Glimmerati, Claudia Keep

oozey mess
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Jules of Nature

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let's talk about Bridgerton tea, my ask is open
Sweet Seals For You, Always
Show & Tell

Kiana Khansmith

⣠Chile in a Photography âŁ
trying on a metaphor
occasionally subtle
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Love Begins
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ellievsbear
official daine visual archive
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@mattrants
Glimmerati, Claudia Keep

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Boys, things are getting real! Itâs level 4 water restrictions in Cape Town now!
âNow, in this world of water, Kevin Costner is the hero because even though there is water everywhere he still drinks his own piss to be water wise. Thatâs fucking inspiring!â
I am so sorry this review is late, but the director of Guardians of the Space:2 did not reply to my e-mails requesting a press screener andâŚ
âI may be a humble genius from South Africa, but my favorite animal is an american raccoon or âtrash pigletâ, and if Rocket Raccoon doesnât win an Oscar for best Actor I am going to throw myself off a bridge.â
As a white Capetonian it pains me to say this, but I did not go to Afrikaburn. As unlikely as it seems, I did not attend this years âburnâŚ
I wrote about the horrors of not going to Afrikaburn 2017.Â
Century - Feist featuring Jarvis Cocker
This song took me by surprise, everything about it was completely unexpected. Now, as Iâve listened to it almost constantly for the last week, Iâve realised that all the pieces make sense, I just never expected them to come together. Â In my head, Feist is still the cutsie jazz pop chanteuse of spritely hits âMushaboomâ and â1234â (https://www.youtube.com/watch?v=ABYnqp-bxvg), even though I knew her first from her fierce belting on Broken Social Sceneâs âAlmost Crimesâ.Â
Her pristine mid-2000s indie pop run, from 2004âs âLet it Dieâ to her 2007 hit âThe Reminderâ, was so successful in casting her as a spritely crooner of interesting pop jams, that I forgot that she could be dark and weird! Â I had forgotten 2011âs âMetalsâ, with its moodier sensibility and unexpected turns. Â Hell, I had completely forgotten that she even put out a split single with metal band Mastadon! Â Feistadon saw her cover âBlack Tongueâ (https://www.youtube.com/watch?v=I4gas7avTLY), while the metal giants covered her already spooky track âA Commotionâ (https://www.youtube.com/watch?v=0zPDAj568wo). Â That split alone should have reminded me that Leslie Feist is a weirdo, and has got some dirty rock in her. Â
Another huge surprise to me was to see Jarvis Cocker co-writing this song, and then appearing sneakily after a false ending. But this is another thing I should have seen coming as Cocker just released a (very strange) collaboration with long-time Feist collaborator Chilly Gonzales. Â The Feist/Cocker team-up works so well by mostly keeping the two apart â you almost think youâve missed Cocker somewhere as the song fades out, only to fade back in for a glorious outro in true Cocker spirit. Â He delivers one of his typical smouldering spoken word rants (so beautifully spoofed in Chris Morrisâ Brass Eye parody band Blouse: https://www.youtube.com/watch?v=wVibsNPXBx0). Â The words almost donât matter - Jarvis can make anything sound provocative. Â
The Cocker coda is the triumphant climax to a fantastic song - itâs a slow burner, with muted blues guitars, eerie Theremin and organ, and handclap percussion that keeps on building. Â Feistâs voice sounds spookier than Iâve heard before, layering wordless coos over PJ Harvey-esque singing. Sheâs always been an amazing singer, but this is her at her most interesting. Itâs a far way away from the bright iPod advert pop of â1234â, but it doesnât sound phoney, it sounds like a natural progression and perhaps even a necessary evolution in dark political times.
Contributed by @bargematt

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[discovered]
[immediately mocked by scientists]
me as a discovery
How can you not include the video?
@lordcephalopod
THEYâRE ROASTING HIM
Halfway Home - Broken Social Scene
Broken Social Scene, an amorphous Canadian collective, were one of the best bands of the mid-2000â˛s indie rock explosion. They might even be said to have kick-started the Canadian indie explosion that lead to Arcade Fire, Wolf Parade, with their second, and best album, You Forgot It In People. That album was like a glorious indie rock mixtape, synthesising the best of 3 decades of college rock, indie, and alternative into one piece of glorious bombast. Broken Social Sceneâs vast ranks included members of post-rockers Do Make Say Think, lovesick indie darlings Stars and Metric and troubadour Feist - there was a joke at one point that â1 in 6 Canadians are in Broken Social Sceneâ.  The band featured 3+ guitarists, a fantastic drummer, horns and synths and whole teams of vocalists. They were joyful and sonically enormous, loving and obtuse, their lyrics strange and sexual, political and personal.  But the band went on hiatus after 2010â˛s Forgiveness Rock Record, and it seemed the dream was over, even the influence of indie rock began to wane. But now they are back and kicking it like old times!  I was lucky enough to see them live in New York last year and they shredded!  Theyâre older and greyer now, singer Amy Milan was heavily pregnant, but they still rocked it out, they were as tight as ever, and as positive.  Itâs that positive quality thatâs needed in the world right now - theyâre a fundamentally loving and optimistic band, built around community, hope and love. They have a new album on the way, and Halfway Home is the first single.  Itâs a musically busy and interesting song, with horns and theremin and multiple vocalists, and a big warm chorus.  It still sounds like its reaching for a better future, a future that might be achievable, even if weâre only halfway there. Contributed by @bargematt
The Future of the Cloud
I often marvel at the duality of man â the raw, animalistic nature, and the enlightened dreamer. Â We humans are sway to the most primal urges â hedonistic beasts, fucking and fighting, killing and dancing, seeking out all vices to slake our thirsts. Â But humans have also risen above nature, we are able to put aside the animal for the godly, to swim against the current and to create whatever we can dream. Â Humans drink and swear and rage, but they also think and write and build. Â As a species we have become gods, impacting the planet earth on a geological scale â we manually move more soil, sand and rock in a year than all of the natural processes of erosion. Through industry humans have changed the composition of our atmosphere, we have terraformed in the most literal sense. Â We have achieved this status above nature, but still be so tethered to our most natural instincts, our most hedonistic pursuits. Â Indeed, more often than not our rise to the status of gods of this planet and the void beyond has been achieved because of our most innate nature. So much has been created in the name of love and sex and war and power, manâs lizard brain driving the higher intelligence in the direction of pure pleasure. Â Truly, this duality is no more obvious than in an event that takes place in Cape Town, South Africa on the 25th of March in the year 2017 CE, an event called CAPE VAPE 2017.
 Cape Vape 2017, let those words wash over you. The phrase âCellar Doorâ has been posited as one of the most beautiful phrases in the English Language, itâs admirers include noted phonaesthetes Edgar Allan Poe, Drew Barrymore in Donnie Darko, and huge nerd J.R.R Tolkien.  But, due to the cruelty of temporality, Poe and Tolkien were never exposed to the pure euphony of the phrase âCape Vapeâ.  Surely, if they lived today, they would denounce the cellar door, a phrase that has been hijacked by callow wine peddlers, and embrace the beauty of Cape Vape.  Indeed, I have no doubt that amongst all literature creations there is none who is more likely to be a vaper if they were written in 2017 than Tolkienâs Gandalf the Grey. Vaping is wizardry, and on March 25, the Cape Town International Convention Centre will become Hogwarts!  The vape rig is truly a science indistinguishable from magic â the power of a tiny machine to turn liquids into pungent nicotine clouds, to render unto its bearer the power to control the weather in his personal space, by spewing forth from this wand and his lungs great fluffy clouds! Awaiting the Cape Vape 2017 gives me a feeling that I am sure many felt during the construction of the Eifel Tower for the centennial celebration of the French Revolution.  Many Parisians hated the tower, they thought it a blight on the Paris skyline, an affront to the revolution, a skeletal paean to the fallen King and his cake loving bride.  But History is on the side of the tower â it now stands as one of the most recognized landmarks in the world, a tribute to western industrialization, a metal phallus piercing the sky as if to decry the gods, and celebrate what man can achieve! And so it is with vaping â there are many who decry it as pretentious or gaudy, an overly complicated travesty, removing man from nature of smoking, removing the very smoke, sanitizing the personal act of containing the fire stolen from the gods.  But these haters will be on the wrong side of history, and Cape Vape 2017 will stand as a memorial to the visionaries, those who have harnessed the such power that they have become Prometheus 2.0, stealing fire back from man, changing its essence and allowing humans to smoke with water instead of fire!  Is that not alchemy?  Are these vapers not bending the natural laws, conquering fire as men conquered gravity to leave the earth for space? Is vaping not truly the successor of the French Revolution, allowing, as it does, the freedom from tar and smoke, the monarchial oppressors of the ordinary manâs lungs?
 Or perhaps attending Cape Vape 2017 will be like attending the opening of the Crystal Palace in Londonâs Hyde Park in 1851.  That was the worldâs largest glass structure, at a time when glass windows were rare and the world was seldom glimpsed through anything but ones own eyes.  Throngs of Londoners flocked to the Great Exhibition and marveled at this structure, unaware of how it would herald a new age of glass that would lead to reflective skyscrapers and a world where ever human sees through glass of some kind into a digital world, vaster than anyone in 1851 could have ever imagined.  The people were stunned, but imagine how they would feel if they were transported through time to the CTICC on March 25, 2017, to bear witness to Cape Vape 2017!  They would initially marvel at the nature of the Convention Centre itself sure, it is a grand structure of glass and mortar. But soon they would be more overwhelmed by the groups of people tugging on small boxes, strange lights glowing from these contraptions and then the vast clouds of scented cotton â the glorious billows of beautiful, clean smoke, flavored in ways that they would never have experienced!  This would be too much for someone of 1851, and it might be too much in 2017, for the world is not always ready to embrace the future willingly.
 My own love affair with vaping began in the January of 2016, but has largely been unconsummated.  I do not partake of the vape, but I do love it.  In that bold January, in the high spirits of summer, with cocaine coursing through my nostrils, I penned a series of Vape Jingles, and I consider them my legacy. The idea was simple, as most great ideas are.  I transmuted many popular songs with the word âtakeâ into anthems of billowing clouds of scented vapor!  âVape on Me âI sang â Vape me oooonâ.  âVape my breath awayâ, âVape Me Down to the Paradise City, where the Vape is pure and the vapers prettyâ, âVape me out!â.  But now is my time to join those that are braver than I, the vapers!  I will try to curry favor with them, hoping that my jingles move them enough for them to hire me to advertise for their vape stores â âFoggyâs Vape Loungeâ, âVape Empireâ, âDarth Vaperâ, âVapal Infallibilityâ, whatever they are called.  I will move among these futurists, enthralled by the technology on show.  For I am certain that the technology at Cape Vape 2017 will be beyond anything I could imagine here!  There will be vape rigs so sleek and matt and black that they could only be created by the military and its stealth departments. There will be retro vape rigs, with copper tubes and glass alembics; there will be curved blades of chrome and neon, the future on display; there will be corporate vapes made by Apple or Samsung; and there will be homemade rigs, clunky and steam powered, or made of repurposed lawnmover parts with two-stroke engines! And Cape Vape will also lure the tinkerers and alchemist that have devoted their skills to making craft beers, or honing their craft in the laboratories of the Cape coffee shops, perfecting the Flat White â the only beverage name that perfectly describes its average drinker, apart from the energy drink Monster.  These flavor wizards will set up shop creating artisanal vape liquid, selling butterscotch smoke, or blueberry cheesecake, or nougat, or roast beef!  They are the Willy Wonkerâs of 2017, the mad scientists, called crazy at the academy, but now free to find the forbidden taste.  Some will mix in vodka, some crystal meth, some will work in absinthe and laudanum to make lazy green smoke!  This is truly the frontier of science!
  And I will move through the CTICC, and I will be moving with the current towards a bright, shining future.  I will survey the landscape, not knowing what I will find.  Will everyone be wearing fedoras?  Manchester United Shirts?  Who is the average vaper?  Momâs in a hurry? Coders who donât want to leave the building lest someone swipe their start up idea from underneath them?  Who are the celebrity South African vapers?  I can imagine Bobby Skinstad vaping, and that girl from Top Billing.  Danny K definitely vapes, Steve Hofmeyer I am not so sure.  I am sure Nathaniel will be there, touting Checkerâs Boerewors flavored smoke.  I donât know whoI will find in the clouds of Cape Vape 2017, like the greek gods in the clouds above Mt Olympus. I donât know what I will find there, amongst the fog. But like Jane Goodall or Dian Fossey I will venture into the mist, I will risk being cast aside by my friends who do not understand the way of the vape. I will risk personal danger and nicotine addiction, because I want to be able to say âI was there!  I was at Cape Vape 2017!  I was there to witness the future being bornâ.
 *Photo courtesy of @dwuffâÂ
A terrible idea for a music column
In trying to expand my media empire into music journalism I have been looking for fresh new takes on the typical music article. Â I am throwing a lot at the wall, tying to see what sticks. Â I realized I very seldom listen to the music that is charting, the popular music on the radio or the internet, and seldom dip my toe into new music. So I thought I would do an experiment, try to get ahead of the curve, and do some first listens. Â My poorly thought out methodology was to go to the âNew Releasesâ tab on my streaming service (Google Play Music) and pick 5 songs from bands I recognize but donât really know their songs and wouldnât seek out on my own â also Bush, just to see how time has treated them. Â I figured this would help expand my musical horizon slightly, and would lead up to me picking 5 songs that I have just never even heard of. Â So, on Friday 17 March 2017 I fired up the following 5 songs:
Pitbull - Green Light https://www.youtube.com/watch?v=R7xbhKIiw4Y
Alt-J - 3WW https://www.youtube.com/watch?v=bDUUOt30TGA
Bush - Ravens
James Blunt - Bartender https://www.youtube.com/watch?v=QAyjgG0-Deg
Ed Sheeran - Shape of You https://www.youtube.com/watch?v=_dK2tDK9grQ
Let me just say firstly that this was a terrible idea. Itâs over now, the experiment is dead. It wasnât worth it.  In order to see why, here are my thoughts from first listen Pitbull â I am sure I must have heard a Pitbull song, but I couldnât tell you which one.  I recognize Pitbull too, but only because he looks like The Rock and Billy Corgan used the âThe Flyââs teleporter together. His new album is called Climate Change and that sounds dope to me, because I doubt very much that it is a eco-disaster concept album [edit: turns out the âBull has been on this trend for a while with albums called Global Warming and Globalization. Turns out dude is basically Naomi Klein).  I have opted for the 2nd single Green Light, because that features Flo Rida, and I am sure it is about  the effect of light on photosynthesis and the inevitable effect of rising seas on the state of Florida.  OK I was wrong, the green light is just the excuse for P-Bull and Mr Rida to get fuckin turnt in the club -âRed Light, Green Light, everybody take a shot!â. This is generic party music, this is the least memorable song in the world, but I suppose if I heard this in the background of some hedonistic event to drown out the dark last days of humanity I wouldnât ask the DJ to change it. No thanks though. 5/10, pure true neutral.
Alt-J 3WW â These guys I know, they were big for a while and even came to South Africa to deliver the mildest concert I have ever attended. I love chilled music, I am very into ambient, Brian Eno is a hero of mine. Â But this song is ambient music for people who think Stars of the Lid need to reign it in a bit and chill out. Â This song will be soundtracking a small sleep I have later today. Â As a note, any story thatâs opening line is âthere was a wayward ladâ is not a story I want to hear. Â This song sound like sleepy Ennio Morricone scoring Eat Pray Love. Â Ok, when the lady vocals kick in it kicks up a notch to âlight comaâ energy levels. Â âI just want to love you in my own languageâ â ah here we go, this track is actually self help to save your marriage! Â I donât remember one of the five love languages being âRoofies in Your Chamomileâ though . The upcoming album is apparently called âRelaxerâ which is instructive. Â Nah. 5/10, bland paste.Â
Bush â I liked a Bush song or 2 in the 90s, when they were mainstream Nirvana for all the Nirvana fans Kurt Cobain hated. Â These guys were slick and catchy and the dude married Gwen Steffani and I thought he quit music to bang out his days and live large on those Donât Speak royalties. Â But now google tells me he has divorced Gwen (google also offers some interesting insights??) and heâs got a new Bush album, something I am sure at least 15 people have been clamouring for! Â I am sure this album will find him a more mature songwriter with interesting stories to tell! Â Oh, the album is called âBlack and White Rainbowsâ, nevermind, this is gonna be some dumb shit. Â I have chosen the song Ravens, because Ravens are sweet and goth af. Wow, itâs as if no time has passed for Bush, but so much has happened to us, and I can no longer tolerate this shit. Â Itâs anthemic rock, I get it, its fine, Rossdaleâs voice is still good, the song builds nicely and is catchy, but fuck his lyrics are so stupid, so so stupid âthe kisses will endâ. Â Turns out Rossdale has spent the last decade huffing petrol because his poetry level has dropped from its embarrassing teenager levels in the 90s to sugar high 7 year old who learned about love from Scooby Doo episodes. 5/10, this exists.Â
Ed Sheeran â Shape of You. Â Who is this little gnome? Â He looks like Thom Yorke and Ron Weasley had a very wide baby. Â Shape of you is apparently the no 1 song on the Billboard charts, surely its gotto be good, must be catchy at least. Ok, so this is a sex song. A cultural appropriation sex song. I do not believe this man has had sex at all, isnât he younger than the age of consent? âOne week in we let the story begin, We're going out on our first date, You and me are thrifty, so go all you can eat, Fill up your bag and I fill up a plate.â Â Sweet, load up on that buffet food before you put your bodies on each other This song is making me feel really gross. Â âI am in love with your bodyâ â this is some Buffalo Bill serial killer shit. Nah.1/10, creepy kabouter fetish music. James Blunt â Bartender. Â This is gonna be an easy pitch because I remember James Blunt and the dude is music for shy moms with Xanax addictions. Ooo itâs another cultural appropriation sex song, but sadder! Â Fuck 2017 a lot. Ok why am I doing this? Â This is the softest song ever, even Xanax momâs are switching this off. Â This is just embarrassing for James, for real this is terrible and he should feel ashamed. Â James, youâre a grown man and just because you cuss in this the song doesnât forgive you rhyming âdanceâ with âholding handsâ. Stop writing this stuff, stop singing like that, stop embarrassing yourself and everyone. Â âBartender, can you pour some love?â NO JAMES I CANâT YOUâRE CUT OFF, GET OUT OF THIS BAR BEFORE I FUCKIN GLASS YOU YOU BASTARD 0/10 fuck
And Boundless â Do Make Say Think
Do Make Say Think are criminally underrated in my opinion. Â They are by no means unknown, but when people discuss the post-rock genre they seldom get a shout out. Â To me, they are one of the genres most accessible acts, but also one of the most inventive and interesting. They donât have the thundering orchestral darkness of Godspeed You! Black Emperor, or the constant shape-shifting of Mogwai, or the pure emotional heft of Explosions in the Sky, but they have released 6 albums of jazz-inflected, pastoral instrumental rock, and they havenât released a bad song. Â They are set to release their 7th album, Stubborn Persistent Illusions, on May 19, and they have released the first music from that album in the form of a pair of companion songs â âBoundâ.
DMST, who share members with Broken Social Scene (another band due for a new album soon), havenât released any music since 2009âs Other Truths. Â That album was made up of four long tracks which was a bit of a departure from their previous records that had featured a mixture of longer more traditional post-rock tracks, and shorter songs in a more classic pop set-up (even including a few tracks with vocals on 2007âs âYou, Youâre a History in Rustâ). This new album looks to go back to that older structure as it features 9 tracks, and âBoundâ is a subtle 5-minute piece of beauty that is interrupted with klaxon blasts that give way to the 7 minute âAnd Boundlessâ. Both tracks are gorgeous, with twinkling guitars and skittering percussion, and the crescendo of slide guitar, warm synths and faint horns really does feel boundless, as it engulfs you and forces you to hit repeat.
Contributed by @bargematt

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Sports Journalism 101
I like sports. Â Phew, that feels good to say. Â At 32 years old I can finally admit it to myself, and to you all â I think sports is good, and I like âem. Â I have been filled with doubt about sport my entire life! Â I love watching it, I love supporting my teams, I get damn emotional about it! But I know itâs silly and tribalistic and I donât want to be a jock, but hell, Iâm an adult now, I donât have anything to prove! One problem I find as an adult sports fan in South Africa, is that a lot of sports writing is garbage! Â I mean, it summarizes the results of sporting events, but it is mostly just reporting, there is seldom room for opinion, deep analysis and humor! There are exceptions of course, but by and large itâs a bit dull. Â Another major issue is that most of the comment sections of sports sites are trash. Just real stinky trash. Â Just a garbage fire of racism, anger, insults, machismo and pointless grandstanding. I have concluded that if I want decent sports writing, Iâm going to have to write it MYSELF!
 Letâs start with cricket, because this is my premium bae, my bottom bitch if you will.  If you donât love cricket I really feel sorry for you, because you are missing something beautiful and pure. Do yourself a favor and watch the documentary âFire in Babylonâ, which is basically âCool Runningsâ, but for cricket.  Itâs got all the good good Caribbean accents, itâs got political and social subtext, itâs got underdogs, and itâs got glorious victory.  Anyway, back to the current day and South Africa are about to start their second test match against New Zealand after the first game was a rain affected draw. That was a cracker of a game until New Zealand ruined it by being an arctic country prone to endless rain and sleet and lord of the rings related disasters.  The teams were pretty well matched after Faf du Plessis zagged on everyone by batting first, when every other captain for the last 10 years has bowled first.  This is why I like Faf - he is bold as hell, unpredictable, and heâs got a jawline stronger than the Cape Town wind!  I think the captain of the team should always be the sexiest team member, it disrupts the other captain at the coin toss, as evidenced by the fact that we have won every toss so far this tour.  Now might be a good time to interject to say that everything about cricket is funny in a 13 year old boy way (the toss, team member etc) and I will be mining this for a lot of comedy, so if you are a mature adult, you might want to opt out here.  NZ have a few injuries, including two of their senior guys â Taylor and Boult â but they showed in the first test that they are a team to be reckoned with.  South Africa will be looking for improved performances from Cook, Amla, and Duminy, who have not been the best as of late.  Amla is my number 1 boy and I am sure he is gonna bounce back hard this game! Duminy is the boy under pressure, after Bavuma got some runs under his belt after a lean run.  This is where I get so mad though, to read the comments youâd think that Duminy and Bavuma were Under 14C players that were promoted to the Proteas by Jacob Zuma because theyâre PoC! The comments are so racist and bad that even non-South African commenters on ESPNCricinfo have got in on the action of calling these guys âQuotasâ when they donât perform.  These guys have to perform to such a high degree to earn anyoneâs approval, and it is such racist bullshit.  Duminy is great, he has saved our asses numerous times, and even through a lean run he is averaging 40 in his last 10 tests! Bavuma is also an absolute treasure, his run-out against Australia pretty much won us that series, and his fielding alone is enough to justify a place, and his half century in the first test is hopefully a sign of him finding form.  Seriously, go watch that run out 10 times and tell me it doesnât bring a tear to your eye and a rigidity to your genitals. While youâre at it, watch Wayde van Niekerkâs Olympic 400m race a few times to get that patriotic sports love going.  Goddam itâs a thing of beauty.
My call is that Amla is going to score a century, Vern and Rabada are going to kick it up a notch and destroy NZ and SA is going to win the test with a day to spare to go slay a balrog in the mines of Moria. Â I also call that India are going to crush Australia in the 3rd test, and that Bangladesh are going to beat Sri Lanka and I doing so will score 420 runs so I can bring out my Bongladesh jokes again. Â Â Â
Nocturne â Mark Lanegan Band
Mark Lanegan definitely has a voice for bright sunshine and pastoral countryside. As lead singer of Screaming Trees he belted out punk inspired grunge and wore torn jeans and shot daylight music videos in Washington State junk yards (https://goo.gl/kdxQTg).  He also sung blues inflected  grunge and wore civil war outfits and shot music videos in sunny middle American farms (https://goo.gl/IlTSmy). All of that music was great, but honestly, he has a voice for the night, and for the city.  His voice is dusky, gravelly, it imbues any line with layers of mystery and depth.  When he tells stories you believe them to be true, because he has the voice of a man who has seen things.  He sounds like whisky and cigarettes ad schemes gone wrong. Â
Nocturne is the first single off his new album and it is a hugely evocative song, based on a propulsive, motorik beat with twinkling electronics that combine to give the sense of driving through the night city, lights flashing by, the wind in your hair. Â And the lyrics, growled so beautifully, paint the nocturnal scene in vivid colours: Â âRed lights, X-ray vision/ Lowly drug is in my veins/ Blood stained indecision/ Holiness is burned away/ Midnight, midnight calling/ Color me insaneâ. Â Itâs not subtle, but it is glorious! And I love that the tale is tells is a nocturne in all ways â a romantic song, as well as the rendering of a night scene. I have had this on repeat for weeks, looping into one long night, and I canât wait for the full album.
Contributed by @bargematt
New Music Friday! Damn boys, it's Friday and that means there is ton of new music being released, and fuck this is a good week! Â Let me give you a little run down of my faves. Â The self titled Dirty Projectors album is one that I have been looking forward for ages, and it is just so so good. Â It's a really interesting, ornate, but slightly screwy, pop album. There are all manner of weird chopped and altered vocals, and beautiful organic instrumentation mixed in with woozy electronics. Â The closest analog is probably the recent Bon Iver album, but this has more energy. Â My favourite tracks are "Keep Your Name" and "Cool Your Heart", the latter I can recommend as a good in for the album. Â "Up the Hudson" is also really great because it ends in an excellent freakout jam. Â This album is really interesting because it deals explicitly with Dave Longstreth's romantic and musical breakup with former band member Amber Coffman. Â The album constantly revisits songs from when she was in the band, casting a retrospective eye on them to analyse the nature of romance and its dissolution, creativity and collaboration, aging and just about everything else. Â It's seriously great. Â https://www.youtube.com/watch?v=rUplxePolH4
The new Blanck Mass album, World Eater, is only officially out next week but an early listen is streaming at NPR and the album is so good you shouldn't sleep on it. Â Blanck Mass is the project of Benjamin John Power, also of the band Fuck Buttons, and those two names give you all you need to know about this project - it's powerful as fuck. Â This new brings something new in that it uses a lot of vocal samples, chopped and smashed into a bizarre sonic mosaic that adds some interesting emotional weight to the usual musical muscle. Â The first two singles, "Please" and "Silent Treatment", are epic, but I love the opening one/two of the short, beautiful "John Doe's Carnival of Error" followed by the punishing "Rhesus Negative" which hits like a hailstorm but occasionally breaks into some glorious clear sky. http://www.npr.org/2017/02/23/515637311/first-listen-blanck-mass-world-eater
Los Campesinos! are not a band you'd expect to be have been around for a decade and onto their sixth album. These welsh kids dropped their amazing debut album during the peak of the last decade's indie music popularity, they were charming and self-deprecating, full of manic energy and twee literacy, hell, they even pulled a Ramones and all changed their surnames to Campesinos. They really earned that exclamation point too - seven Welshmen, violins, glockenspiels, backup vocals coming from every direction and a tumble of witty words, silly and exhilarating and sad, and dorky as fuck. Â Those halcyon days are over, and the band has definitely evolved, they sound way more polished and the lyrics and music is definitely more grown up. Â But they still have the same endearing charm and wit, and their new album,Sick Scenes, is so good. Â Listen to the single "5 Flucloxacillin" if you don't know these guys, it'll tell you everything you need to know about them - it has got gorgeous backing vocal "ooooooo"'s, strange tongue twisting lyrics about sickness, sports, and intergenerational tensions, and it builds and and breaks in ways that I find fuckin' irresistible. Â https://www.youtube.com/watch?v=aoqs0PJ12zM
The new Bing & Ruth album out this week, is a really fantastic piano based modern classical album, and a soothing mood piece for a troubled world. Â Shoegaze legends Ride released two new tracks this week, their first in 20 years! Â The second track, "Home is a Feeling", is a stone cold classic, sounding like it could have been on Nowhere is 1991. Â I really love this track. Â There is a new New Pornographers track out today which always makes me happy. Â Lastly, the new Thundercat album is out, and its a strange old-school mellow R&B record. Â It's not really to my taste, but the song with Kendrick Lamar is great, because of Kendrick Lamar. https://www.youtube.com/watch?v=A5xwjWbBbzo
As noted in Coryâs review, Kim Stanley Robinsonâs Aurora makes an undeniable case for ecological stewardship through a rigorous, gripping technological speculation about climate scienceâŚ
Boys, this Trappist-1 news is pretty damn cool, especially because the star is clearly named because we think we're gonna find dank new drugs there! It is a super exciting find, and as technology improves it'll be so interesting to learn more about the system. However, this is also a good time for some perspective - the system is 40 light years away. Travelling at the speed of the Voyager spacecraft it would take 700,000 years to get there. Even if we manage to kick it up to a tenth of lightspeed in the future, accelerating the ship with lazers from earth or whatever, it would still take 400 earth years!
In a bit of synchronicity I am currently reading Kim Stanley Robinson's amazing 2015 sci-fi novel 'Aurora', a book that deals with a huge spacecraft nearing the end of its 180 year journey to the Tau Ceti system. It is a fantastic book, deeply researched and framed in a fantastic way as the a story being told by the ship's AI as it attempts to teach itself to be a narrative story-teller. The book is also fundamentally pessimistic about our ability to colonize other worlds. We can never predict the leaps of technology that will occur over hundreds of years (or even 20 years), but Robinson's story is so great because it deals with so much of the biological, sociological and technological aspects of space travel and terraforming. Any spaceship sent out into the galaxy would need to take the seeds of a new earth; would need to convey humans and their society; would be a closed biological loop, subject to island evolutionary forces, exposure to space radiation and whatever a new planet might throw at us. I have massive faith in humans to develop amazing solutions to impossible problems, but one of the best messages of Aurora is ultimately that a focus on terraforming other worlds overlooks the fundamental truth that we have a really great world right here!
The book is ultimately a tale about closed environments, Earth being the primary example. It is amazing and important that we look to the stars, we can learn so much, but it is also important to remember that we have a planet that we are slowly reverse-terraforming (terrorforming? terradissolving?) right here, and the problems that plague humanity will chase us into the cosmos. I can highly recommend 'Aurora', but even if you don't want to commit to a whole novel, definitely read this amazing companion piece that Robinson wrote.
Golden Times 1 - Ben Lukas Boysen
Last week Erased Tapes Records released a sampler playlist, free to download and available on SoundCloud -https://soundcloud.com/erasedtapes/sets/erased-tapes-collection-viii. Â Erased Tapes has become home to some incredible artists, most of whom exist musically somewhere between neoclassical and ambient electronic music. Artists like German pianist Nils Frahm, Icelandic composer Ălafur Arnalds and electronic new-comer Rival Consoles are among the most interesting musicians working today and theyâve been gathering mainstream recognition through consistently great records, interesting collaborations, and by remixing other musicians. Â The entire playlist is absolutely fantastic and you should check it out if you want some soothing yet sonically interesting music. Â My favorite song on the playlist is Golden Times 1 by Ben Lukas Boysen, off his 2016 album âSpellsâ. Itâs a slow burner, built around simple piano and strummed guitar that, while ethereal and beautiful, has a throbbing electronic undertow that propels it along like a smugglers rowboat over calm, dark waters. Itâs a great example of the Erased Tapes aesthetic - the mingling of electronic music with classical instruments into something beautiful and brooding. This is music you listen to after a night out, the club beats still pounding in your head - itâll beat-match for you, but wean you off the party into something more soporific; a kind of nocturnal methadone.Â
Contributed by @bargematt

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SONA2017: At least we have the EFF
If you just listened to or read Jacob Zuma's State of the Nation address in complete contextual isolation, you would see a pretty normal political speech. JZ Oration does not inspire enthusiasm, but in general this was a pretty normal speech. It quoted ANC stalwarts, it touched on all the major areas of South African politics - mining, education, jobs, the economy, housing, electricity, land. On the surface, there seems to be much to like about a lot of the points made and the policies proposed. Most of the policies were along very similar lines to what the DA proposed a few days ago. It all seems normal and fine. As soon as you add the context though, the speech changes in meaning almost entirely. Zuma's speech was delayed by more than an hour by the EFF, energetically proposed points of order as a means to point out many of issues hanging over the president and the ANC. Regardless of what you think of their tactics, it should be hard to shrug off their statements around the illegitimacy of Zuma - he may be the leader of a party democratically elected, but there is so much controversy around him, that it seems insane that the party can still support him. As Malema pointed out, just because the ANC majority Parliament steamrolled the Votes of No Confidence against Zuma, does not mean that he is innocent or that people have confidence in him. The Constitutional Court has ruled that Zuma broke his oath of office, and chastised Parliament for neglected their duty around Nkandla., a fact that the EFF continually made, and a point that adds huge credibility to their cries of the President's illegitimacy. In fact, the continuous support of Zuma in the face of the myriad misdeeds - Nkandla, Guptas, the Public Protectors Report, the Constitutional Court Rulings - is indicative of how far the ANC has fallen into kleptocratic cronyism and patronage politics. That Zuma has gotten away with all of this without even chastisement is appalling. I have come to appreciate the fight the EFF are making - their bravery in the face of the increased security presence is admirable, and their tactics are working to disrupt the sham event that SONA has become in the age of Zuma. That it is a sham can no longer be denied. The increased security and the use of the army is a frightening turn in our democracy, the violent removal of the EFF was shocking, as was the ensuing violence outside of parliament. And for Zuma to proceed with his bland platitudes after that violence is bad, but for him to chuckle along to jokes about teargas is fucking appalling. To then start his speech with talk of unity is just batshit crazy. Zuma then proceeded to quote Oliver Thambo in reference to economic emancipation, powerful words, made bitter and ironic by a man who has sought to enrich himself and his cronies to the extent of Billions of Rands. There were things said between the lines that are equally terrifying. When Zuma says "The manner in which parties conducted and carried themselves during the wage negotiations in the platinum sector in particular, must be applauded.", it's hard not to hear an implied threat against platinum miners who do not conduct themselves in a manner that pleases Zuma. The fact that there is still no accountability for Marikana is a blight on this government and country. Then there is the reality to many of the nice policies laid out. A minimum wage has been agreed, and that is great, but by all accounts, that wage is below a living wage and will just serve to create indentured wage slaves. Zuma also praised the "unity" in getting the minimum wage agreed on, but this is an illusion - COSATU itself has been critical of the level of the wage. The President congratulated the government on avoiding ratings downgrades, the threat of which has largely come from Zuma's handling of the Nene firing, the consistent attacks on the autonomy of treasury, and the continued aura of corruption. Government helping everyday people escape the consequences of government failings is not something to be celebrated. It also ignores the fact that SA has been downgraded twice during Zuma's presidency. All the talk of using state buying power to improve the lot of black owned businesses also rings hollow when we know that Zuma and his ilk are abusing those very same mechanism for personal enrichment. The sham pomp and ceremony, the glossing over of the very real dissent, the complete unwillingness to even acknowledge the rotten position of the President is stunning, and coupled with the increased securitization of parliament, the militarization of the police and security forces, the censure of opposition parties, and the anger and vitriol (and racism) directed towards opposition parties, paints a bleak picture of the state of South African democracy. We cannot avoid the context, no matter how hard the ANC to pretend it doesn't exist. The real state of the nation was evident everywhere except in the words of the president.
Nocturne - Mark Lanegan Ahhhh this new Mark Lanegan track! Nocturne is a perfect title, this is dark and slick and propulsive, like neon lights reflected in dark puddles in front of your '86 Alfa-Romeo Spider as you speed through the city, headlights off and top down at 4am, with your half of the ransom money in an open dufflebag on the backseat, bills flying away into the cool night, cigarette hanging unlit from your mouth and