hi this is my pinned post now
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Origami Around
taylor price

tannertan36

Janaina Medeiros
Acquired Stardust
Misplaced Lens Cap
AnasAbdin
art blog(derogatory)

@theartofmadeline
Stranger Things
Sweet Seals For You, Always
NASA
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Game of Thrones Daily
Today's Document

★

blake kathryn
PUT YOUR BEARD IN MY MOUTH
Not today Justin

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@marklikely
hi this is my pinned post now
about me | letterboxd | my rats
gif credit

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"DNF" is such a wild concept, it's ons of those things that make me feel like im an outlier in terms of how i approach things. like i dont fuck *any* of the books i read. and ive never wanted to. but apparently some people fuck so many books that it's easier to list the ones they havent fucked!
ohh i have plany off seam allowance.,,
Female Dwarves - With or without beards?
With beards
Without beard
Child Dwarves - With or without beards?
With beards
Without beards
Baby Dwarves - With or without beards?
With beards
Without beards
They shed their baby beards to make room for their adult beards. Like with baby teeth.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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hi team so that actually IS the whole flag because its. the Philadelphia pride flag (which existed long before the progress flag and has become the most common staple flag for pride celebrations IME). and there's also a trans flag animation for likes. can we please not do this dumb conspiratorial nonsense as if there aren't a million pieces of REAL evidence of staff's transphobia and especially transmisogyny. this was added onto a serious post and you are not helping the cause by derailing with this tinfoil hat stuff.
they should invent a drug that makes you talk normaler so people like you
Saloum (2021, 🇸🇳)
Directed by Jean Luc Herbulot Cinematography by Gregory Corandi
BOOSTERS GET BUSTED!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I Love Boosters Yuri. Need it on my desk by tommorow. Thank you kindly
No because I’m so sick of Taylor Paige not being in yuri!
Ghostface (Scream) x Micheal Myers (Halloween)
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Don’t know them/results
americans are sooo desensitized to guns and sometimes it manifests in ways that affect your media literacy. like remember in the first episode of sherlock when john watson opens up his drawer and you see a gun in there and youre supposed to understand that this is narratively significant and conveys his suicidality as well as his willingness to skirt rules and laws but the first time i watched it i was like oh well theres his desk gun. lots of people have those
Me coming out of ‘I LoveBoosters’
He’s like either materialism or the call to the capitalistic system OR it’s a criticism on the call to choose a man over your friends even when he’s shit. Or he’s more than one of these.
Also what is with the union girl? Why’s she the one who knows all this shit? It didn’t seem connected to union organization? Is she just Suuuper into nieche online spaces too? <- how I read it.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i want to be at my house so i can pick up a rat whenever i want
need to hang out with these things again asap
has anyone considered that it was probably her house too. where else was she supposed to put her chintz?
I like this question because I think it really gets at the power dynamics at the center of the poem!
The poem frames "him" as subordinate in several ways, not just to the narrator ("i fuck him on the floor": not that getting fucked is inherently subordinating, but the narrator has all the agency in the phrase, "he" doesn't decide what happens or where) but also to "his wife". She has filled the house with chintz, meaning it wasn't his decision or his actions. "Filled" is also a choice of words that suggests that there is no space for him in the home: the only place left for him, not already filled, is the floor. To me this framing invokes the trope of the henpecked husband, whose wife has taken dominion over the home and who has ceded its control to her because it, as the domestic space, is "supposed" to be hers.
This trope, of course, is misogynist in its normative rendition: it reinforces gender essentialism, it erases the significant material benefits such "henpecked" men derive from the domestic labor of their spouses, and it dismisses women's expressions of suffering and attempts at negotiating terms for their relationships as "nagging." In the narrator's dismissal of the wife's possessions as "chintz" (frivolous, feminine, contrasted with what is "real") we can see this same misogyny at play.
The narrator's misogyny, and the central fact of the poem which is that the husband is getting fucked by someone other than the wife, quite possibly flip the power dynamics of the poem on their heads. The wife is now subordinated: both by her social marginalization based on gender (a marginalization which drives her into the home and confines her there, like OP so cogently points out! As "he" has run out of room in the home and can only get fucked on the floor, so has she run out of room socially; the only place she can control and make decisions like filling it with chintz is the home), and by the narrator who is fucking her husband in her home.
There's an additional dynamic in reading the narrator as male, which most readers seem to have done: it invokes the particular, bitter misogyny that men-loving-men sometimes direct at women expressing femininity. There's an envy to it, of course--straight and straight-passing women get to (are forced to) express desire for men, have sex with men, marry men, love and be loved by men. His wife gets to be his wife: the narrator gets to fuck him, in their home. Straight and straight-passing women also get to (are forced to) perform femininity: they can buy chintz and decorate with it, without being devastatingly punished for it like people presumed to be men are from the time they're babies. The envy mixes with misogyny to produce disdain, disgust, dismissal. We can read the narrator fucking him on the floor of their home as an expression of power and dominance (again, not that the fucking has to mean the narrator is topping, or that topping is inherently dominant, but the phrasing is stark: "i fuck him", the narrator acts upon him as an object/recipient), not just over him but over the wife in absentia as well.
I think one of the things that makes the poem so compelling for being so short is the struggle at the heart of it, this complicated jostling for power between three people and their actions over time (the wife "has filled" the house, in the past: the narrator fucks him in the present, perhaps in the habitual). Who controls the house? Who controls "him"?
Great poem, great discussion question, love everyone in this bar <3