑ๏ผ้ๅนๆจ่จป่ใ2016ๅนด8ๆ15ๆฅใ็็ซ้ข๏ผๆ้ๅๆปฏๅจไธๅไบบ็ๆถๅคฑไนๅ๏ผ็กไบบ็จฑ็็ฃ่ฆๅจ่ฆ่ง่ๅฎถๅฑฌๆ่ฟฐ็่ช่ฒ๏ผ็บ่ง่ ๅพๅๅบไธ้ๆณๅ็่บซๅฝฑ๏ผ่ๅฐ็ๆจ่ฌไฝ็ซ็่ฃ็ฝฎไธๅๆๅ็พๅฏฆไธญ็ก่ๅฏๅฐ็ใๆญคๆพๅจใใ . In recent years, Chu ChunTeng, who has a background in cinema, has adopted a creative methodology that involves โconstructing a narrative through an installation.โ By focusing on the contradictions between objects he examines the layered relationships between history, culture and society from his own perspective. On this occasion he takes โAugust 15โ and a hospitalized senior suffering from Alzheimers as his starting point, asking questions through simple images. The installation image taken from monitor footage shows a senior who remains missing. The picture, which is labeled โAugust 15, 2016,โ stops time in the moment before the person disappeared. The impersonal viewpoint of the monitor and the voices of family members describing their loved one, creates an imagined image for viewers, which together with the boundary marker-like installation point to the nowhere found โThat-has-beenโ in the real world. ๏ผๅจ MEME่ฆ็ฉบ้๏ผ
