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YOU ARE THE REASON
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@luxphobia
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Actually you SHOULD make problematic content. You SHOULD explore dark or taboo topics. You SHOULD have a space where you can cope with your traumas or explore sensitive topics in a way that doesn't hurt anyone.
Also you should make problematic content for funsies. You don't need to have had trauma or need to be coping in order to explore dark creativity. You can just be a human who wants to explore dark and taboo topics because you want to. That's completely normal, btw.
Every single person on this planet thinks about dark and taboo things. It's literally the most normal thing in the world.
Go draw the horror porn and be free.
we should all be more like david cronenberg and write fucked up stuff. For Funsies
this is so wild
Narration, in a serious, dramatic voice: We find no evidence paranormal activity inside this mine, but we do find an absolutely adorable kitty kitty.
Person on screen, using a baby voice: Hi little kitty kitty! Hi little kitty kitty! Ohh, youβre just a little kitty kitty!
my name is Fucked Bastard and my special talent is not going to make it

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Most unexpected reference ever.
Today I learn on Bluesky that apparently the new Avatar movie used FUCKING CHAT-GPT as a source for what East Asian People look like.
How to kill any good will your movie had in three fucking words. "According to ChatGPT..."
the extended atla franchise is really proof for why an IP-based approach to art does not work because while it is true that michael dante dimartino and bryan konietzko Created atla, it should be clear from the quality of the rest of the installments in the franchise with their name/stamp of approval on it that they were not the deciding factor in the quality of the original show. in fact, many if not Most of the series best episodes were written by head writer aaron ehasz and his then-wife elizabeth welch. neither of theses two have the Right to make more avatar even though they're a big part of what Made It in the first place.
ehasz then went out to put out 'the dragon prince' for netflix which was not a show i was crazy about but i think i feel pretty confident in calling it better than legend of korra.
now what's also notable about this situation is that ehazs is a notorious enough misogynist to have a section of his wikipedia page devoted to his alleged professional mistreatment of women
elizabeth on the other hand has absolutely no presence online whatsoever. ATLA is her only writing credit. She wrote eight episodes of the show including Zuko Alone, The Avatar and the Fire Lord, and The Southern Raiders. She and aaron are now also divorced.
Now, if you know anything about how misogynist male creatives working in the same field as their wives operate, then you can probably reach the same conclusion I have. If a man is willing to treat female coworkers like his nanny and assistant as a baseline, imagine what he feels entitled to expect from a female coworker that is also his wife. I would not be surprised if much of the work on ATLA that ehasz was able to build his career off of would not have been nearly as good without a lot of behind the scenes assistance from elizabeth.
so of the 4 people mentioned here, the one with the absolute least claim of any entitlement to the Intellectual Property of the avatar franchise is overwhelmingly likely to be the most responsible for the meaningful character and narrative writing that caused ATLA to even earn enough accolades to be worth franchising in the first place.
The rings of Saturn, observed by the Cassini space probe on May 3, 2005.
(NASA)

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Now go and donβt come back until youβve seen Penny Snapcube voicing milk freak in chapter 5β¦ binch
part 1!!
I don't care about deltarune new chapter my soviet republic must brcone self sufficient so I can build more statues of lenin
I feel like every time this topic comes up people just don't understand that Kill la Kill is not just some "problematic fave" to me. it's not me excusing something obviously offensive just because I like it, or something. that is something I do; that's Danganronpa. but I've never pretended Danganronpa is good, and this isn't Danganronpa. Danganronpa is NOT as smart as Kill la Kill, or as full of meaning as Kill la Kill. and my enjoyment of Kill la Kill isn't motivated by nostalgia or whatever. I have no issue criticizing my darlings, there's plenty of stuff I used to like that I don't anymore because I went back and found it distasteful. hell, I'm pretty critical of the politics of the Mass Effect franchise these days and people know I used to be like a superfan of that series. but when I went back and rewatched Kill la Kill with a critical eye, I only liked it *more.* I genuinely just think Kill la Kill is a good, feminist, antifascist work. I think if you really look past its surface, if you're able not to flinch from your discomfort, there's just a lot of rich nuance and meaning to be found. I don't just excuse Kill la Kill, I *champion* it. and people just don't want to accept this.
idk watch this video and then fuck off
Your dialogue is stiff because everyone is being too honest
Great dialogue can come from radical emotional honesty. But in most real conversations, people
dodge questions
answer indirectly
lie (badly)
change the subject
crack jokes to avoid serious answers
lie (convincingly)
say half of what they mean
tell the truth but get so anxious/angry/defensive others now think they're lying
If your dialogue feels unnatural, it might be because everyone is saying exactly what they think, or articulating their thoughts too well. Try letting characters hide things instead.
Subtext is where tension lives.
bort and dia

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it really is quite bad for your military to have an image of itself as a warrior class. what you really want is for your soldiers to think of themselves as boring professionals who will fill out a report form if someone gets a little too warrior ethos out there