Itâs a master Sol kind of morning.
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@lokislady17
Itâs a master Sol kind of morning.

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forever rooting for these two. i hope theyâre alive and well somewhere, and somehow happy. â¤ď¸
In the darkness, these two found their own light.
And now, some Qimir appreciation. These are two of some of my most favorite shots of the character. Not becasue he looks so gorgeous but becasue these are two points at the story when we get see him with his metaphorical mask off. In both shots his feelings are right there, all over his face. These are moments that understand that love is not a series of declarations or a shows of strength via completeing on task or another. No, Love is pure, naked, vulnerabilty and the bravery to be so. Both pictures show such vulnerability.
not to be a joyless hag but I've started seeing genderbent "yuri" shipping Markiplier and Ryan Gosling and I can't help but think of someone I recently I unfollowed for posting that they have an easier time caring about genderbent versions of boy characters than regular fictional women
and I'm also building some connections to that post I made about reading books by Black women (you know the one) and the people who would respond by saying something akin to "joke's on you, I only read fanfic đ" as if that were some kind of clever loophole and not a demonstration of the exact thing I was talking about
like yes fandom is about fun or whatever but idk man at what point has your desire for no thoughts head empty uncritical consumption left you splashing around in something that's been blended down to an indistinguishable goo for the sake of avoiding anything remotely challenging. with the thing that's "challenging" here being. you know. giving a shit about women and Black people and like frankly anyone but your shippable white men (and honorary Markiplier).
don't make me tap the five year old teen vogue article, etc
All experiences of escapism are not created equally.
I just finished reading the article. If I didnât already know the article was several years old, Iâd swear it was written today. Racism in fandom spaces and the privilege, by some, to ignore it, is still a very relevant issue. In our current state of media censorship brought on by the current administration, and the fear of it by networks, makes the topic of the article hit home even harder. Shows/projects get cancelled all the time, sure. But it does not escape notice that the vast majority of those projects are ones that featured queer and BIPOC actors/characters. And yes, while in production, these actors were subjected to horrible treatment online by racists fans and anti fans. I feel like this all reached its peak in 2024 when Disney+ cancelled the Acolyte. This was followed a few years later by Netflix removing She-Ra and the Princesses of Power from the platform. How can fandom claim to be a place where all can âescapeâ to when fandom doesnât even have a place for âeveryoneâ?
Just some Master Sol appreciation. You're welcome.

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why your sewing machine is acting up: - tension is wrong - wrong needle size - thread bit stuck somewhere - tension again - needs a deep clean and oiling - you said something and now its offended and refusing to cooperate until you realize your error and beg forgiveness
Probably the last one.
I am currently rewatching the Acolyte and I love that even after so many views, I can still catch something new from time to time. This time, it was the little indications that Jedi such as Sol and Yord might be a bit on the sheltered side. This is definitely true of Yord as he is so by the book that the idea of someone 'not following the rules of combat' leaves him completely shocked. Now of course Yord is very young and inexperienced. Sol, on the other hand, I find even more interesting. I came across a theory a few months back that perhaps Sol came from an abusive houelhold. If so, that would certainly explain why he so readily and wholly belived Osha and Mae were in danger. A conclusion reached after witnessing only two instances, both without context. I would like to put forth that maybe Sol's social interactions have seldom gone beyond the Jedi Order. Like he is in this mindset of Jedi are the only good people that he knows, therefore, Osha and Mae will only be safe with the Jedi. I'd love to hear your thoughts.
âThe LEGO Movie was my favorite movie of 2014, but it strikes me that the main character was male, because I feel like in our current culture, he HAD to be. The whole point of Emmett is that heâs the most boring average person in the world. Itâs impossible to imagine a female character playing that role, because according to our pop culture, if sheâs female sheâs already SOMEthing, because sheâs not male. The baseline is male. The average person is male. You can see this all over but itâs weirdly prevalent in childrenâs entertainment. Why are almost all of the muppets dudes, except for Miss Piggy, whoâs a parody of femininity? Why do all of the Despicable Me minions, genderless blobs, have boy names? I love the story (which I read on Wikipedia) that when the director of The Brave Little Toaster cast a woman to play the toaster, one of the guys on the crew was so mad he stormed out of the room. Because he thought the toaster was a man. A TOASTER. The character is a toaster. I try to think about that when writing new charactersâ is there anything inherently gendered about what this character is doing? Or is it a toaster?â
â Bojack Horseman creator Raphael Bob-Waksberg commenting on how weird gendered defaults in entertainment are, and why we should think twice about them. Excerpted from this longer original post. (via 360degreesasthecrowflies)
I remember when I went to see Hotel Transylvania for the first time and, though I did find it to be an enjoyable film, the characterization of Johnny, gave me thoughts. First off, he is the first guy who is not a family member, hotel guest or family friend, Mavis has ever met. Mavis has only just come of age and has never really left the hotel-due to her fatherâs control/rules/manipulation. So of course Johnny, a guy as average as you can possibly be, is going to look like a superstar to Mavis. This dynamic is common and I know full well it is intended to appeal to the boys and men of the audience. Like this message of âsee guys, if your girl is naive enough, even you, who has no hobbies or worldly experience, can be amazing.â I know the intended message is that anyone has the potential to be a hero. But when male characters are viewed as the default while women/girls and BIPOC people are seen as different, or other, is that not already saying that the male hero is the special one? I know thatâs a bit off topic. But this is what comes to mind when I come across the male as default in story telling discourse.
The Last Jedi. The Acolyte. Reylo. Oshamir. I think about what once was and remember all that seemed possible. So it's really sad to look back on these stories and see what was not allowed to be and what never will be. And becasue of what? Stupid people online and studios that care more about profit and don't realise that a well told story is the true, lasting, investment. Rey and kylo Ren could have been a love story to have altered the stars themselves. Osha and Qimir's love could have been the light that shone even in the darkest corners of the Force. What we could have had.
so women are supposed to grin and bear the books, the comics, the movies, the plays, the tv shows, the stories, the sci-fi, the translated ancient poems, the fucking millennia of men writing about their self inserts torturing women and it being declared as High Art by other men, weâre supposed to read it in our free time, study it in classrooms, include their styles in our own writing, accept their cultural influence as natural, watch it in the cinema, write about it, talk about it, accept it, aspire it, but men canât tolerate three seconds of female wish fulfilment of a woman snapping the wrist of a creep without feeling personally kicked in the balls.
This reminds me of something I observed in college while I was doing my honors thesis on women in modern horror films. I watched a LOT of horror during that time as part of my research, and sometimes that was done with my family around.
And my dad and brothers? Were deeply disturbed by the movie Jenniferâs Body. I was flabbergasted. Itâs not scary! Itâs not even that gory. But they were horrified by it. These men who grew up on 70s slashers were legitimately shook by 90 minutes of Megan Fox eating a few teenage boys, mostly off-screen.
Similarly, my all-male reading panel for my thesis? Were so disturbed by my synopsis of the film Teeth that they couldnât even talk about it. One of them said he couldnât look at his wife for a week after reading it.
Again, grown-ass men who study and teach media for a living. Who definitely watch and enjoy horror movies. One of whom was a huge Tarantino buff. We watched and read worse in his intro to mass media class! But one movie about a girl whose vag could bite was enough to haunt him.
Then of course you have things like the Gone Girl backlashâmen yelling that Amy Dunne is evil and women clamoring to assure everyone that they know she is not someone to emulateâthe backlash against Carol Danvers, and, more recently, the griping from MRAs against the upcoming film Hustlers, which is about strippers scamming their Wall Street clients.
My conclusion? Most menâat least most straight, cisgender men, who are both my sample population and most of the ones whining that Carol is a âvillainââare perfectly fine with, and desensitized to, media where men do violence to women (horror movies), or men do violence to men (horror and action movies). Theyâre even sort of fine when women do violence to women (âooooo cat fight!â).
But they get intensely uncomfortable when women are depicted doing any kind of violence to men, especially in films that tilt the balance of power to the other side of the m/f gender binary beyond a single moment or scene.
So woman as flesh-eating monster with men as her preferred cuisine? Woman who responds to unwanted sexual contact by biting it off? Woman who frames her cheating husband for murder? Woman whose response to harassmentâbehavior that many of the loudest whiners know is both creepy and reflective of their own thoughts/actionsâis to break something?
Too scary. Unacceptable. Disturbing. These men hate being presented with the idea, even in fiction, that their position of power is socially constructed, that it could easily be flipped the other way. It terrifies them.
In feeling that terror, they experience a tiny modicum of what living, existing, moving, being perceived as a woman in the world is like.
And they flinch every time.
Here have a newspaper comic from 1993
my father, who is not a misogynist by any means and therefore surprised me by revealing this, DESPISES Saffron from Firefly (conwoman who seduces her predominately male targets)
in a series with multiple instances of men beating, humiliating, and occasionally killing female sex workers, including at least one main character and several sympathetic side characters. and two other main female characters being threatened with rape at various points
but the worst character, to him, is a woman who preys on menâs attraction to her
In college, I got to see a stage production of Misery for my creative writing class. This was followed by a class discussion of the play. My professor commented on how, at one point, the male protagonist was so under the control of Annie (the woman holding the protagonist captive) that he seemed honoestly upset when she was upset. All I remeber thinking was that this was the first time I'd ever seen the power dynamic flipped. Movies where women had their freedom or power taken, for whatever reason were very common and were accepted as such. So, watching people be mortified by seeing a play about a man being subjugated by a woman, will never not be fascinating to me.

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I recently attended the Phoenix Fan Fusion. That's Arizona's big comic convention. On the last day, I went to a panel on the subject of live action adaptations of media. I was excited because I thought the panel would discuss animated films being made into live action movies. We ended up talking mostly about video game movies and shows. Honestly, it turned out to be one of my least enjoyed panels this year. The panelist did close out by talking about how if people are sure that they are not going to enjoy a certain piece of media, then maybe they shouldn't engage with it. That being said, he also belived that people should also try to be more open minded. Its common enough advice but still good to hear all the same. I'm glad more people are talking about how audiences need to be able to engage with media in good faith and not give so much attention to negative reviews. So yeah, wasn't my favorite panel but I was still glad I went.
I don't know if anyone remebers, or noticed, the little articles on social media predicting The Mandalorian and Grogu would not be the success Disney hoped for. I remeber thinking that was an odd thing to do. Then I thought some more and couldn't help but wonder if Disney was trying to prepare for, or possibly get ahead of, the tidal wave of bad reviews and shit takes that have traditionally followed after the release of a Star Wars project. I had some thoughts on that. Perhaps Disney had just accepted that vitriolic backlash just comes with the territory. If that's true then more's the pity. While I know nothing can truly be done to stop people from belly-aching online, Disney could, at least, not cave to online negativity the way it does. Allow those in charge to carry on with their stories the way they want to and not try to 'fix' or 'course correct' entire plotlines becasue fanboys are angry on twitter. And for heaven's sake, Disney really should backing up and supporting the people they select to be involved with these stories, both in front of and behind the camera. Disney should not be cancelling projects outright or allowing actors to be abused online so blatanly. If Disney would just stand on business, that would send a clear message to the haters online. Then there wouldn't be a need for the preemptive apologies (like the one for the Mandolorian and Grogu) anymore.
never let me go
6/17 | E | 61K
âď¸ modern au âď¸ prisoner qimir but he has the power âď¸ psychiatrist osha but she's repressed af âď¸ forbidden romance âď¸ dark romance âď¸ slow burn âď¸ antagonists to lovers
Determined to make amends for ruining her sisterâs life, newly licensed psychiatrist Osha Aniseya takes a job at Coruscant Correctional Institute. There she expects to encounter wary inmates, harassment, and the harsh realities of the justice system.
What she doesnât anticipate is Qimir Stranger, the prisoner who turns her world upside down. He unsettles her, throws her off-balance, makes it impossible to treat him as just another patient.
Oh, and there's the fact he's on trial for murder.
Can she withstand his obsession? Can she overcome her own?
read ch6 on ao3: https://archiveofourown.org/works/84015091/chapters/227147771
or start at the beginning: https://archiveofourown.org/works/84015091
Still reading Wanna be Loved, Wanna be Afraid. But I will get to this one.
A quick rant before I have to get ready for work. Yes, I understand that The Acolyte was a very expensive project. It was filmed in foreign locations and sets had to be built from the ground up. But Iâm so sick of haters using the high cost as one more reason to despise the Acolyteâs existence. Especially when they forget that the Acolyte was in production during inflation, COVID and, of course, the writerâs Strike. All of which, I am sure affected expenditures. Iâm sure itâs safe to say that part of the high cost was due in part to people who worked on the show were being paid more. I mean, I sure hope they were paid more. Again, Iâm sick of the cost as being used as a strike against the Acolyte. Big budget projects, regardless of how well they do or do not do, is nothing new in the world of entertainment. Skelton Crew ranks as the lowest performing series to date, I donât hear anyone saying it did bad because it cost too much.

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I have a cosplay event I am attending in lss than 3 weeks. Its called the Phoenix Fan Fusion. I started out wanting to do just one costume than decided to make two-which is already challenging enough. I have been trying to manage my time in between the two costumes soI would not be rushing to get both done in the last few days before the event. A task made harder by the fact that I am the first one my boss calls to come in and cover every time someone calls out at work. Anyway, I spent the whole weekend working on my renditionof the X-Ray dress from Frankenstine. It has not been easy. That costume was practically fighting me at every turn and I made so many mistakes along the way. Well, today, I finally decided to just scrap it. I hate having to cut my losses like this but the damn thing just looked so sloppy and absolutely nothing was working. Its not the first time this has happened but a failed costume is like taking the money I put into it and lighting it on fire.
Manny going to the green baby premiere after what they did to the acolyte makes me a little sick
It makes me wonder if any of the other cast members were even invited at all. It's totally like Disney to keep what will make the company money and throwing everyone else under the bus. Still, I want to look on the positive side. Him showing up at these events keelp the Acolyte in the conversation. I met the man at an event a year ago and he seemed optomistic. He encouraged me to 'put it out there. You never know what might happen." So, maybe continuing to make public appearances at SW events is his way of showing support for the Acolyte.