Demon fathers, am I right?…
KPDH x Teen Titans!
official daine visual archive

bliss lane
Misplaced Lens Cap

if i look back, i am lost

#extradirty
Jules of Nature
RMH
$LAYYYTER
he wasn't even looking at me and he found me

Origami Around
Sade Olutola
Xuebing Du
PUT YOUR BEARD IN MY MOUTH

gracie abrams
cherry valley forever
sheepfilms
Interview Vampire Daily

izzy's playlists!
Not today Justin
seen from United States
seen from Bangladesh
seen from United States
seen from Bangladesh

seen from Pakistan
seen from Indonesia

seen from Malaysia
seen from Malaysia
seen from United States
seen from France

seen from South Africa

seen from Malaysia
seen from United States
seen from Spain
seen from Spain
seen from Australia
seen from Greece
seen from Mexico

seen from Bangladesh

seen from United States
@lorenmarblog
Demon fathers, am I right?…
KPDH x Teen Titans!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
More demon hunting training!!! ✨✨✨
The only downside to talking to small children like they’re normal people and treating them like normal people (as per my mom) is that as they develop into bigger children they are viscerally aware of every single moment in which they are pandered to like stupid little accessories (as per my dad, my teacher, the special ed aide, every adult in my middle school) and you end up getting a lot of phone calls from people reporting your kid for (checks notes) “undermining authority”, “disrupting the classroom environment”, “disobeying elder peers”, and “unionizing the grade eleven gym class with intent to incite a mutiny” (as per me) and you end up with a Grown Adult who will absolutely encourage and enable other people’s children to fuck the sustem
Anyhow the most empowering shit you can say to a kid in my experience has to be
“Wow that adult was being a jerk”
“That sounds really frustrating”
”Good job handling that, I would have lost my mind”
“It’s cool, I don’t expect you to remember me”
“You don’t have to hug me if you don’t want to”
“Yeah sometimes (authority figure you can’t avoid) doesn’t know what they’re talking about, it’s not your fault, just do your best”
“I don’t totally understand what you mean but I get that you’re upset, is there anything I can do?”
”Wanna go yell and break stuff with me?”
“You don’t need to be friends with that kid as long as you can still be polite”
“If an adult tells you to do something that will get you hurt, you don’t have to listen.”
“My number one goal is to keep you safe, but I don’t know everything and sometimes I’m wrong, so let me know if I make a mistake.”
“Man. Today sucked.”
“Yeah I also kinda wanna cry right now”
“Whoops, yeah, my bad”
“I don’t know the answer to that but we can probably figure it out”
Rhaella Targaryen, mother of Daenerys
an imperfect ally is better than a perfect bystander
the old boomer who "doesn't get the gays" but still votes blue every election is still a better ally to you than every well-spoken, woke millennial who says all the right shit but didn't vote because they "didn't like either option"
the lady who voted for trump but has changed her mind since and is calling her senator every day is a better ally to you than anyone very politely apologizing for how awful things are and not doing anything to actually help
Give me the granny who only started re-thinking her feelings when her beloved grandkid came out as trans over anyone who can spout queer theory but gatekeeps transmascs at every step.
I'll take the unlearning-trying-my-best messy allies over the my-ass-smells-like-roses-because-i've-read-marx-seventeen-times "perfect" community member any fucking day.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
you know i really want to know just WHAT was going through rick's mind when he wrote copollo into existence. like. what the the thought process here.
rick: ah yes, the first of the evil triumvirate who is a metaphor for capitalistic fucks. he is to be nero, the most vile and notorious emperor known to man because he was just AWFUL. and everyone will hate him even more because he psychologically and implies physical abuse of the beloved 12 year girl. also he's pathetic, because all dictators are.
rick: and yes, we cannot forget caligula, who is ALSO infamous for crazy shit BUT PLOT TWIST he's actually quite mentally sound here...for a sociopath, anyway. and everyone will ofc HATE HIS GUTS because he MURDERS JASON GRACE IN COLD BLOOD and LAUGHS ABOUT IT. the devil himself.
rick: i need one more. hmm... *scrolls through list of bad emperors* huh. commodus. into gladiatorial combat and lost his marbles so bad he was strangled in the bath by his own personal trainer.
rick's inner homoerotic writer: that's pretty gay.
rick: should i take this step. i will never be able to take it back.
rick's inner homoerotic writer:
rick: ...AND COMMODUS WILL BE APOLLO'S TOXIC EX SITUATIONSHIP WHERE AFTER JUST TWO FLASHBACK SEQUENCES THAT TOPS EVERY OTHER BIT OF ROMANCE I'VE EVER WRITTEN, READERS WILL FALL TO THEIR KNEES AND SOB OVER HOW BEAUTIFULLY HORRIBLE THEY ARE FOR EACH OTHER AND THEY WILL KICK SCREAM AND CRY WHEN THEIR TITULAR ROMANTIC LINE "YOU WILL ALWAYS HAVE MY BLESSINGS" IS EVER USED AND IT WILL FIRST CULIMATE IN APOLLO BLINDING COMMODUS AND THEN END WITH HIM SCREAMING HIM TO DUST, HANDS 'ROUND HIS THROAT JUST AS IT ALWAYS WOULD HAVE BEEN!!!!!!!
rick: also two innuendoes between them. as a treat.
One of my favourite things about Helluva Boss (and this is me being 100% genuine) is how much it reminds me of a fanfic written of a much worse, early 2000s, low-key homophobic, show á la supernatural and the ilk. Like, it does really hit that very spesific nostalgia of reading slash fics instead of doing homework in 2007.
Somewhere out there is an alternate universe where Helluva Boss is a show released in 2005 by a guy who wanted to amass an audience of edgy college-bros, but is shocked and disgusted to find out that 90% of the fandom consists of embarassing teenage girls who write slash fics on FF.net about it.
In that show, Blitzø is supposed to be a tough-rough heterosexual in the model of Dean Winchester, while the entire fandom is busy writing deep-dives about why he is actually in the closet pansexual.
Moxxie fulfills the role that Sam Winchester did in Supernatural, which is the very quintessential 00s metrosexual. Blitzø keeps teasing him about how his wife clearly wears the pants in the relationship, and Moxxie constantly has to be annoyed about it: "Just because I like musicals doesn't mean I'm gay!" His heroic moment is when he gets to be a badass and rescue Millie, who swoons in his arms, and the audience is assured that just because Moxxie is a bit of dweeb, doesn't mean that he can't take care of his woman and be REAL MAN.
Blitzø is constantly flirting with Millie, while there is also a running joke about people confusing him and Moxxie for a gay couple, and instead of being normal about it, they do the spn/Sherlock routine and drag the denial on for about three minutes too long, which just makes it sound like Blitzø really wants to fuck Moxxie. It's basically an fandom-wide accepted headcanon that Blitzø wants to have a threesome with both M&Ms. The creators are disturbed, apalled, and confused as to how anyone could arrive in such a conclusion.
Stolas is the queer-coded antagonist, whose status as the big villain changes according to who happened to be writing the episode. Sometimes he's a genuine threath, seeking to get his stolen book back from Blitzø. Sometimes, for very contrived plot reasons, he needs Blitzø's help with something or another, and leverages the book to get him to do his dirty work. And sometimes he's written as basically a comic relief character, this effeminate dandy who tries so hard to be a big, bad, demon, but then immediately gets slapped around by his much more domineering wife. The fact that he can't satisfy/control his wife is always written as a joke where Stolas is the punchline. The question of: Why doesn't he just take his book back? Which the plot has danced around in more and more confusing ways, has by the fandom been solved with the simple: 'they're secretly fucking off-screen' theory.
And god help the 13-years-old who makes the mistake of mentioning Stolitz to the creators on a con-panel, because she's about to get the public humiliation of a lifetime by the writers and actors, who are not afraid to mock the "delusional tumblrinas" in front of everyone, and with open malice.
Asmodeus is always seen surrounded by busty, half-naked, women, but he did once say that he's "quite flexible" when it comes to sex, which the fandom celebrated as finally getting a confirmed, canon, queer representation on the show. Fizzarolli is his bussiness partner/employee/it's never really made entirely clear, who desperately wishes that some of Asmodeus' charm would rubb on to him out of sheer proximity, but the whole joke is that he's a desperate, unfuckable, disabled, clown, so no matter how hard he tries, women will just never want him. The fact that Asmodeus seems to genuinely enjoy his company, has made the entire fandom convinced that the aloof, horny, sex-symbol is secretly, madly, deeply in love with the clown. He just has to hide it, because of his status, the entire, delusional, fandom desperately headcanons.
Loona's relationship with Blitzø is very uncomfrotable, because while it is implied that he gave her shelter when she was younger, he also sometimes ambigiously flirts with her. The fandom refuses to engage with those scenes and instead writes Blitzø as an overprotective dad.
Half-way through the show, Millie gets fridged.
You’ve unlocked incredibly hyper specific and hella accurate memories I’ve had from my high school tumblr days 😅.
Helluva Boss really does feel like someone said, “Here’s a concept for an adult animated tv show that would have gone viral on tumblr in the late 2000s/early 2010s, and now let’s make the version of the show that Tumblrinas actually wanted to see.”
And I love it for that.
sometimes i agree with a post but i dont like your attitude
Viperion from Miraculous Ladybug and Cat Noir
what is the knight of the seven kingdoms, HotD and game of thrones timeline? which goes when? everyone is named the same name.
HotD 101-131 AL with Rhaenyra as the protagonist -> Kosk 209 AL with Aegon V, Rhaenyra's great-great-grandson -> GoT 298 AL with Daenerys, Aegon V's great-granddaughter
(I seem to recall that in GoT they skipped a generation, so perhaps Daenerys is a granddaughter instead of just a great-granddaughter?)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Relistening to the Hadestown soundtrack a lot recently and you know what. I think one of the biggest things that ultimately doomed Orpheus is he changed the shape of his song and his resistance to please Hades. He's "working on a song" that "isn't finished yet", but when he DOES finish it, who is the audience for that song? Not the people he's trying to free, but the God he's trying to take his lover back from.
Epic I is mostly about setting the scene if like, any audience members happened to NOT know the story of Orpheus/Euridyce, but it's still directly critical of Hades. Hades saw her, he wanted her, he fell in love with her because of how she moved in the sun, and the shape of his wanting necessities someone else's deprivation. So he took her where "the sun never shone on anyone", and the world was worse off until she won her 6 months of freedom.
Epic II is the most directly critical of Hades. He is "king of silver, king of gold", king of "everything glithering under the earth", and his capitalist hunger means that will never be enough. Epic II emphasizes Hades' jealousy that someone he wants could ever want to be somewhere else, even temporarily, his exploitation of workers, how the riches that he violently guards only exist because of "a million hands that are not his own".
But Epic III? Epic III is the story defanged. Hades fell in love. It takes away his agency and his responsibility in his own cruelty. It pays deference to him as king put quickly pivots to framing him as just "a poor boy", "afraid", versus a God. but he was always a God! Orpheus tries to reach him by appealing to Hades' view of himself -- a hard worker, laboring thanklessly for the woman he adores, the woman he fights for. He tries to reach him by helping Hades remember love. And it... doesn't work. It can't work.
Hades will never let him go. He will "let them try", but he rigs the game and lays the stakes, and more importantly by capitulating to Hades' rules and agreeing to play the game on Hades' terms and reshaping his song to please the very God he is trying to outsmart, Orpheus loses himself, and he loses the strength and resiliance needed to take Euridyce (and the other Workers!) home.
Something something about how art can be people power and resistance and revolution, but it is also so easy for that resistance to be taken and twisted away from us. It's so easy for that power to be freely given, by us, in some hopeful-hopeless attempt to win over people who will never, ever simply allow us to leave. And how that process systematically removes any real power our art and voices once had because when you play by their rules, you lose. "It's an old tale, it's a tragedy".
And I say all of this knowing that Hadestown itself is has now become a comercial product. Sure we sing it again and again and again, but can we take it back? Once we give it away. Can we take it back?
#also reminds me of the slow process that hadestown itself had to get to broadwa- (gets shot) (via @optimistic-autistic)
#all this to say. I’ve been sitting and stewing in the idea that hadestowns journey to Bway has generally been defanging after simplification [...] #which is like. literally what happens to Orpheus w/ regards to the changing epic [...] #GOD. WHAT WAS I EVEN SAYING. tldr it’s crazy how the text of the show itself parallels its own development on its way to the Big Stage (via @aperture-of-bullshit)
you are all right and you should say it!!
HUNTR/X outfits
I love the attention to detail in the outfits for Golden and What It Sounds Like.
The outfits are a representation of what they are feeling. For example:
When Golden is first released Rumi has the most black on her outfit. It’s a physical representation of the shame she has. Zoey and Mira have less shame than Rumi, therefore less black.
But…
As the movie continues the more shame everyone starts to have. HUNTR/X is being torn apart and we see how that is affecting each of them through the amount of black in their clothing.
But that all changes at the end.
When Rumi, Zoey and Mira finally accept their faults and let go of their shame they didn’t have any black clothing, despite wearing it moments ago.
And that also explains why the Demons always wear black. Just like Jinu said, all they feel is their shame.
Personaly I think in helluva what ever animal you end up as in hell is predetermined by your soul and how it presents is influenced by how you died.
So like Alastor was always going to be a deer and Husk was always going to be a cat no matter what. That's just a representation of there nature.
So I've been asked what a Queer platonic relationship looks like in pratice a few times so heres my two cents.
The who point is that it is 2 people committing to eachouther in away normal revered for romantic and blood family. In outherwords it's makein someone who your not related to your family.
It is a level up from friend in the same way romantically going from dateing to calling eachouther partners to getting married are levels of incressing commitment.
In a long term comited QPR relationship you might see things like putting the outher person in your will, liveing together long term, planing long trips together, co owning pets, co owning property. Things most people do with romantic partners.
Now do some people do this and call it best friends yes but if they are truely committed in that way it still exists out of social norms and as such is functionally a QPR.
Now the reason that it is important to communicate wanting to be in or thinking that you are inna QPR is becuase with out that comunation you can get unequal expections. People will not even think that haveing commitment like that in a platonic relationship is a option. It also can cuase alot of frustration if one person starts expecting the outher to show up in one way when the outher person didn't think that was the expection.
It is all about the commitment and that being shared between two (or more) people.
A QPR is whatever the people involved want it to be. It's anything doesn't fit romantic, sexual, platonic, or familial dynamics, but only if the people involved want to refer to it as such. The whole point was to dismantle the relationship hierarchy and provide an optional label to the people who wanted it.
No relationship inherently requires more commitment than another. It is not a "level up" from friendship, and getting married isn't always a "level up" from dating.
A long term QPR will have a variety of different looks because there are a million different ways to do it. One QPR may live together, cuddle, kiss, or sleep together, while another may live separately, only engage with each other under certain circumstances, or simply co-exist.
No relationship is inherently a QPR, just like no relationship is inherently romantic, platonic, or familial. "Friendship with a lot of commitment" is still friendship.
I will agree that communicating what relationship you want with one another is important and vital to healthy interactions with people.
QPR's, like any other relationship, are defined entirely by the people involved in them, and they are not inherently stronger, closer, or more important than anything else.
All QPR are friends not all friends are QPR thats whats platonic means.
And for most of hetronormitive socitiy friends are seen as disposable. Seeing friends as on the same level as family is inherently queer in our society.
And yes what the commitments are is what ever is communicated between the people involved. That being said if your zero comitment fair wether friends thats not QPR. Right now we have people who full chested will be like I won't drive my friends to the air port and they shouldn't drive me. Like the bar isn't high becuase socity puts it that low.
Like people will call some one they talk to at work then never message outside of work friend. They will call someone there friend then not show up for them when there actually need hell. People will call someone friend and then never prioritize them because they have a romantic relationship thats seen as the most important one.
Which for the record low comitment friend ships are cool and fine. They are diffrent from QPR. Everyone needs someone to actually be close to in the way that society expect blood family or romantic bonds to be and not everyone has that. Thats why it's important to have QPR actually mean something to people.
I think that all the characters in hazbin eventually have a equivalent to mana where at some point if they keep useing there powers they will run out of charge.
That why Vox is panting becuse he just used alot of his power and is tired.
Thats why Val won't uses his powers first and seeming to default to simply useing physical strength.
Thats also why Alastor doesn't want to spend all his magical energy on the hotel. Just because he can doesn't mean there isn't a cost.
That's also part of why he could go ham on Vox in thr final because he had been saveing his strength.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I got to say Radioapple does remind me of merlin and author. Makes me nostalgic.
Winter's nigh and summer's o'er Hear that high and lonesome sound Of my husband coming for To bring me home to Hadestown