d e v o n
Keni
PUT YOUR BEARD IN MY MOUTH
we're not kids anymore.

#extradirty

shark vs the universe

bliss lane
Xuebing Du

oozey mess
KIROKAZE
Stranger Things
The Stonewall Inn

Claire Keane
noise dept.
NASA
2025 on Tumblr: Trends That Defined the Year
EXPECTATIONS
Lint Roller? I Barely Know Her

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@maleda

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“(…) a smile that Judas in hell might be proud of.”
— Bram Stoker, from Dracula (via adrasteiax)
Baek Sehee, tr. by Anton Hur, from I Want to Die but I Want to Eat Tteokbokki
[Text ID: “The important thing here isn’t whether you are being loved, it’s how you will accept the love that comes your way.”]
every friend group should include…
[ Text ID: I was never insane except upon occasions when my heart was touched. ]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Vogue Italia Aug 1993 - Demi Moore by Michel Comte
― Billy-Ray Belcourt, A History of My Brief Body
[text ID: To love someone is firstly to confess: I'm prepared to be devastated by you.]
My father is reading me this story and sometimes it is just a story and other times it is his story, his history, he is sharing a sadness with me, an unfairness done to him that he cannot express,
Richard Siken, from Brothers & Beasts: An Anthology of Men on Fairy Tales
when jenny slate said “domesticity is very sacred to me. making a home is… it’s just, like, the central thing in my life. when I cannot make a home, even in a hotel room, I feel really lost. putting everything in a certain place on purpose. not just, like, throwing shit down. but putting everything in a certain place on purpose and starting to sort of figure out how the trains run, basically. like, what are the paths? what are the paths in the house that you’re going to take the most and what can you line those paths with? or, in the hotel room, like, where are you going to put your journal and your book, so that you’re just starting to create little pathways in this garden and that they mark that space? I just take it really seriously. it’s sort of like… it’s so sweet, it’s sort of like when you see children playing a game and you know they’re marking out a world. and they’re like, “this is where the dungeon is! and this is where the kitchen is in the castle! and this is where the-“, and you can’t see anything but the backyard but they can see everything. that’s what i’m doing and i’m doing it all the time. all the time. and it’s always there. even when I get into a car, I think about where i’m sitting and how i’m sitting and what i’m touching. and I just try hard to do that.”

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“After wearing black in mourning, she realized how much she liked the color. She added a string of fake pearls to her hair that resembled dewdrops, as though she had been out all night killing people.”
— When We Lost Our Heads, Heather O’Neill
— vladimir nabokov, in a letter to his wife [24 march 1937] from letters to véra (trans. olga voronina & brian boyd)
*does a gay little unethical scientific experiment that challenges God*
victor frankenstein is like “i’ve been hunted by the vilest of creatures” and the vilest of creatures is crying alone in the woods

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“That is very good horror, but what follows is more horrid still: Frankenstein, the scientist, runs away and abandons the newborn monster, who is and remains nameless. Here, I think, is where Mary Shelley’s book is most interesting, most powerful and most feminine: in the motif of revulsion against newborn life, and the drama of guilt, dread, and flight surrounding birth and its consequences (…) Frankenstein seems to be distinctly a woman’s mythmaking on the subject of birth precisely because its emphasis is not upon what preceds birth, not upon birth itself, but what follows upon birth: the trauma of afterbirth”
— Ellen Moers, Literary Women
Xin Xie by Momo Chen for Vogue China January 2022