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@marialuisavegas

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“The melancholy river bears us on. When the moon comes through the trailing willow boughs, I see your face, I hear your voice and the bird singing as we pass the osier bed. What are you whispering? Sorrow, sorrow. Joy, joy. Woven together, like reeds in moonlight.””
— Virginia Woolf, A Haunted House, And Other Short Stories (via seabois)
Tippi Hedren, on the Set of Alfred Hitchcock's "The Birds", 1962
by Philippe Halsman (1906-1979)
“In every encounter we either give life or we drain it; there is no neutral exchange.”
—Brennan Manning
Margarita Michelena (1917-1998)

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The Insects in The High Castle
Christo and Jeanne-Claude’s Wrapped Coast, 1969
Tommy Lemasters Gross
Yesterday's Blooms
/ Fred Lyon, San Francisco, 1940 - 1960

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Church "Heilig Geist" (1966-70) in Cologne, Germany, by Bernhard & Bernd Rotterdam
In the neoliberal regime, exploitation no longer takes place as alienation and self-derealization, but as freedom, as self-realization and self-optimization. Here there is no Other as an exploiter, forcing me to work and alienating me from myself; rather, I voluntarily exploit myself in the belief that I am realizing myself. This is the diabolical logic of neoliberalism. Hence the first stage of a burnout is euphoria: I plunge into work euphorically until I finally collapse. I realize myself to death. I optimize myself to death. Neoliberal domination hides behind the illusion of freedom. The domination is complete at the moment when it coincides with freedom.
The Expulsion of the Other: Society, Perception and Communication Today - Byung-Chul Han
An iris called "Fantasy." Walter Marx Gardens. Boring, Oregon. 1951. Catalog.
Internet Archive
Por esta libertad *A Manuel Navarro Luna* Por esta libertad de canción bajo la lluvia habrá que darlo todo Por esta libertad de estar estrechamente atados a la firme y dulce entraña del pueblo habrá que darlo todo Por esta libertad de girasol abierto en el alba de fábricas encendidas y escuelas iluminadas y de esta tierra que cruje y niño que despierta habrá que darlo todo No hay alternativa sino la libertad No hay más camino que la libertad No hay otra patria que la libertad No habrá más poema sin la violenta música de la libertad Por esta libertad que es el terror de los que siempre la violaron en nombre de fastuosas miserias Por esta libertad que es la noche de los opresores y el alba definitiva de todo el pueblo ya invencible. Por esta libertad que alumbra las pupilas hundidas los pies descalzos los techos agujereados y los ojos de los niños que deambulan en el polvo Por esta libertad que es el imperio de la juventud Por esta libertad bella como la vida habrá que darlo todo si fuere necesario hasta la sombra y nunca será suficiente.
Fayad Jamís
Max Ernst
© Artists Rights Society (ARS), New York / ADAGP, Paris
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spring morning
Tulip season.
Shizuoka, Japan.