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hi so spoilers below because IM SO MAD ITS NOT EVEN FUNNY
in case you havenāt yet watched season 5 of the bear, it ends without syd and carmen getting together. and yāknow what? itās not even funny how mad i am at this ending
like i understand what their purpose of not putting them together is ā both the cast and chris storer (my mortal enemy) himself have stated that their relationship is meant to be a platonic one, bonded over their work.
but the problem is, they kept intentionally writing them with romantic undertones. the table scene, THE HUG IN SEASON 5, the fact that during his panic attack he sees syd, he compliments her, he trusts her in a way he doesnt trust other people
A MEAL THAT STANDS OUT TO HER WAS MADE BY HIM??? THAT ISNT PLATONIC CHRIS ITS PLAYING INTO THE INVISIBLE STRING THEORY
if you wanted a āwork wife work husbandā dynamic, maybe donāt write it as them having scenes that you know would be taken as romantic?? every piece of marketing that involved hints of sydcarmy were done to keep drawing the audience in. is it smart? hell yeah! props to marketing! but itās also insanely weird if youāre just trying to set a new standard in television that a man and female, or two strong lead characters, can be just colleagues without it having to be romantic.
the ending was gorgeous. i stand by that. it was a happy ending and frankly, a good ending to a series like this one.
but i also stand by the fact that we couldāve gotten sydcarmy. you couldāve given us a kiss, you couldāve let them at least acknowledge the tones between them.
we spent so long getting claire and carmen shoved down our throats and when it comes to them, youāll happily give them scene after scene despite the audience telling you they donāt like them, but you have everyone BEGGING you for sydcarmy and youāre like āhahaha no?ā
if you intend to write characters to just be platonic, to be so devoted to their work and that be their bonding point, GREAT! an audience would happily welcome that. because thatās a new kind of standard in television - characters of the opposite sex can be friends without a romantic relationship having to be present. (obviously this is not an original idea but it's kind of rare with shows like the bear that we see things like this, if that makes sense.)
HOWEVER, you cannot also give us multiple scenes indicating there is something deeper to be explored and say in interviews that itās just a work husband / work wife relationship because im pretty sure if I looked at my work husband like the way carmen looks at syd iād get an HR complaint immediately.
anyway. thatās it from me, i actually had to stop watching halfway through because i was laughing at the fact that we didnāt get sydcarmy LMFAO
donāt even know his last name ā carmen berzatto au
description: you fall in love with a cowboy. too bad he falls into the stereotype of cowboys never sticking around for long.
word count: 3.4k (3,455 to be exact)
rating: angst + fluff
content warnings / general warnings: semi slow burn, intentionally vague ending. both carmen and user are over 21, drinking is involved. smut is implied but is not touched on.
author's notes: i do have a cowboy carmy fanfic already, this is set in the same universe (?) but isnāt the same fanfiction. also this is so cowboys cry too coded yall mixed with last name by carrie underwood (is it clear i like country music)
This wasn't your kind of scene.
Low neon lights splayed over the rustic styled bar, appropriately named The Dive. Located in the heart of town, real cowboys interacted with fake cowboys who associated the kind of lifestyle you all lived with that of the kind shown in Bonanza reruns late at night on television.
Some country song played over the jukebox propped up in the corner. One from the late eighties or nineties, but you didn't pay it much attention. The girl you'd come here with, another handler on the ranch you both worked on, was dancing with some guy on the wood floor was the person you had your attention on.
Mainly though, you have to watch her because you knew she was reckless with guys she met in bars. And you were technically her ride home, so leaving her behind - as tempting as it sounds - wouldnāt be ideal.
That suddenly changed when you felt the empty stool beside you scoot outward, before someone sat down on it. You didn't glance over - it wasn't anyone of importance to you. The man - you could tell from his deeper voice - ordered himself a beer. "Whatever you've got." Was his answer to the bartender asking what kind.
You didn't pay him much mind. You glanced over briefly at him, giving him a small nod before returning your gaze back to the glass in front of you. That was until your gaze returned to him.
He wasnāt dressed particularly out of character. He had on a simple tee shirt, jeans that had dirt on them, and a trucker hat with some local shop logo on the front. Disheveled curls piled underneath.
The first thing you notice was the tattoos up his arm. A few varying ones, holding the same theme ā it was the theme though that was unclear.
The second thing was the logo on his jacket. The Meads Ranch, in bold letters underneath some photo of the mountains in the area.
That place was known by many of the locals. If not for it's legacy as one of the most profound ranches, then perhaps for the shit you'd heard Gavin Mitchell, the oldest son, got into. But that could just be rumors.
Either way, that place was legendary. Treated like some folklore.
The man notices you staring, almost if reading your expression, he speaks, his eyes on the drink in front of him. "You know the place?" He asks.
You suddenly snap out of your thought process - which was just repeating everything you'd ever heard of the ranch from headlines or whispers from colleagues - and look at the man.
āI have. Quite the reputation." You answer. "You work there, or just steal their jackets?"
The man chuckles. "I feel like either answer would be bad." He answers as he looks over at you.
The moment his eyes meet yours, it's different. It feels different. Different from the other times youāve made eye contact with someone else in a bar.
But you disregard it as soon as the feeling washes over you.
āIt probably would be.ā You respond with a nod. āItād be a very weird answer to give. Especially to a stranger.ā
āWell, that's true. Iām Carmen.ā He introduces, forearms resting against the oak bar counter in front of him. āNow we arenāt strangers so whatever I tell you wonāt be so weird for you to know.ā
You laugh. You actually laugh at what this guy - who, for all you know could be some serial killer in a trucker hat and leather jacket - says. You respond with your own name as you look him up and down, your eyes meeting his once more.
āSo, Carmen.ā You say as if testing the name out. He almost grins when he hears his name fall from your lips. āWhat brings a guy who works for the Meads Ranch to a shithole like this?ā
āMm, boredom mostly. Well- that and theyāre doing some renovations at the ranch where we stay.ā He answers. āSo they effectively told us all to get the off the property for the day so they could work. Stumbled here somehow.ā
āWhat about you?ā He asks after a pause as he looks at you.
You nod your head back toward the dance floor where your friend is still dancing with a guy. āThat girl is essentially my problem for tonight. Her boyfriend broke up with her and she asked if we could go out drinking to help her get over it.ā You answer.
āSeems like she moves on quick.ā He comments as he watches her, chuckling softly before he looks ahead again, taking a drink of his beer.
You nod. āShe sure does.ā You reply, as you look ahead again as well.
A beat of comfortable silence falls over you both before you speak again.
āSo, how long have you worked for the Meads Ranch?ā You ask curiously.
āAlmost ten months now. Gavin and I know each other from a few friends of friends.ā He answers. āHe asked for my help when one of their guys quit and I needed a job for the meantime.ā
āYou say that like cowboying isnāt what you wanna do for a living.ā You note.
He shrugs. āMaybe it aināt.ā He responds.
āThen what is?ā You ask.
āIsnāt that a bit personal for me to tell a stranger?ā He asks with a raised brow.
You chuckle. āWe arenāt strangers, remember?ā You point out.
He nods. "How could I forget?" He asks as he pulls out a small piece of paper from his pocket, ripping off a small portion of it that was blank from whatever wording was written on the front.
He grabs a pen from the nearby mesh cup on the bar. He scribbles something down on it before he hands it to you, then sets something on the bar. āHopefully you and I can keep in touch then, not-so-stranger.ā He says.
As you glance down at the piece of paper and realize this man - who you barely know - has given you his phone number, heās already paid and left, leaving behind a beer bottle on the bar and a piece of paper in your hands.
And now even more questions about him in your mind.
Truth be told, you had no intention of actually calling the cowboy from the bar.
But, alcohol had gotten you into meeting him in the first place and it was how you ended up on the front porch of the handler house on the ranch, your phone pressed to your ear with a beer bottle in front of you.
It was meant to be a casual night. Poker, a few drinks with the other ranch foremen and handlers. But, you had found the small piece of paper with a number scrawled on it in your jacket pocket at some point.
So, here you were. Slightly buzzed, making a stupid decision. Hoping that he both wouldnāt answer and would, all at once.
You took a deep breath when the ringing stopped and a gruff yet familiar voice came over the speaker. āHello?ā
āHi.ā You say, trying to keep your voice steady. āThis is going to sound weird and I am sorry for that. I was- you know, what I was doing doesnāt matter actually. I found your number again in one of my jackets and.. fate or something else told me to call you. Probably the beers. Definitely the beers.ā You blabber.
Carmen chuckles. āYeah. Iād say itās definitely the beer with how youāre ramblin'.ā He notes. You can hear him pause, taking a hit of a cigarette if you could guess. āBut thatās alright. I was thinking of you.ā
Itās such a casual comment, that he was thinking of you. Itās one you donāt make note of. āUh-huh.ā You sigh. āIs this.. odd? Like- me actually calling you?ā You question.
You swear you hear him chuckle. āI donāt think so. I mean, I gave you my number.ā He points out as you nod, even if he canāt see you.
āGood point.ā You slur into the line. Thereās a pause before you speak. āSo. Whatās goinā on over there now?ā
āUh, not much. Gavinās losing his shit.ā He answers. āSomething about an order of gear being lost and accusing everyone under the sun of messing with it. So, basically the usual.ā
You nod. āSounds like the Gavin Iāve heard so much about.ā You comment. You pause before speaking again. āSo.. you finally gonna tell me what that comment last night was about? The one about that not being your dream career?ā
He pauses before he speaks. āThat sounds more like first date material than a phone conversation that only happened cause youāre drunk, doesnāt it, sugar?ā He asks.
"I don't know. Is this turning into a first date?" You ask in response.
You hear a soft chuckle come from the other side, and the sound alone has your stomach in knots. "Why don't you wait outside of your place's gates tomorrow night and find out?"
That sounds like one hell of a challenge. And after all, you were never one to turn down a challenge.
Maybe that's how you ended up in the man's kitchen at the Meads Ranch. It was mostly quiet - apparently the Mitchell family was quite wealthy despite being in the ranch business, seeing as Carmen had his own home on the ranch. Just across from the barn and the Mitchell house.
Carmen was currently guiding you through making homemade pasta. You weren't quite sure how this sudden course in culinary had gotten started. Maybe it was because you mentioned you were drinking on an empty stomach, maybe it was that he was too.
Either way. You let him move you around like a chess piece on a board: dictating when you stir the pasta, when you add the heavy cream into the sauce.
"Do you always cook like this here?" You question. Surely he had to have, he seemed to enjoy it too much not to. You let yourself watch as a small smile found its way to his face.
"Uh, sometimes. Folks in the bunkhouse seem to enjoy it," he scoots behind you with a murmured 'behind' as he stirs the sauce in the pan on the front burner of the old stove. "And the Mitchells sometimes let me cook if they got a big event."
You look at him. "Really?" You ask, surprised. You glance back down at the pasta as you stir it, every two minutes per his instructions. You immediately feel bad for the way you sound shocked at that, clearly he knew what he was doing. "You don't seem like the chef type."
He lets out a chuckle at that. "What kind of type do I seem like?" He questions as he wipes his hand with a dish rag nearby. You shrug. "I dunno, just.. the moody cowboy type. Like the kind of guy I would expect to work on a ranch like this." You answer.
He looks at your side profile for a while. A minute, maybe two. Comfortable silence fills the space before he's inhaling sharply and leaning off the countertop. "Alright, uh. Time to drain that." He says, taking the pot off the stove. He drains it over the sink with a strainer placed inside already.
You watch, taking the time to stir the sauce that had gone untouched for a few minutes now. "I'm sorry," you find yourself saying. You look at him before you look back at the saucepan. "If that came out mean."
He shakes his head. "Wasn't mean." He says. "You're not wrong. I mean, truth be told I didn't see myself as much of the chef type but- runs in the family, I guess."
You look at him. "How do you mean?" You question.
"My older brother, he was a chef. I fucking admired him for it, he taught me a lot. Probably other people in my family, honestly." He begins. "Mikey, my brother, he uh.. he owned this restaraunt in town. Stupid little sandwich shop but people loved it. You would've thought he was cooking like, top course meals and not overpriced sandwiches."
He continues talking as he puts the pasta back into its pot, walking over to the stove. "Anyway, when we were younger he and I would always be cookin' together. Didn't matter what it was we were making or why we were making it; I was just glad he let me help him, y'know?" He stirs the sauce in, and you take a step back to let him work his magic. "He was the coolest guy in the kitchen. Could make a killer meal and tell a story at the same time."
You tilt your head to the side just slightly as you observe him. The way he stirs the sauce in - not too rough or too fast, rather taking his time with it - or the way he has a small smirk on his face. "Matter of fact, uh, once he and I tried to do that baked alaska shit for our sister's birthday. Our mom came home and she was.. she was pissed. I mean, we had a mess everywhere." He recalls, fondness in his voice. You could listen to him speak for hours. "Safe to say he and I stuck to the cooking and let someone else handle the baking."
You give a soft hum. "Are you and him still as close?" You question.
He exhales sharply. "Uh, we were kind of. He kind of died last year." He answers.
You immediately feel awful (how could you not, bringing up his dead brother like that?) and you stand upright. "Shit, uh. I'm.. I'm sorry."
He shakes his head as he begins plating the pasta, adding a basil garnish. "Don't," he insists as he works. "You couldn't have known. It ain't like I open conversations like that: 'hey, nice to meet you. My brother died'." He says.
You accept your plate when he holds it out to you. "Thank you," you say quietly. "For the cooking lessons and for talking to me about him."
He nods. "Thanks for listening." He replies.
ā
After you two finish eating, you volunteer to do the dishes. Stood over the sink, you washed the plates off delicately with a sponge you were sure hadn't been replaced in the one to two week recommended period, the smell of the lemon dish soap filling the space.
Carmen, though he'd agreed at first to let you wash the dishes as your contribution to the evening, was stood beside you. He was mainly in charge of drying the dishes with a small kitchen towel, setting them on the drying rack.
The space was silent. Then he speaks. "You know, I told you a lot about myself." He says. "I think it's only fair you tell me somethin' about you. Make me feel like I'm not the only one spilling my guts."
You let out a laugh. "What exactly do you want to know?"
"Why are you in the ranch business?" He begins.
You shrug. "Needed a job and a place to stay. It's not exactly my scene. But, it's somethin' so I can't complain." You answer. "Plus it makes me feel full of purpose, y'know? Hard to explain I guess but.. something about working with the horses or wrangling cattle just feels nice."
He looks at you for a long second, before he comes up with his next question. "Hm, do you date at all?" You laugh at that one. "Not really. Dating scene around here isn't exactly glitz and glamour. And every time I think I have the time something on the ranch pulls my attention."
"Like having to take girls to bars to get over bad boyfriends?"
You laugh. "Pretty much, yes." You answer. You finish washing the last plate as you hand it off to him. He wipes it dry, then places it on the drying rack with the others.
"Okay, my turn." You say.
"Haven't I told you enough about myself tonight?" He questions as the two of you make your way into the living room. You settle onto the torn up sofa with a few questionable spills on them. You pay it no mind - you'd sat on worse.
"Not nearly," you answer as he takes a seat on the sofa with you. "Why do you work for the Mitchell family? Surely you've heard the rumors about them, why get involved?"
He hums. "If I didn't associate with anyone who had rumors spread about them, I'd live a very lonely life." He answers. "The Mitchell family may be.. out there, sure, but they ain't bad. They take good care of their staff, the ranch. For every piece of gossip I like to believe there's something decent to balance it out."
You nod along as he talks. The way he speaks about things as simple as that has you captivated. "Okay. What about you when it comes to the dating world?" You ask. "Surely a cowboy who can cook is being sought after."
He chuckles. "Not really," he replies. "I had one girlfriend. Broke up with her about three years ago. She and I were just on different paths in life, y'know? Didn't see a point in us bein' together if it was gonna end someday."
You laugh. "Jeez, are cowboys always this philisophlical?"
He shakes his head. "No," he answers as he sits up some. "My turn. Why'd you call me last night?"
You sigh. There was the million dollar question. Why had you called him? "I had a few too many drinks and.. I dunno. I guess drunk me was interested to hear about that 'what I wanna do for a living' stuff you were saying at the bar."
"Well, glad you got to see it in action tonight then." He says. "That, cooking? That's my want, if you will. I love it, can't get enough of it. Anytime they need someone to cook for an event or bunkhouse poker nights, I do it."
You laugh. "God, you really are like somethin' out of a Hallmark movie." You say. It wasn't mean, quite the opposite. Appreciation. "And you're wasting that talent in a place like this?"
He chuckles. "It ain't a waste if it's securing me a second date." He says simply. Awful confident, you think.
"You sound sure of that, cowboy."
"You gonna tell me no?"
"Nope."
ā
Two dates turned into three, and pretty soon the Meads Ranch became like a second home to you.
It had been three months, which gave you time to establish somewhat of a routine. You'd stay the night in Carmen's place - which usually entailed him cooking for you and you repaying him in the bedroom - eave before morning calls at 5:30 am. You snuck out the back gate entrance and took the longer way to your own ranch.
Was it stupid? Probably. But it also made sense to you in a way. He filled this tiny void in your life you'd felt like would remain empty forever. Replaced it with his recipes and his never-ending stories about his somewhat insane sounding family.
Today was supposed to be the same, only difference was Carmen had been radio silent all day. No texts throughout the day or on his lunch break from whatever task they had him assigned to.
You'd driven to the Meads Ranch at around 5 pm to check in with him and partake in your usual routine. Something about the air just felt.. different. You couldn't tell what it was, even as your shoes crunched the gravel beneath them when you approached his house on the property.
The lights were turned off. Inside, nothing remained. No furniture, nothing. It was quiet. You pulled your phone out to call him, to see if he had taken to the bunkhouse instead.
It rings, then the automated voice comes through. "We are sorry, but this number is no longer in service." It fades out as soon as those words hit. Had this man seriously gotten you to sleep with him, spend time getting to know him, only to leave?
Tears sting your eyes as you make your way back to the car. Every conversation repeats as you walk. You'd told him mostly everything about yourself - where you grew up, your first pet's name, hell you told him about your parents.
He told you things too. Well, except his last name. You hadn't even thought to ask that. So instead, your brain curses the one thing you had, his first name.
Screw you, Carmen.
thank you for reading !! please consider reblogging or commenting if you enjoyed it, any support is greatly appreciated. this fic was so fun to write. i love you all! <3
i write fanfics about fictional men and i sincerely doubt anyone is relying on me for political stances but let it be clear this page is strictly anti-ice and anti-trump. i need to make that clear because there is no staying silent - regardless of what your page shares, it is uniquely important for this to be everywhere right now.
and if you support ice, i sincerely hope you read the statements from the families of every victim of iceās actions. i hope you see the way they treat and speak to people. one person reported ice told them while in detainment ālook what happened to that lesbian bitchā, referring to renee good. a pastor reported he had a gun pointed in his face and was told, āyouāre white, it wouldnāt be fun anyway.ā
there is no other option. there is no reasoning with tyrants. thatās it.
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putting my sydcarmy agenda aside, i really donāt understand the claire/carmy lore. every single time i watch their scenes and theyāre talking about their mad, all-consuming, insane loveāi just DONāT get it.
am i supposed to believe something that i didnāt it see happening? am i supposed to root for this couple?
everyone around them says how theyāre made for each other. how they are meant to be. but claire doesnāt even understand the basics of carmyās personality traits.
when they rekindle their love affair, she takes this man to a fucking PARTY. THEE carmen berzatto goes to a party where he pretends to be someone else. his disassociation is crazy.
he bails HIS restaurant renovations to spend time with her, leaving everything to his supposed partner to take care of and she [claire] doesnāt even say a thing. when you care for someone, you also want them to care about their personal interests. she doesnāt do that.
and i absolutely despise what the writes on the show made with this whole ābeing stuck in the walk-in and being the self-loathed fucked up guy that i amā situation. i hate that richie was yelling at him while he was stuck in there (but thatās not what iāll be talking about here).
i canāt stand the idea that claire walked into the kitchen, OVERHEARD his complaints about >HIMSELF< and took it as some self-absorbed joke about HER. sheās not that important. not at all.
i couldnāt care less about her. and couldnāt even pretend to believe this supposed love story. i really donāt care.
no geniuenly all of this. and the biggest problem i have is despite receiving so much feedback that people do NOT want to see claire anymore and would rather have a couple theyāve been rooting for since the beginning, sydney and carmen, they ignore it.
not only that, theyāve pushed the main characters aside for this. we couldāve seen so much more happening but because of the limited time they opted for claire - someone carmen gave a FAKE FUCKING PHONE NUMBER TO - and her weird āthis rant about how he feels like a psychopath and itās actually his mental health issues MUST be about me!ā attitude.
like hereās my thing: i donāt care if they donāt give us sydcarmy for plot purposes or for a future storyline - maybe they will with the upcoming season? but not giving us them because you want to push claire down our throatās for yet another season just shows you donāt give a fuck about your audienceās opinions.
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can we talk about how elf cosmetics is so fucking disgusting for using matt rife in their newest ads?
matt rife, the same one who made a joke that āGod left the tagā on a womanās clitoris, is now working with a company that was apart of the largest beauty backed reproductive justice initiative (the every body campaign in 2024).
matt rife, who made a joke about a woman who he implied likely covered up bruises from DV with makeup and said that she shouldāve been in the kitchen so no one had to see her face, is now working with a makeup campaign who boasts their employee base is 74% women.
matt rife who has absolutely zero to do with the beauty industry. instead of using people who are actively in the cosmetics industry and who are more involved with the beauty world are not being utilized, instead you want to select a man who thinks making jokes about a woman being beaten is so funny?
matt rife who commented on a post of bunny hedayaās son saying he was mean to women and making a response to a comment rife had made and said, āsanta claus isnāt real, your mom buys you presents with the money she makes on onlyfansā.
IF YOU ARE INTENTIONALLY WRITING CHARACTERS TO BE āJUST FRIENDSā, STOP GIVING THEM INTIMATE MOMENTS AND STOP ROMANTICIZING THEIR DYNAMIC AS A WHOLE AND THEN REFUSING TO ACTUALLY MAKE THEM A COUPLE TO KEEP PEOPLE WATCHING YOUR SHOW. I WOULD PROBABLY WATCH IT MORE IF THEY WERE ACTUALLY TOGETHER!
goddamn, the wind is strong today! crazy..
(also yes this is about chris storer and the bear the day i stop talking about this is the day i die. he and i have personal beef.)
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there's a dark timeline out there where tumblr fanfic writers are considered influencers and get sponsorships, and during kinktober, the horniest fanfics drop and all your fave bloggers are doing "day 1 - toys" and they're including a paragraph that loosely goes something like