Scherezade García - En Este Suelo De Colores I, 2023 - Pigment, acrylics and charcoal on canvas

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Scherezade García - En Este Suelo De Colores I, 2023 - Pigment, acrylics and charcoal on canvas

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Emma Zhang
karaba 💛 got an anon a day ago asking if i've ever seen this movie and no i haven't.. but now i have... and i had to draw this queen stat
Michaela Stark, Metropolitan Museum of Art, Costume Art Exhibit, 2026
Announcing Fanfiction.lol !
hey all! i've built a new ao3 fork called fanfiction.lol 🤙🏽 key differences:
🚫 no invite queue: sign up and start posting immediately. no waiting, no velvet rope.
🏳️🌈 expanded content warnings: added ableism, homophobia/transphobia, racism, rpf and more. plus relationship tags for aro/ace spectrum, qpr, non-binary/genderqueer focus, poly/ensemble, and more.
🏷️ all tags are canonical: everything you tag goes into the searchable record. no volunteer wrangling bottleneck.
💜 fandom-agnostic moderation: i care about the writing, not fandom politics or discourse. write whatever you want, tag it honestly.
it's a small personal project but fan communities deserve independent infrastructure.
if you enjoy fandom, i'd love for you to sign up and poke around. tell me what breaks. the source code is at source.tube/brennan/fanfiction.lol.
find me at brennan.day/accounts or email [email protected].
write whatever the hell you want! 💜
More Information
Hi, I wanted to add some more info about fanfic.lol based on some replies. I was trying to keep the original post short and have done write-ups elsewhere but I'll reiterate here.
The admin/webmaster: I'm Brennan! I'm a Queer Red River Métis writer and webdev and huge advocate for the IndieWeb. You can get to know to me on my site, brennan.day
I made this for fun, and it's running using a homelab server in my basement. I don't make money or anything else. I'm just doing it for the love of ball.
fanfic.lol is meant to be a small, independent alternative for fanfic and fandom that prioritizes joy and fun. No aims at trying to replace AO3!
I am anti-genAI and so is the site. You can read more about my stance on AI here.
Archive warnings, like everything else, are under construction! I do have to adhere to the laws of my country (Canada). Please be patient.
I am pushing straight to production, which is to say the entire site could explode at anytime, so please do not use it as the only place you put things! :)
I forsee only a handful of people using this site, it def isn't for everyone. If you don't like it that's okay! Whether you want to give me input or just ignore it entirely.
I did a longer write-up here. Thank you everyone for the kind, warm reception of my silly little project. <3
I love the longer write-up. It gives me a much better sense of where you're coming from and why people should trust you—or which users would be a good fit.
I was there for the start of AO3, and we really did think we were going to usher in the next age of archives a la eFiction. It took too long for AO3's code to be in that kind of shape and the internet changed radically around us. We did not mean to create a behemoth. We just wanted venture capital bros to stop disrespecting us.
As a side note, all the comments you're getting like "There already is a fanfiction website. Wtf" are exactly what people said about AO3/OTW in 2007. There was a ton of bitching about us stealing FFN's idea. (Never mind that there were older archives.) There were frequent complaints about how there was already "an archive" and we didn't need another. Most of that discussion got deleted when FFN decided to nuke all of its inactive social spaces one Thanksgiving weekend while nobody was around to object or save their data. But I was there and I remember it and it sounded exactly like these comments now.
The oldschool core of AO3 was into the age of archives. We liked there being lots of different little spaces run by different fans. It's nice to see that energy floating around in 2026. Go indieweb!
I wish you a hundred invested users who want to form a community and nobody else.
havent checked it out personally yet but just a super important note that since op says hes obeying canadian laws:
canadian laws are very different then most countries, ergo, if you want to post underage/gruesome stuff, it would be safer for op if you posted on that on ao3 instead. obscenity laws do in fact exist here and op get in legal trouble depending on what you post. so you know, be nice to op.
someone already asked op "is dead dove and proship content allowed here" and he said "yes if its legal" but didn't clarify what that meant, but basically in canada its
"if it can be interpreted as obscene, you can get in trouble"
so while you can get away with sfw content of lets say an adult/minor, it can bring things into outright illegal territories if you make it nsfw. but its not JUST that. our obscenity laws ALSO apply to violent sexual horror. so if your kink is lets say, woundfucking, a person can get op in legal trouble for hosting it, even if everything is all consensual.
people don't often get in trouble for obscenity laws because its So Much Effort, but from a hosting perspective thats different. a user posting content on ao3 isn't really gonna get tracked down, but a canadian hosting a website could be.
in conclusion: make sure to check out your kinks on canadian law sites before you do anything here. genuinely a nice project, just be careful for ops sake
Yup. Good point. That's something to look out for in most archives, whether from owner preference or local laws. I'd say the US is more of an outlier than Canada; we just exert an undue influence on internet culture.
A return to an Age of Archives means reading the rules of each more carefully. There used to be a lot more variability, not just because of laws but also in terms of focus.
In general, if you post a lot of underage, violent kink or noncon, AO3 is probably going to remain the right choice for hosting. A number of countries, not just Canada, go after a lot of things in text that the US does not.
I want to emphasize that this isn't a stance on OP's part any more than AO3 having to comply with US trade embargoes represents AO3 staff's personal opinions on Cubans. This is just the reality of running a site.

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'Paris Is Burning' (dir. by Jennie Livingston) [1990]
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Did you ever love someone who didn't love you back? I know you know who I'm talking about.
I understand why optimization culture has boomed so hard in the past several years.
Something big happened that most of us could do very little about. The world became openly unstable in ways people could no longer politely ignore. Institutions failed. Safety nets frayed. The future got harder to imagine. So a lot of people started reaching for control wherever they could find it: morning routines, dopamine detoxes, habit stacks, sleep scores, screen-time limits, supplement protocols, productivity systems, “nervous system regulation,” whatever the app-store priesthood was selling that week.
I get it. I really do.
But I’m going to pull a phrase people love to use when they want to sound emotionally mature: trauma explains behavior; it does not excuse it.
Because at some point, “I am trying to regain a sense of agency in a chaotic world” turned into “everyone who doesn’t live like me is undisciplined, addicted, immature, morally weak, spiritually degraded, or secretly begging to be rescued from themselves.”
And that’s where I get off the ride.
I’m not saying optimization is bad for everyone. Some people genuinely benefit from tweaking parts of their lives. Some people like routines. Some people feel better with stricter sleep schedules or less social media or more deliberate habits. Great. Wonderful. I’m sincerely glad when people find something that makes their life easier.
The problem is the culture around it.
The culture is ableist because it treats “functioning” as a moral achievement and assumes everyone has the same body, brain, energy, pain level, sensory needs, executive function, and recovery capacity.
It is classist because so much of it quietly depends on flexible schedules, disposable income, safe housing, nutritious food access, leisure time, privacy, and the ability to refuse exploitative work conditions without immediately risking survival.
And it is Puritanical because underneath all the soft wellness language is the same old suspicion of pleasure: too much comfort will rot you, too much rest will weaken you, too much fun will corrupt you, too much convenience will make you less human. You are always supposed to be renouncing something. You are always supposed to be proving that you can suffer correctly.
That’s the part that bothers me.
Not “I tried changing this habit and it helped me.”
Not “I personally feel better when I do less of that.”
But the constant creep from personal preference into moral hierarchy. The assumption that a “better” life is always a more controlled life. The belief that every impulse must be interrogated, every pleasure audited, every habit optimized, every moment made legible to some invisible performance review.
And honestly, I think a lot of people would rather accuse everyone else of being addicted, lazy, dysregulated, or broken than admit how scared they are of being alive in a world where control is often partial, fragile, and unevenly distributed.
By all means, arrange your life in ways that help you. But the second your coping mechanism turns into a cudgel against people with different needs, different limits, different joys, different bodies, different schedules, different resources, or different definitions of a life worth living, it stops being self-improvement and starts being social pressure.
I think a lot about this article:
The first teachable moment of the pandemic, for me, had to do with the supply chain. Early on, supermarkets had shortages, and not just of f
The principle that diversity enhances resilience applies beyond the pandemic. More-diverse farms do better in the aftermath of destructive climate events such as storms or droughts. Revealing studies done in Central America have compared how different kinds of farms respond to hurricanes, showing which ones can withstand the storms and recover faster. It turns out that “efficient” monocultures are vulnerable, but polycultures are resilient. This goes for both large and small farms. Why don’t we pay as much attention to the benefits of resilience as to the benefits of efficiency? We tend to get good at what we can measure, and it’s easy to produce numbers that support efficiency, such as crop yields per acre. Resilience cannot be easily measured, though. Its benefits are most evident during the catastrophes that can’t be predicted and the trends that haven’t been foreseen.
People are trying to do to themselves and their communities what industry did to the food system.

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Harsh, but I accept it I suppose.
[Transcription: Speaker is a blue-eyed older man with dark blond hair that falls down his back, a round face, and a moustache and beard combo with some gray hairs amongst the blond. His voice is deep, and a bit choked up at points.]
“These are my red flags for women:
If she stabs me more than twice.
If she has a concerning amount of ex-husbands who died on their honeymoon, like... [a brief pause for thought] Like four or more.
If Gozer the Gozerian asks me to choose the form of the destructor and then one of my childhood crushes walks through New York City at 300 feet tall, uh, and steps on a church... [takes a breath and pauses for a second] I mean, it’s not the height! It’s not the height. I like a climb. But, like. [another breath] She stepped on a church. Or any building, really, ‘cause. [deep breath followed by a brief pause] Legally they’re not supposed to be able to ask you about that on like your homeowner’s association application, but- but they’ll ask. They’ll look it up.
If she doesn’t exist in the same physical timeline as I am... [several seconds long pause before continuing, sounding distraught] I’m not doing that again.”
Greg Universe.
coyote doodle 2026
anonymous asked costumes from 880 in 7x05
A reminder that this tumblr is not a safe place for any kind of bigotry.
You'll never be "too gay",
And be unapologetically queer 🏳️🌈

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
An Art Nouveau gold, plique-à-jour enamel, pearl and ruby pendant, by Georges Fouquet, circa 1898. The pendant designed as an orchid decorated with plique-à-jour enamel, centring a round faceted ruby, surrounded by four small pearls set to the anthers, mounted in yellow gold, suspended from a gold chain set with gems.
I was in the mode for some Hannibal, so have a little #couple portrait today (I ship them, your honour!)
I guess this is a good change to say that - ALAS! - I probably won't be able to make the new RDC8 dates :( I plan to pop by on Friday afternoon, and since it'll be calendar season, I was thinking I might be act as a courier of sorts to avoid shipping… we'll see!
For now, I hope you like it 💙
Prints and other stuff on my Redbubble, TeePublic and Threadless