Heya, name is Carmen/Literally which makes it very hard to talk about myself, and my other name is Camellia for less confusion.
They/It/She
Feel free to send me any messages or asks, including hatemail because I think it's funny and I am good at annoying people.
Fan of media literacy, literary analysis, Project Moon, Signalis, and various other games, posts will largely be pertaining to the first three listed.
analyses found here and https://archiveofourown.org/users/Illiterallys_literacy
Before anyone accuses me of being a "Tourist" or "Larper" to Project Moon just know that I outrank you by seniority as someone who has been following the company (and analysing the game(s)) for around 8 years.
Rien apologists will be shot on sight.
Stubborn and indignant people will be shot on sight
(most) Project Moon Youtubers will be most likely shot on sight.
Bigots will be shot on sight. (I WILL be vocal about Transmisogyny. I WILL be vocal about Transadrophobia. I WILL be vocal about Ableism)
No hard feelings if you block me or visa versa, its what I get for being inflammatory all the goddamn time.
If you just want analysis without any rant or vent posts, block the tag #Cries of a literature
I run a (largely Project Moon focused) analysis and discussion server feel free to ask for invite as well.
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It's the patrick star and manray thing but it's me and me.
This is you
"Yep"
And people are complimenting you
"Yep"
So that means that they like you, and find you safe enough to do so
"That makes sense to me"
So you're liked
"I'm cold and unapproachable"
debunking most holes that people cite for why Heathcliff is not Iori's son
spoilers up to probably Mnestic Experience ahead (although reasonably speaking, spoilers are up to Twining Threads. but still.)
“Heathcliff cannot cross the mirror”
“The QnA is a mistranslation.”
The translation itself is incorrect, but the information itself (besides the obviously egregious “LCCB Heathcliff”) is correct. Somehow, the shoddy translation got another thing right about Heathcliff: Heathcliff can cross the mirror… as in: travel through Mirror Worlds. Or at least Erlking Heathcliff can do that sort of thing. In the boss fight against the Erlking, the stage background glitches out and different Mirror Worlds are seen in these alternative stage backgrounds, including… the hallway of a high school, a field where a medieval battle would have taken place, and onboard of a boat. Clearly, neither of these places are the rooftop of Wuthering Heights, so something’s definitely going on. If Erlking Heathcliff has awakened the same abilities as Iori and can somehow go dimension hopping, then that would provide a good explanation for why battle stage switching in the middle of a fight is done in the canto boss fight of canto 6. Speaking of which, Iori also has the ability to switch battle stages in the middle of a fight. It’s called “Dimension Walker”, and it's one of her passives in Library of Ruina when her HP gets low enough.
“Heathcliff looks nothing like Iori”
"Heathcliff should be taller if he were to be Iori's son."
This is because Heathcliff was not originally made with being Iori’s son in mind (notice the regular pupils in some of Heathcliff's sprites? Yep). Demian, however, was originally designed with being Iori’s son in mind. But retcons and story rewrites occurred.
(We know retcons occurred due to Heathcliff not originally having slit pupils at service launch, story rewrites being cited as a reason for why Canto 6 was delayed, and Project Moon’s otherwise immaculate track record when it comes to properly foreshadowing story beats. If Project Moon, the franchise known for explaining every single little nook and cranny there could possibly be, fusses up and has to retcon something as important as a main character’s eye pupil shape (especially considering that eye pupil shape is also used to foreshadow Don Quixote being a bloodfiend), there absolutely has to be a good reason for Project Moon making a retcon. And since Project Moon straight-up told us, the reason for why Heathcliff got retconned to have snake eyes when he previously didn't is starkly obvious (story rewrites!!!). You remember all the theories which speculated that Demian is Iori’s son due to shared snake theming between both and Demian being thought to be somewhat similar to the Reverberation Ensemble’s conductor? Well, those theorists are also correct. It’s just that nobody expects retcons to happen when it’s Project Moon, out of all game franchises.)
(As a side note: Demian ALSO LOOKS NOTHING LIKE IORI. Demian clearly didn't inherit Iori’s height… and Demian is also somehow more monochrome (like… Jun and Vergilius levels of monochrome) than Iori…)
“Heathcliff does not have snake eyes”
Originally, no. But retcons happened and now he had those eyes since forever. Even as a child. (See previous point)
(the eyes usually leaning more blue than magenta/purple is another question to investigate for another time.)
“Heathcliff is too young to be Iori’s son”
“Iori’s son died 40 years ago”
“Iori has been looking for her son for 40 years”
See: House of Spiders Mirror World. Simply put, are ages constant across Mirror Worlds? No.
Iori is 52, and her son died 40 years ago. So clearly, something's going on here. But what if her son is in his early to mid 20’s (or maybe even his teens)? Then that means Iori had her son when she was in her early to mid 30’s… which is far more reasonable of an assumption to make than child pregnancy. But then that meant Argalia lied… unless Argalia was talking about a different Iori son of a different Mirror World? Then the Iori we know and her son would have come from a different Mirror World.
Nothing implies Iori has been searching for her son for 40+ years.
“If Heathcliff is Iori’s son, why didn't Iori just meet him yet?”
Iori implies as such herself. Maybe her and her son meeting is one of these paradoxes. If Heathcliff is Iori’s son, then that would be quite the parallel between him and Iori indeed. Two people who are cursed to never meet the one person who they love most ever again, across all Mirror Worlds. Seems like there’s a lot more things that run in the family besides purple snake eyes, special abilities, their damn smugass smile, wearing rings on their pointer finger, being demonic, being envious, and being purple.
“Why didn't Iori just replace her own son with another one of her son from a different Mirror World if she wanted to meet her son so bad?”
The only child that Iori cares about is her child. Not Vergilius’ orphans. Not Araya. Not the schoolchildren of Calw. Not even the orphans raised by the Dieci Association. Not even her students who she trained to be Color Fixers. Not even the son of another Iori of a next-door Mirror World. Her son, and only her son. Her son is the only child that truly matters in the end… at least to Iori.
“Isn't Iori Roland’s ‘Grandma’?”
Roland does not refer to Iori with familial terms (Roland never referred to Iori as 'Grandma' within the entirety of Library of Ruina), but does show some level of familiarity with Iori. Roland is 33 as of Library of Ruina, and Iori is 52 as of Library of Ruina. If Iori happened to be Roland’s “Grandma”, then Iori would have had to be… 19… when she started taking care of Roland. Timeline-wise, this doesn't make sense with Iori’s son presumably being in his early to mid-20’s as of Limbus Company. It could be the case that Iori is Roland’s mentor in a similar style as Iori's relationship between Argalia, Angelica, and Kali, (hence being familiar with Iori) and Roland’s “Grandma” is someone else entirely, explaining why Roland doesn't refer to Iori with familial terms.
“how come Iori hasn't found her son yet, even after searching for multiple decades?”
"wouldn't Heathcliff be stupidly easy for Iori to find if Heathcliff happened to he Iori's son?"
Iori’s keypage says “meet”, not “find”. She already knows where her son is. Actually meeting her son is a different story and is presumably far more tedious of a task to accomplish than locating her son.
“Heathcliff is more like Roland than Argalia.”
“Heathcliff is nothing like Argalia.”
"Heathcliff is totally opposite from Argalia."
Of course, there are some exceptionally valid arguments for why Heathcliff should get the Roland ID, most of which include Catherine. It’s just that we're not discussing who’s going to get which “Color Fixer” Identity here. We're debunking most of every common hole that people point out for the “Heathcliff is Iori’s son” theory. And unfortunately for Rolandcliff agenda pushers, this hole is surprisingly easy to debunk.
Heathcliff as Argalia and Linton as Roland. Catherine remains as Angelica. Did Argalia and Angelica grow up together? Yes. Is Argalia’s… attachment… to Angelica absolutely unhealthy and very weird, perhaps dipping well into incest territory? Yes. Did Heathcliff and Catherine grow up together? Yes. Is Heathcliff’s obsession with Catherine absolutely unhealthy at times and the relationship between the two is perhaps dipping into incest territory at times? Heathcliff is clearly adopted by the Earnshaws, but still, even in real life, adopted and completely genetically unrelated siblings feel uncomfortable about the idea of sexual relations between each other. Usually.
Is Roland an outsider to whatever’s going on with Argalia and Angelica? Yes. Is Linton also an outsider to whatever’s going on with Heathcliff and Catherine? Also yes. Does Roland wear black? For fuck’s sake, that’s what Roland’s known for. Does Linton also wear black? Eyup.
Are both Erlking Heathcliff and Argalia described as insane or crazy? Yes. If you think not, go back and play through Canto 6… because I suppose Roland’s nickname of choice for the Blue Sicko is well-known enough. Do Heathcliff and Argalia each both lead their own overwhelmingly powerful band of borderline-nonhuman beings? Yes. Do Heathcliff and Argalia both distort? Yes. Did both Heathcliff and Argalia place their sense of life’s meaning onto the one person they cherish most, then officially go insane upon hearing of the news of the death of the one person they cherish most? Yes. Do they mess with the corpse of the one person they cherish most? Indeed.
(It should also be known that Roland and Linton both have their own issues regarding their total downbadness to their wife. It's just that they're comparatively more sane compared to the alternative… the brother of their wife. What probably throws people off the most is the fact that, unlike the Roland-Angelica-Argalia trio where Angelica likes Roland more than Argalia, Catherine likes Heathcliff more than Linton.)
(Is it really any wonder that, if Heathcliff is Iori’s son, that Iori says that Argalia reminds her of her son, especially if Iori already knows of her son’s whereabouts? This is how we know that Iori had already “found” her son.)
Am I trying to say that Heathcliff should get the Blue Reverberation ID? No. This is not a place for discussing Identity predictions. I am merely pointing out similarities between Heathcliff and Argalia that I thought most of the fan community had somehow collectively decided to willingly gloss over in favor of Rolandcliff. That is all.
“If Heathcliff is Iori’s son, why didn't Heathcliff didn't get the Si Heishou ID to better hint at his connection between Iori and him?"
(context for why people think iori and heathcliff are somehow related to the si heishou. as you can see: same eye glint color. same slit pupils.)
Because Heathcliff is already a Si Heishou... sort of.
Lemme explain.
Remember that Ricardo and Rufo have slit pupils as well. Both can be assumed to just... naturally have those eyes (Rufo is counted as someone who naturally has slit pupils because RufoDion does not have slit pupils like Rufo). And Iori has the same purple snake eyes as Heathcliff as well. So Jeb on Moonframe laid the framework for my realization that... humans and outskirts monsters can mate and have viable offspring. (I will also credit Journey to the West for this revelation). In fact, humans mating and having children with nonhumans without technological assistance is a fairly common trope in fiction, science and the process behind speciation be damned (surely, there must have been some sort of physical barrier blocking gametes between humans and nonhumans, but apparently NOT). And you should remember that Project Moon is a fantasy world that LARPs as sci-fi. Singularities register as magic to our muggle brains. Arbiter attacks can be watered down to mage spells. Lobotomy Corporation gear happens to be modern-day Relics. Abnormalities are bizarre. People can turn into Singularities just by wishing upon stars. Sufficiently advanced technology is indistinguishable from magic. In fantasy worldbuilding, the author doesn't have to explain shit. Things happen, just because they happen, no need for an in-depth explanation of the physics behind why something works or doesn't work. So for Ricardo, Iori, Heathcliff, and Rufo, someone down the line did a Thomas Hogg and that's how come there are random people in the City who have slit pupils like the monsters of the outskirts. It so happens that these people are literally descended from the monsters of the outskirts.
(it does make me curious as to how many people decided to try asking Ricardo on whether or not he's a bloodfiend or not. But then I figured that the askers in question probably would get written up in the book and annihilated for even daring to compare any sibling of the middle to a lowly bloodfiend, especially if said assumption is incorrect.)
Heathcliff is a snake. Ricardo is a rooster. and if Journey to the West is adapted into the PMverse, Sun Wukong would be a monster from the outskirts and Zhu Baijie (Pigsy) would also be from the outskirts.
So that makes Iori a literal snake. Or someone descended from snakes. Maybe actual Jörmungandrs or Leviathans exist in the Outskirts. Only time will tell if this deduction is accurate or not...
Even if Heathcliff turned out to be NOT Iori's son but still related to Iori (such as... being Iori's grandson or nephew), people would still be complaining about Heathcliff not getting the Si Heishou ID.
So I daresay, let go and move on. Project Moon is the sole arbiter for determining which Sinner gets which ID, not the fanbase. Whatever reasoning the company has for picking and choosing which ID goes to who is arbitrary, but not meaningless.
if there are any more holes that i have missed, feel free to reply or reblog with the hole in question, and i will try my best to debunk said hole.
(all in good fun, also will involve questioning of evidence for arguments to see if defensible)
So, a counter to the idea of Project Moon's track record for these things being quite "immaculate":
Ryoshuu did not bring up in T corp or during the first Pigrita the effect on time despite having an affinity for sensing the passage of time by blood.
Don Quixote's original sprite had "Miguel" on her coat.
The timeline inconsistency with Iori's son and age (We'll get to that later)
The timeline inconsistency of Kali's Red Mist Title (stated that the title was given because of the Red Mist effect that Mimicry EGO gear gives in Ruina artbook. Stated/ heavily implied that she was a Colour before meeting the C-Crew)
I find there to be more evidence to believe the idea that his eyes are important to his heritage but not related to Iori specifically.
Heathcliff's heritage, or rather his skin colour and the surrounding discrimination, is a major part of Wuthering Heights. Like you mentioned later in the post, there is a chance that he has some extent of Snake's blood in his body (Bets are on the World Serpent as Iori *IS* Leviathan, being the demon of Envy) or some related beast-man blood and such is why he carries the abilities.
This is too conjecture but an alternative hypothesis:
Heathcliff being of beast-man descent (related to or not related to Iori, but her presence does go against the idea) and carries these powers. This alongside his eyes, his skin colour and class all combine into the idea that he is outcasted for who he was born as. If his mother is a ostensibly normal woman with weird powers I feel that this does not work as well (also because Iori is super fair skinned as well).
^Thats just something to consdier alternative explanations.
Also yes there is very much the risk of Project Moon ending up falling into the 'Mystical [Romani]' trope by giving him these latent powers but regardless of these two options it's because of his heritage so :/
This is correct outright however. Lesson to be learned is that 99% of the time the fanbase has terrible decisions for who should get what ID. I saw Callisto Meursault/Callisto Faust/Pinky Meursault/Valencina Hong Lu before and that's just this season. That being said I wish that Heathcliff did get the dog heishou SPECIFICALLY! Because the ID already plays into the concept of them being nothing more than tools, not people, just tools for the Lords to wield.
Or Bunny because anonymity could play well into similar themes.
I think the assumption that any and all slit eyes are related to this ruins heritage is... questionable from a standpoint of implications when 2/3 of the Limbus characters with this trait have notably darker skin, and the fact that those two in specific (Rufo and Heath) are tied both to very "bestial" themes is a questionable decision to make when combined with the fact that they would be literally "half" human?
I can't really articulate to that great an extent but I'm sure you understand what I mean by "questionable". Especially when Project Moon has replaced racism quite thoroughly with ableism through prosthetics (Smoke war 2 mirrors ww2 and N corp is a very clear party in that; The Stranger covers topics of racism (because the author was) and characters don't see the Algerians as... humans? And Meursault is from N corp which again is the stand in with Prosthetics)
Also snake blood is better than lycanthrope (wolf's blood) that I saw some people saying a long time back.
Also Chickens have round pupils. So do Lions so this doesn't help my theory either of his future EGO but yeah something to note.
continuing the idea of his latent powers:
This can be explained by the presence of the Golden Boughs, the mirror technology within the Manor itself, and the fact that the manor is situated on top of a river which is the implied reason that Every Catherine was able to reach through to ours.
The Necromancy is still weird but we can assume it's the River Styx and call that a day (River Styx is immediately before//leading into the Ring of Heresy which is Heathcliff canto).
Iori's dimension walker was her being able to jump out of battle into a different floor of the library, while this was to some extent her 'testing' the Library it's still not quite the same at least in my reckoning compared to the intense differences of each mirror world.
"nothing implies that Iori has been searching for her son for 40+ years"
Argalia does directly state that her son has been dead for 40 years (makes 42 by time in Limbus).
As far as the game has told us, our continuity is the same from that of Library of Ruina, meaning that this world's Heathcliff, this world's Iori (as there is no clear answer whether to Iori is able to dimension hop through mirror worlds or just through our single one) and our Iori's actions; These actions of our Iori would include: Telling Argalia that her son died 40 years ago.
Due to the fact that it has at least 2 accounts of breaking the timeline, I would say that it is somewhat fair to consider the Ruina artbook to be canon until contradicted (which we can assume to be retcons as a result of building the world as they go).
With this, would it not be more reasonable to assume that the age of 52 is contradicted outright, and the 40 years statement is more accurate?
I find the evidence lacking that we should discredit both of the outright stated timeframes to make an assumption of her son's age.
b. What if Argalia is talking about a different Mirror World:
Like stated above, there isn't concrete evidence that she can hop mirror worlds, the extent of her abilities that which we know are spacetime jumping, with the potential of paradoxes (which is it's own can of worms unless we assume that everything she's ever done is because it was meant to happen... Oh wait that's already how I'm 99% sure the City works).
Regardless, even if it were her son from another Mirror World, that would imply such that Heathcliff from this mirror world regardless is not her son. Or at least is not the son of the Iori that we know about if we assume that she is from a different mirror world (despite all her known actions taking place in this continuity).
Moreover, she trained Argalia and Angelica as children, which I'm taking from the age range of around 5-20 years old, which places her travelling and her escapades to be at least 20 years prior to that happening, unless she has the ability to outright refuse linear time (to some extent we can say this to be the case, however the ability to contradict one's actions are to be brought up as in discussion of paradoxes)
Regardless, the mere fact of Iori having done things which are all in the range of 40+ years ago which she outright states to be part of this goal is fair evidence she has been searching for that length of time.
(Kali died at 30 which happened before the Smoke War (undefined length) and Lob Corp (10 Years) which is again at least 20-30 years)
(Argalia/Angelica as well, being 39 years old giving a 20-30~ ish range)
"meet" is indeed the phrasing. However.
"it almost seems to be within my reach, but it always ends up being a mirage" is the line that follows the use of "meet" (not to mention the fact that the word "lost" is used as well)
The line above shows that she does not know where to go exactly or how to get there in either manner.
As for why she can't just meet him:
Just good practise but try not answer questions with a "maybe" unless you're providing alternative hypotheses with more/other support.
Furthermore, only that one sentence is answering the question in somewhat of an unsatisfactory manner?
Her and her son meeting being a paradox doesn't make sense with the information we've been handed in so far.
Iori can hop from space/time but her examples of paradox in the key page is that of retroactively changing something.
E.g Grandfather paradoxing herself, where she goes back to stop her son from dying and in doing so prevents her from reaching the point at which she goes back to prevent it.
Bootstrap paradox: The reason of her time hopping being BECAUSE of her time hopping in a causal loop. (Iori creates a paradox in this Iori's life by time hopping, Iori must then begin time hopping in an attempt to prevent this, causality ensues)
etc.
I can travel through time and space and see a myriad of possibilities, too many for you to possibly fathom. It’s probably a little bit different from time travel as you commonly imagine it. The future self who experienced a certain past returns to it in order to change the future… Whatever is going on in the past, some kind of paradox is bound to happen to causality. Big or small. Little things can set off massive twists, like the flap of a butterfly’s wings causing a tornado… And even I’m afraid of bearing that risk. It could turn into a cycle of meaningless struggles.
Tl;dr this section lacks supporting arguments to the point raised.
(also its implied that Iori to some extent experiences linear time in her own sense. Regardless if she were to travel to before her current point in time it would "delete" the timeline she is presently in for the sake of another one, due to the aforementioned Bootstrap paradox, if we assume that she is a fixed point in the timeline and cannot be retroactively effected by this one in particular)
I do agree with the fact that they are very similar, I just disagree on their exact relation. They both are indeed Purple!
Slight bit of false equivocation between the other children and other Heathcliffs but I'll let it slide.
I already spake my points about how Iori's dimensional hopping is not identical to Mirror worlds insofar as we know, and the fact that Iori's potentials are those born of every persons individual decisions and actions while Mirror Worlds have key and major differences or contradictions//are just straight out impossible (E.g Bloodfiend MW, Jia Ishmael) to have stemmed from any common point.
Being said, I don't think that they're completely divorced from one another just not one in the same.
Now. Iori's son.
If Iori was a present being in each potential timeline or "possibility", fundamentally she would have a period in which she is unable to travel to or from, being her entire lifespan, as this prevents to some extent paradoxes that would arise from her being able to exist in two places of one timeline at the same time, as well as the fact that her dimensional jumping should by all accounts be causing paradoxes time travel is fucked yall. We know this not to be the case considering that she is presently active and... alive to our best knowledge, which leads to the possibility that she is able to travel as a fixed point that moves anywhere stemming from the current timeline.
This also fits with her having snake's eyes, and Heathcliff while we're at it. Vertical slits are good for regulating vision, especially the amount of light that enters the eye at once, allowing for the animal to not be blinded.
For all three of these characters, they are hunting something, their "perfect" world (and/or vengeance), the slit pupils might justly be related to their awareness of potentials, they have the regulation and depth perception to see and lock in on their end goal, their perfection.
This could likewise link to other single track minded characters such as: Rufo and Ricardo, and the demeanor of the Snake Heishou (who each have something they desire, and also anorexia), they're all locked to a single idea or thought that they want to see out to the end, damning everything inbetween.
Like the postulating about Iori being his future mentor or potentially grandmother, this is mostly just a concept for consideration/alternative explanation. Not stating any of this as fact because I have a bad track record for predictions that I get confident on.
Time travel truly is fucked the more you think about it. I'm fairly certain I have Iori's mechanism down (ignore previous statement about confidence) but like that still has some problems with other concepts, and potentiality in terms of the Will of the City and The Flow, we know that certain events and ideas are "meant" to happen and if Iori changes them not to happen then the City's nature itself would be fighting against her? Another potential for paradox accumulation? I don't know.
Also Iori seems to be able to see people's future destinations (all of them, to at least a certain extent), or at least is implied with her actions of helping specific people like Roland and Argalia whose pain mirrors her own.
Ok that's it before I start getting back into time travel bullshit
All units selected are important for one reason or another.
HoS Ryoshuu allows you to activate the RR death buff which will grant +3/2/1 of the respective skill affinities of an ally, meaning that she uses her defence skill both rounds.
Herr Gregor is here because of his assist defence, you may substitute him for Mao Faust however because I have been running Slash/Wrath for sections 2 and 4, being able to use assist defence twice across the turns is more valuable.
Additionally, if you like gambling, you can consider taking Frau Faust (Dawn Office) as a unit in slot 8/9, as they have assist attacks on each other's skill 3's which could grant +1 Glut and +1 (or +2 if you used Lifetime Stew) Sloth for Gregor's s3 and Faust's respectively.
The Thumb Duo is here because Rodion orders an assist attack from Heathcliff, which is a total of +2 Lust across the turns; Rodion also is able to activate her power evade which is +1 Gloom and +1 Lust respectively (she is able to activate precog round 2 against the mass attack but cannot use the follow up. Also this relies on her not being dead so you need to put Heathcliff at a higher slot or have slot 8/9 be another HoS ID)
Sinclair is Lifestime Stew User BEST EGO IN THE GAME. FUCK YOU PERSONALLY ESGOO!
Sinclair is also CHICKEN HEISHOU USER. BEST ID IN THE GAME FUCK YOU PERSONALLY [ME]! (This allows him to retreat and double the resources from Lord Hong Lou's skill slot + allow for slot 9 to come in next round)
Lord of Hongyuan Hong Lu is pretty self explanatory. Every ID that enters the field from backup gives +1 resource and his Keenclaw/Skill3's allow him to get more resource per resource.
Slot 7 is HoS ID. If you are running Middle team in section 2, consider placing Outis in slot(s) 8/9 so she can clash in the following round.
Slot 8 is Jia Ishmael because she gains more resources than other units when entering field (a whole 2)
Slot 9 is a unit you want to be your sub-in unit. Consider their skill 1(or skill 3 if Heishou) affinity and whether or not Ryoshuu can slime them more extra resources.
Theoretically not the maximum but pretty good for two turns (like you could get the butterfly to slime a level 1 ID but I don't have those very much and want the non HoS Sinners to be alive for station 0)
Also as a note. This is RNG heavy if you want to retain 2 turns of station 1 because if course it is.
And also sometimes Sinclair activates Keenclaw against himself and doesn't end up using his skill 1 which is just kind of funny.
With Superbia you can get more EGO resources but also part of what you're multiplying with Lifetime Stew gets lost (Sinclair doesn't hit himself but does retreat same turn and Outis is dead)
Currently considering if we take a Heishou as a backup unit in slot 8/9 you could theoretically get more resources with Keenclaw turn 2 (Or better yet with Lord s3)
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I have Opinions:tm: about the way the audience reacts to Faust. I could be projecting though, so I'll save it for the next two years or so till her canto to see if it's correct. And if it is, no one will be spared.
Anyone noticed that it's only the audience that ever projects Sexiness onto her? That the only display of power (something you COULD characterize as sexy) is ever on intellectual matters, which she happens to be insecure about as we learned recently?
This isn't the game doing it in general, mind you. Rodya is very much The Baddie of the team. Ryoushuu had her own sex appeal also in relation to power. Outis is like 90% some kind of Badass Sexy in her IDs. Don Quixote has her own thing going on with her energy (and the contrast with Sancho, which, again, Power).
Don't get me wrong, Faust has her attractiveness, but it's always in the realm of "dork with a pretty face" (and like what character DOESN'T have a pretty face in the main cast?) which is very similar to Yi Sang, except he's very outwardly melancholic. She just happens to be busty? And Rodya is right there anyway.
If I hadn't seen this a lot I'd say it's just how things go with all fictional (and non-fictional tbh) women, but I know it's because she's -not- outwardly sexy. It is precisely because she's reserved.
Now, is there anything "wrong" with this? not necessarily. People calling it "fanservice" when she's fully clothed with several layers just because she has tits isn't just someone being horny, but projecting horny intent on a regular picture. I think there's a distinction between "reserved women turn me on because it's my thing" and the assumption that everything she does is sexual or "hiding something". The picture is "good looking" as in appealing to beauty standards, but it's not a pinup.
This is why I say maybe I'm projecting. PM absolutely makes their characters attractive on purpose, and they lean into -what- makes them attractive (See: Thumb Capo Meursault, basically every Rodya, Contempt, Awe Ryoushuu) and you'll notice that with Faust it is never about her body (in that sense), or how she interacts with other people, or whatever. The most obviously suggestive moment she has is with Ring Apprentice uptie story, like, it's incredibly horny, and it's precisely about the way She Behaves and not how she looks.
Am I saying "don't be horny about her"? No. I am saying the misogyny is palpable, enough that people are: 1) reducing her to "quiet girl with HUUUUGE tits" 2) getting horny about traits she doesn't have (because that's how the quiet girl fantasy goes) 3) ignoring the ones she DOES have that are there PRESENTED THAT WAY (how many times does she need to dig through guts (one time her own) for you to Get It), and this whole thing is so potent that The Baddie does not get that treatment, because she IS intentionally sexy, right? can't let empowerment be sexy, that'd mean too much agency* for a woman..
*You did notice that, right? That the ones that are in control of their attractive traits (all of them) don't get the same treatment? that the one whose whole thing is Not being in control, and is reserved, gets instead sexualized in terms that aren't her own? did you notice that? that she becomes the focus? of turning her into a fantasy rather than fantasizing about what she is?
I have Opinions:tm: about the way the audience reacts to Faust. I could be projecting though, so I'll save it for the next two years or so till her canto to see if it's correct. And if it is, no one will be spared.
Anyone noticed that it's only the audience that ever projects Sexiness onto her? That the only display of power (something you COULD characterize as sexy) is ever on intellectual matters, which she happens to be insecure about as we learned recently?
This isn't the game doing it in general, mind you. Rodya is very much The Baddie of the team. Ryoushuu had her own sex appeal also in relation to power. Outis is like 90% some kind of Badass Sexy in her IDs. Don Quixote has her own thing going on with her energy (and the contrast with Sancho, which, again, Power).
Don't get me wrong, Faust has her attractiveness, but it's always in the realm of "dork with a pretty face" (and like what character DOESN'T have a pretty face in the main cast?) which is very similar to Yi Sang, except he's very outwardly melancholic. She just happens to be busty? And Rodya is right there anyway.
If I hadn't seen this a lot I'd say it's just how things go with all fictional (and non-fictional tbh) women, but I know it's because she's -not- outwardly sexy. It is precisely because she's reserved.
Now, is there anything "wrong" with this? not necessarily. People calling it "fanservice" when she's fully clothed with several layers just because she has tits isn't just someone being horny, but projecting horny intent on a regular picture. I think there's a distinction between "reserved women turn me on because it's my thing" and the assumption that everything she does is sexual or "hiding something". The picture is "good looking" as in appealing to beauty standards, but it's not a pinup.
This is why I say maybe I'm projecting. PM absolutely makes their characters attractive on purpose, and they lean into -what- makes them attractive (See: Thumb Capo Meursault, basically every Rodya, Contempt, Awe Ryoushuu) and you'll notice that with Faust it is never about her body (in that sense), or how she interacts with other people, or whatever. The most obviously suggestive moment she has is with Ring Apprentice uptie story, like, it's incredibly horny, and it's precisely about the way She Behaves and not how she looks.
Am I saying "don't be horny about her"? No. I am saying the misogyny is palpable, enough that people are: 1) reducing her to "quiet girl with HUUUUGE tits" 2) getting horny about traits she doesn't have (because that's how the quiet girl fantasy goes) 3) ignoring the ones she DOES have that are there PRESENTED THAT WAY (how many times does she need to dig through guts (one time her own) for you to Get It), and this whole thing is so potent that The Baddie does not get that treatment, because she IS intentionally sexy, right? can't let empowerment be sexy, that'd mean too much agency* for a woman..
*You did notice that, right? That the ones that are in control of their attractive traits (all of them) don't get the same treatment? that the one whose whole thing is Not being in control, and is reserved, gets instead sexualized in terms that aren't her own? did you notice that? that she becomes the focus? of turning her into a fantasy rather than fantasizing about what she is?
I have Opinions:tm: about the way the audience reacts to Faust. I could be projecting though, so I'll save it for the next two years or so till her canto to see if it's correct. And if it is, no one will be spared.
Anyone noticed that it's only the audience that ever projects Sexiness onto her? That the only display of power (something you COULD characterize as sexy) is ever on intellectual matters, which she happens to be insecure about as we learned recently?
This isn't the game doing it in general, mind you. Rodya is very much The Baddie of the team. Ryoushuu had her own sex appeal also in relation to power. Outis is like 90% some kind of Badass Sexy in her IDs. Don Quixote has her own thing going on with her energy (and the contrast with Sancho, which, again, Power).
Don't get me wrong, Faust has her attractiveness, but it's always in the realm of "dork with a pretty face" (and like what character DOESN'T have a pretty face in the main cast?) which is very similar to Yi Sang, except he's very outwardly melancholic. She just happens to be busty? And Rodya is right there anyway.
If I hadn't seen this a lot I'd say it's just how things go with all fictional (and non-fictional tbh) women, but I know it's because she's -not- outwardly sexy. It is precisely because she's reserved.
Now, is there anything "wrong" with this? not necessarily. People calling it "fanservice" when she's fully clothed with several layers just because she has tits isn't just someone being horny, but projecting horny intent on a regular picture. I think there's a distinction between "reserved women turn me on because it's my thing" and the assumption that everything she does is sexual or "hiding something". The picture is "good looking" as in appealing to beauty standards, but it's not a pinup.
This is why I say maybe I'm projecting. PM absolutely makes their characters attractive on purpose, and they lean into -what- makes them attractive (See: Thumb Capo Meursault, basically every Rodya, Contempt, Awe Ryoushuu) and you'll notice that with Faust it is never about her body (in that sense), or how she interacts with other people, or whatever. The most obviously suggestive moment she has is with Ring Apprentice uptie story, like, it's incredibly horny, and it's precisely about the way She Behaves and not how she looks.
Am I saying "don't be horny about her"? No. I am saying the misogyny is palpable, enough that people are: 1) reducing her to "quiet girl with HUUUUGE tits" 2) getting horny about traits she doesn't have (because that's how the quiet girl fantasy goes) 3) ignoring the ones she DOES have that are there PRESENTED THAT WAY (how many times does she need to dig through guts (one time her own) for you to Get It), and this whole thing is so potent that The Baddie does not get that treatment, because she IS intentionally sexy, right? can't let empowerment be sexy, that'd mean too much agency* for a woman..
*You did notice that, right? That the ones that are in control of their attractive traits (all of them) don't get the same treatment? that the one whose whole thing is Not being in control, and is reserved, gets instead sexualized in terms that aren't her own? did you notice that? that she becomes the focus? of turning her into a fantasy rather than fantasizing about what she is?
I have Opinions:tm: about the way the audience reacts to Faust. I could be projecting though, so I'll save it for the next two years or so till her canto to see if it's correct. And if it is, no one will be spared.
Anyone noticed that it's only the audience that ever projects Sexiness onto her? That the only display of power (something you COULD characterize as sexy) is ever on intellectual matters, which she happens to be insecure about as we learned recently?
This isn't the game doing it in general, mind you. Rodya is very much The Baddie of the team. Ryoushuu had her own sex appeal also in relation to power. Outis is like 90% some kind of Badass Sexy in her IDs. Don Quixote has her own thing going on with her energy (and the contrast with Sancho, which, again, Power).
Don't get me wrong, Faust has her attractiveness, but it's always in the realm of "dork with a pretty face" (and like what character DOESN'T have a pretty face in the main cast?) which is very similar to Yi Sang, except he's very outwardly melancholic. She just happens to be busty? And Rodya is right there anyway.
If I hadn't seen this a lot I'd say it's just how things go with all fictional (and non-fictional tbh) women, but I know it's because she's -not- outwardly sexy. It is precisely because she's reserved.
Now, is there anything "wrong" with this? not necessarily. People calling it "fanservice" when she's fully clothed with several layers just because she has tits isn't just someone being horny, but projecting horny intent on a regular picture. I think there's a distinction between "reserved women turn me on because it's my thing" and the assumption that everything she does is sexual or "hiding something". The picture is "good looking" as in appealing to beauty standards, but it's not a pinup.
This is why I say maybe I'm projecting. PM absolutely makes their characters attractive on purpose, and they lean into -what- makes them attractive (See: Thumb Capo Meursault, basically every Rodya, Contempt, Awe Ryoushuu) and you'll notice that with Faust it is never about her body (in that sense), or how she interacts with other people, or whatever. The most obviously suggestive moment she has is with Ring Apprentice uptie story, like, it's incredibly horny, and it's precisely about the way She Behaves and not how she looks.
Am I saying "don't be horny about her"? No. I am saying the misogyny is palpable, enough that people are: 1) reducing her to "quiet girl with HUUUUGE tits" 2) getting horny about traits she doesn't have (because that's how the quiet girl fantasy goes) 3) ignoring the ones she DOES have that are there PRESENTED THAT WAY (how many times does she need to dig through guts (one time her own) for you to Get It), and this whole thing is so potent that The Baddie does not get that treatment, because she IS intentionally sexy, right? can't let empowerment be sexy, that'd mean too much agency* for a woman..
*You did notice that, right? That the ones that are in control of their attractive traits (all of them) don't get the same treatment? that the one whose whole thing is Not being in control, and is reserved, gets instead sexualized in terms that aren't her own? did you notice that? that she becomes the focus? of turning her into a fantasy rather than fantasizing about what she is?
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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- i’m socially exhausted
- i don’t have the time right now
- i don’t know how to reply
- i have a bad memory and got distracted
- i’m having a depressive episode and don’t have the energy to socialise
not reasons i haven’t replied back:
- i’m ignoring you just because
- i hate you
- i’m fed up with you
- i don’t want to be your friend anymore
Dawn Office Faust is the most perfect Faust ID to grace the Gesellschaft that we've seen. Never using first person pronouns, only Faust. Reiterating the goal of knowing all of the City. Recording everything for the Fausts up until her death. Probably doesn't mean great things for our Faust's mental state that we're getting an ID like this right now
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
!!!!! I'm genuinely so honoured even if its just a link and mention like I love people who do the same in this community like!!!!!
That's even my version of the quote (so are all of the Clockwork Orange quotes). I don't even know this just makes me so happy to know that there are people who read and engage with my works just !!!!
(second image is screenshot from my own essay-post for reference)
I may be biased from the fact that I was mentioned in the video but genuinely it is fathoms better than most other such as they are called "Analysis" videos.
Notably the fact that even if you're not able to go deeper than mapping the lyrics onto the story of a character, it's still one step removed and better than just reciting the events of the story as they happened with some unfunny jokes in between.
(at least I have the courtesy to put the unfunny jokes in between actual analysis)