Heya, name is Carmen/Literally which makes it very hard to talk about myself, and my other name is Camellia for less confusion.
They/It/She
Feel free to send me any messages or asks, including hatemail because I think it's funny and I am good at annoying people.
Fan of media literacy, literary analysis, Project Moon, Signalis, and various other games, posts will largely be pertaining to the first three listed.
analyses found here and https://archiveofourown.org/users/Illiterallys_literacy
Before anyone accuses me of being a "Tourist" or "Larper" to Project Moon just know that I outrank you by seniority as someone who has been following the company (and analysing the game(s)) for around 8 years.
Rien apologists will be shot on sight.
Stubborn and indignant people will be shot on sight
(most) Project Moon Youtubers will be most likely shot on sight.
Bigots will be shot on sight. (I WILL be vocal about Transmisogyny. I WILL be vocal about Transadrophobia. I WILL be vocal about Ableism)
No hard feelings if you block me or visa versa, its what I get for being inflammatory all the goddamn time.
If you just want analysis without any rant or vent posts, block the tag #Cries of a literature
I run a (largely Project Moon focused) analysis and discussion server feel free to ask for invite as well.
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- i’m socially exhausted
- i don’t have the time right now
- i don’t know how to reply
- i have a bad memory and got distracted
- i’m having a depressive episode and don’t have the energy to socialise
not reasons i haven’t replied back:
- i’m ignoring you just because
- i hate you
- i’m fed up with you
- i don’t want to be your friend anymore
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Dawn Office Faust is the most perfect Faust ID to grace the Gesellschaft that we've seen. Never using first person pronouns, only Faust. Reiterating the goal of knowing all of the City. Recording everything for the Fausts up until her death. Probably doesn't mean great things for our Faust's mental state that we're getting an ID like this right now
!!!!! I'm genuinely so honoured even if its just a link and mention like I love people who do the same in this community like!!!!!
That's even my version of the quote (so are all of the Clockwork Orange quotes). I don't even know this just makes me so happy to know that there are people who read and engage with my works just !!!!
(second image is screenshot from my own essay-post for reference)
I may be biased from the fact that I was mentioned in the video but genuinely it is fathoms better than most other such as they are called "Analysis" videos.
Notably the fact that even if you're not able to go deeper than mapping the lyrics onto the story of a character, it's still one step removed and better than just reciting the events of the story as they happened with some unfunny jokes in between.
(at least I have the courtesy to put the unfunny jokes in between actual analysis)
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Thoughts on the sinner nursefathers somehow being worse than the og ones?
Uh they aren't from what we've seen.
This is almost entirely directed at (at the time because this ask was sent in May, my bad) Callisto Hong Lu following the HoS Ryoshuu uptie story, notably the line(s):
The excruciating agony that comes from being treated as mere "material."
With each carve that sheds the spalls from me, with each brushstroke that paints the drawing paper over with the horrid scenery of hell,
my throat tears itself hoarse, and the beating of my heart grows so rapid it feels ready to split my chest open.
A dramatization meant to stage the cruelest magnificence.
The pain is unbearable. It convinces me that I will die from it, but the Nursefather knows the limits of my body all too well.
The material that I am is trimmed and shaped until I am gasping for my last breath, screaming at the top of my lungs in impossible pain—just not close enough to black out.
(Blade of the House of Spiders Ryoshuu Identity Uptie Story Line(s): 38; 51-54)
Firstly. Callisto did not to our knowledge 'literally' treat Yoshihide as material. Despite this when she is born he does refer to her as such:
This alone is almost enough for me to end this here in my eyes but we can continue:
Callisto forces Yoshihide to bear witness to a vivisection at (age less than first grade, because we know she was relatively desensitised to it at that age from the intervallo 1)
We also know that Araya was forced to get prosthetics (eye implants, presumably more than that but not outright stated):
Even unwanted gifts can be of assistance.
Like these prosthetic eyes that were forced upon me… red, just like mom's.
(Araya Announcer)
We can also assume that Ryoshuu herself got her eye prosthetics... with dubious consent considering she couldn't say no if she wanted to.
Moreover,
These two lines are right besides each other in "Hatching" (Before battle). The direct contrast between his appreciation of Yoshihide's learning to appreciate and look beyond the immediate emotions of the suffering to the greater artistic merit AND the contrast between his saying that people who do not do such have think weak bones.
The implication being made her is, of course, that Yoshihide has/had stronger bones AND he is aware of that.
Uh for the sake of my anti-Rodion propaganda yes Thumb Nursefather is worse in Mirror World
/genuine did you like The Whipping Girl? I found it came across as faux-intelectual and the analysis was pretty shallow. Couldn’t really get into it
To some extent I think its forgivable for these kinds of texts that are considered foundational to concepts to be fairly skin deep because they lay the scoring lines for later concepts to properly dig into the meat in their footsteps.
With contexts that lack empirical methods to "prove" the theory like sociology or other forms of feminist theory it is rather important to lay the groundwork, even if it results in the foundation not being as deep as it could be. This is to say that I can appreciate Whipping Girl as for what it is, as foundational text that helped to give credence to later ideas, but I don't think that it's the end all be all that everybody MUST read, especially if one is unfamiliar with feminist theory to begin with, and/or the context that surrounds the book in modern day with its shortcomings and flaws.
I think spouting the idea that any one text is the gospel of truth in something that is as variable and inconsistent as tackling the breadth of human experience, especially a text which is focused on the experience of a specific demographic, is a bad idea and fundamentally flawed; being the case I do think that the existence of the book and the ideas that it broke the soil and skin for are important and those who wish to better understand the transfeminine experience (and who have a grasp on concepts in feminist theory) should still read it.
Even being not the deepest it was impactful for a reason and cause, and even if most of it seems baseline to a reader it is important to be able to understand and digest other people's experiences on the matter of existence and existing.
...out of /10
To summarise my stance on the matter. People simply SHOULD be reading more about these topics. Both the texts that hold foundational and/or skin deep to their own beliefs, such that you can reassess your perspective or learn more about your underlying belief should it be the first proper inspection, and the texts that explore new or outright contradictory ideas because challenging and being able to reason with these opposed ideas is how one grows.
The nature of clinging onto a single idea as fundamentally and inherently correct and inerrant to all is not to be smarter than everyone else, it is dogma, and it is dangerous.
If you cannot answer a question that counteracts your belief with argument more cutting than "Because that's the way that it is/should be", not the fault of the question does that make, and nor the fault lays with you by its nature.
That is an opportunity for growth and learning.
Perhaps it's more easy come to those whose roots are had in scientific fields but it is important to be able to challenge yourself, to not 'accept' an idea, to fail to 'reject' it without fallacy.
The fault lays only with one's self if they are to fall trap to this dogma and cannot place oneself in the prosecution's stand for lack of understanding the shortcomings, and respective defences, of one's belief or idea.
("Summarise my stance" and its the same length as the out of /10 bit god I speak too much)
(I know I said I wouldn't make more posts about the related topic but this is divorced enough and something that I find interesting enough and important enough to discuss)
Follow up to demian×dante: isn't demian's mom named beatrice?
Max (Demian's) mother is Frau Eva, so no, different biblical allusion for that character.
It is to be stated however that one could certainly see Carmen as a parallel to Eve (namely because she... is one) which acts as another link.
Anyways no, you might be confusing the fact that Beatrice (from chapter 4 "Beatrice") foreshadows the existence of Frau Eva (From chapter 7 "Eva") with the following chapter "The Bird Struggles Out of The Egg" seeing Emil more mature and aware of his "Self" and place in the world, alongside his yearning and lust for the image which he named "Beatrice" having passed, with the apparition of a new "dream form" appearing later in the chapter
(Note that the portrait of Max Demian/Beatrice is also said to be a reflection of Emil's own inner self. Following this realisation is when his love for Beatrice was tempered)
QUOTES AS CITATION BELOW CUT BE WARNED
(pg. 91-92. Ch 4)
It was precisely at that time that I began having a great many dreams again as I had done during my childhood. I felt as if I had not dreamed before for years.
Now a new kind of picture appeared before me; time after time the painted portrait arose, living, eloquent, friendly or hostile, sometimes distorted, sometimes beautiful, harmonious and noble.
Then one morning when I awoke from one of these dreams, I suddenly recognised it. It looked so fantastically familiar and seemed to call out my name. It appeared to know me as a mother, as if its eyes had been fixed on me all my life.
Why had it only just dawned on me I It was Demian's face. Later I often compared the face on the paper with Demian's features as l remembered them. They were certainly, though similar, not the same. But beyond all doubt, it was Demian.
(pg 93. Ch: 4)
"Fate and temperament are the
names of a concept."
Now I understood.
I frequently met the girl I called Beatrice but these
encounters did not move me any more; I was merely
aware of an uninterrupted harmony and a sympathetic
longing which said: you are bound up with me, not you
yourself but your image; you are part of my fate.
(pg. 105. Ch: 5)
Love had ceased to be the dark animal
urge I had first experienced with misgiving nor was it
the piously spiritualised cult I had brought to the image
of Beatrice. It was both and a good deal more besides;
it was the image of angels and the Devil, man and
woman, human being and beast, highest good and the
worst evil. It seemed that I was ordained to live in this
fashion, that this was my fate. My craving for it was not
untinged with fear but there was no escape; it hovered
over me continually.
(pg. 107. Ch: 5)
I often saw the dream apparition before me,
miraculously clear, clearer than my own hand, spoke
with it, wept before it, cursed it. I called it mother and
knelt before it in tears; I called it devil and whore,
vampire and murderer. It enticed me into the gentlest
dreams of love and barren shamelessness; nothing was
too good and precious, nothing too wicked or vile.
[In Emil's Dream]
I had been long accustomed to loneliness; it did not oppress me for
I was living with Demian, with the sparrow-hawk, with
the image of the great dream-form which was both my
fate and my beloved. And it provided for all the needs
of my life since everything was directed towards greatness
and space-it all pointed towards Abraxas.
(pg 145. Ch: 7)
[I was shown a] photograph of Demian's mother. I could hardly remember her but now that I had the small photograph before me my heart stood still.
It was the picture of my dreams. There she was, the tall, almost masculine figure, looking like her son, but with maternal traits, traits of severity and deep passion, beautiful and alluring beautiful and unapproachable, daimon* and mother, fate and lover. There
was no mistaking her!
The discovery that my dream image existed on this earth affected me like some fantastic miracle I So there was a woman who looked like that, who bore the features of my destiny!
Where was she?
Where?
And she was Demian's mother!
*Daimon: (Greek) Lesser deity or spirit; (Gnostic) Referring to the aspects of which make up and guide the human soul; Guardian Angel
(Yes the term demon is derived from Daimon but blame the Christians not me if you're confused)
While we're here, I think that (largely because people haven't fucking read it and parrot what others say about the book) too many people place emphasis on the "Haha Sinclair wants to be with Demian's mother" and not how trans Emil is in the book.
*Sees androgynous being that is maternal and paternal, that is loving and hating*
"Yeah that's me, that's my inner soul, the image of myself I see when I dream that lulls me to sleep. That's so me."
Like yes, twinkish boy with assertion issues who has a central motif of an egg and the transition between two states of being. That much is carried over to Limbus as we have it and is fairly skin deep. But like. It gets so much more trans/NB in the book.
Also while we're on the topic of reading the book and appreciating it, I want to talk about how often the selfsame idea of duality and balance sneaks into the descriptions of Emil and that which surrounds him.
Almost everything in the book that relates to his inner life or state of being is described as "[Thing] and [opposite]", "[good thing] and [bad thing]".
Its not subtle exactly but it is easy to overlook just how it appears so often.
Also if It wasn't clear I call the book incarnations by their first names to be less confusing if I just say "Sinclair".
Ok I just realised that I never actually posted this anywhere but: Demian X Dante is much more possible to end out canon than most people think and its really fucking funny.
So, to clarify background information, in Dante's Divine Comedy, there is a character named Beatrice.
You may know her as the guide who replaces Virgil in Paradiso however it should be noted that she is the one who sent Virgil to Dante in the Dark Forest to begin with.
I was among those souls who are suspended;
a lady [Beatrice] called to me, so blessed, so lovely
that I implored to serve at her command.
Her eyes surpassed the splendour of the star’s;
and she began to speak to me—so gently
and softly—with angelic voice. She said:
‘O spirit of the courteous Mantuan, [referring to Virgil]
whose fame is still a presence in the world
and shall endure as long as the world lasts,
my friend [Dante], who has not been the friend of fortune,
is hindered in his path along that lonely
hillside; he has been turned aside by terror.
(Inferno 2:52-63)
Beatrice's name was taken from a woman whom Dante would meet only twice in his life, holding his love for her throughout and placing her as a central character in his poems.
In the Divine Comedy, Beatrice is representative of holy love and purity, which is well agreed upon to be derived from Dante's love of the real Beatrice. As such, a popular idea is that whomever should the role of Beatrice take in an adaptation such as Limbus Company to be the love interest of "Dante".
Now, one could certainly understand Carmen to be reflective of Beatrice in Project Moon, with her existence in the Light (When we consider the Gnostic roots of Project Moon the Light reflects heaven itself and all of creation), as well as the earlier phrasing (Inferno 2:56-57)
"she began to speak to me—so gently
and softly—with angelic voice."
With the most noted trait of Carmen's being her voice, described as "Angelic", "Like Sunlight", "Beautiful" etc.
Now as someone named Carmen (coincidental) who is not that much of a clockfucker, I'm not sure exactly how I feel about leaving it at Carmen x Dante. There's also the fact that we don't know if the Flow and the Light are connected, and there is too the fact that, while Veggie has heard Carmen's voice, he didn't exactly "serve at her command".
So. Max Demian.
For those of you which have read Demian, you may know where this is going, however:
"Demian: The story of Emil Sinclair's youth" page 75, Chapter 4:
(pg. 76)
My boyish charm had vanished, [twink death in prep school wow]
I even felt that it was impossible for anyone to love me
and I was out of love with myself [mood]. I often felt a great
longing for Demian; but no less often I hated. him,
holding him responsible for the impoverishment of
my life which I was dragging round with me like a foul
disease.
(pg. 87)
On that spring day in ,the park, then, I met a young
woman. She was tall and slender, smartly dressed and
had a boyish face. She attracted me immediately. She
belonged to the type I liked and she began to fill my
imagination. [He's so bisexual. Twinks and tomboys]
[...]
I called her Beatrice. for I knew about her, without having read Dante, from the reproduction of an English painting I had kept
(pg.s 89-90)
"Finally I began on my portrait of Beatrice.
I spoilt a number of sheets of paper and threw them away. The more I endeavoured to capture the features of the girl whom I occasionally encountered in the street, the less successful I was.
Finally I gave up the attempt and contented myself with painting a face from my imagination and ideas that arose spontaneously as I dipped my brush in the paint."
(pgs. 91-92)
All at once the right eye seemed to twitch, faintly but unmistakably and I was able to recognize the portrait [Of which he painted, of Beatrice]
Why had it only just dawned on me I It was Demian's face. Later I often compared the face on the paper with Demian's features as l remembered them. They were certainly, though similar, not the same. But beyond all doubt, it was Demian.
Which is to say, Demian mirrors Beatrice in a very literal sense with them being likened to one in the same in following pages, and Emil's infatuation with Beatrice (and her name as such) are direct references to Dante's life and the Divine Comedy respectively.
If we assume that Project Moon is centring Demian and Sinclair as two of the most important characters within Limbus Company, we can too assume that this parallel may be present in the later acts of the story when Veggie is gone.
You know the biggest problem I have with the term Transmisandry isn't because of misandry not being a systemic force (which doesn't matter in this case, bigotry is not inherently systemic and arguing this case means one must argue that fundamentally misandry cannot exist or be a belief held by people) but rather it's that it reflects the same problem as Transmisogyny as a term.
Transmisogyny is, at least in the manner that it is used, the unique intersection of transphobia and misogyny as experienced by transgender women.
The problem is, transgender men too suffer a unique intersection of transphobia and misogyny, because misogyny and the patriarchy does not have a blanket nor net positive effect for all men.
Please return to the more foundational side of feminist theory and re learn the fact that feminism is not only for the benefit of women. Please understand that intersectionality as a framework model is applicable to more than the one kind of social oppression AND privilege, and that being in a privileged class does not prevent one from using said model.
The tool is descriptive, not prescriptive.
Trans men suffer from misogyny, but the way that people use the word transmisogyny prevents them from falling under its definition.
Yes, historically speaking transgender women are seen as more violent and dangerous or perverse persons than transgender men, but that does not mean that they did not suffer in their own unique way; Transgender men are, have been for the longest time, seen as confused and unwell women, people who are being mislead and who are naive to what they actual want. Do you know historically what happens to women seen as unstable or self-destructive? They were lobotomised and institutionalised. For decades.
Transmisogyny should be for all intents and purposes, a word that applies to both groups. Medically, both in history and in practice, both groups are seen as unwell, unstable and self destructive or confused. Socially, transgender people of either side suffer from misogyny and heteronormativity.
I would think that people like myself, who grew up in the social environment of being "boys" or at least seen as them would realise the fact that being a man, or being perceived as one, does not exempt you by any means from suffering under misogyny.
And misogyny is something to be unlearned no matter who you are, even if you are a woman, if you're a man or anything else, you are not absolved by way of your existence.
Any definition which excludes or disregards the breadth of human experience is a bad definition; any definition which insists that reality must accommodate it, rather than the definition serving to reflect reality is a bad definition; any system, any definition, which acts to separate humanity into two strict and delineated categories, one which refuses the possibility of overlap or nuance, is a harmful, terrible definition.
Before I end: Not a counterargument but let me clarify myself and my stance:
Transmisogyny is terrible in all forms and is something that every person should be aware of their perpetuation of and their effect on.
I am a trans woman who has a background in psychology and sociology
Yes I have read Whipping Girl.
The existence of people who claim that there is no unique discrimination against transmasculine people are not only willfully ignorant of its existence but are too self fulfilling the existence of transmasculine people being silenced and targeted
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I think I remember someone talk about how "the strongest" isn't feasible in live service games like arknights, and a lot of the points apply to limbus too I think. Is the strongest: the ID the solves the most content with the least amount of effort? Or the ID that excels at trivialising the more difficult content? Maybe it's the ID that can just blow a hole through whatever is before it. Maybe the analogy makes a lot more sense in arknights rather than limbus, but some points do apply. Feel free to ignore my ramblings if you want.
again and I do largely speaking agree with this that its extremely multivariate to what one could consider the strongest, my general philosophy is the character that involves the least investment for the best results (averaged across the different categories) like… uh.
I haven’t played AK in bordering on three years now uh… Degenbrecher for example(?) or Chalter.
Crowd Control, AoE, extremely high damage, extremely high single target damage.
Reliable skill rotation (Degen being the only of her type to have auto recharge), etc.
I will say it works more FOR arknights because of how the games are respectively structured, Limbus gameplay and challenges being almost entirely speed focused while CC in Arknights is less so and more about stacked debuffs/challenges with more room for stalling as viable, but the sentiment carries over yes.
I’ve said before I don’t think numerical tier lists are very helpful neither are any things which try to discern the “best” single ID in the game.
My intent with the poll was (a) to see community opinion for the strongest ID in the list of those I would consider to all be on the same “Tier” for one reason or another.
Like I do think that HoS Ryoshuu, being the main second place, as well as almost all of the others on the poll have an argument to be made as “top tier ID(s)” especially when the term is nebulous to begin with.
I am seeing in post that the poll in question was somewhat leading, and probably I will private it because to some extent I think I’m betraying my own stance of “objective” lists being flawed so.