MkNiK's

@lormiguel

var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-29998975-1']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })(); Artilugios de Parker o las mecánica's del caos. Los hilos múltiples de un siglo tarado. Una educación sentimental de las múltiples posibles.

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ozu-teapot

Ran | Akira Kurosawa | 1985

Polish poster by Andrzej Pągowski

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seatsnbeats

Charles & Ray Eames :: Adjustable jig to to determine the seat and back angles of the molded-plywood chairs

danismm

“PALL MALL” 1957 ad.

artist-malevich

Demon, 1914, Kazimir Malevich

https://www.wikiart.org/en/kazimir-malevich/demon-1914-1

grupaok

Lee Krasner around 1938

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nobrashfestivity

Shirley Clarke, Stills from Bridges-Go-Round, 1958

grupaok

Robert Smithson, Proposal for a Monument, 1967

grupaok

Judith Bernstein, Superzipper, 1967

grupaok

L’Atelier Populaire, serigraph of raised fist, c. 1968

garadinervi

Gianni Colombo, Bariestesia, n.d. [Archivio Gianni Colombo, Milano]

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grupaok

First anniversary of El Museo del Barrio, 1970 - photo by Hiram Maristany

edwordsmyth

Simone Weil, notebook cover, Cahier 3, 1941. “What is special about her handwriting? It is patient, conscientious – like a student’s – but each letter – whether Roman or Greek – has been formed (almost drawn) like an Egyptian hieroglyph, so much did she want each letter of each word to have a body.” -John Berger (on Simone Weil)

thinkingimages

Anselm Kiefer: Brunhilde and her fate, 1977. With acrylic and emulsion paint over edition of the book “Mirror of Venus’ von Wingate Paine

artist-malevich

Union, 1930, Kazimir Malevich

thinkingimages

Bare With Me | Photography Begum Yetis, Styling Matt King

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thinkingimages

Claude Cahun, 1939

thinkingimages

Erica Baum | untitled (Irrational) 1998 ht. 20" x w. 24" gelatin silver

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