welcome to my profile! i mainly use this account to cross-post my works from ao3, though i'm also frequently on here to reblog and rave about my faves. â
currently for: tloz, jjk, spiderverse, atla, bg3, nct/wayv
ic: the_ba97 via twt
â feel free to send me an ask if you'd like to request a drabble / one-shot && peep below the benchmark for an archive of my posted works !
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artist in denial of being depressed: omg this 2 month long art block has been crazy... sorry i haven't updated any of my fics in a long while! it's just been super difficult to daydream! so weird that i've lost a little bit of passion for my current comfort character and ocs... this couldn't possibly have any implications or alternative explanations
bella was lucky she didnât have a cell phone of any kind because you know ya boi edward would be blowing up that phone 24-7 going âsaw a snail todayâŚ. effervescentâ or some shit equivalent
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Huge analysis about Princess Bubblegumâs morality
I think about this so much, and I need to finally get all my thoughts out.Â
So itâs absolutely no secret that PB isnât a good person to anyone whoâs watched even a few episodes of the show. But how far does that go??Â
I do think itâs incredibly interesting that Adventure Time dives into the reality of, if immortals do exist -especially in a post apocalyptic setting like Ooo- that it would be extremely hard for them to be good. Just pure lawful good. Another thing i find interesting is that lawful good doesnât quite exist in Adventure Time? Even Finn canât fit in that category which is a conversation for another post.Â
I adore the conflict between Phoebe and Bonnie, because it really does show the differences between the two characters. Phoebe is the flame king, whoâs symbol is to be evil. The flame kingdom is evil. But sheâs not. The candy kingdom is the direct opposite, being sweet and bubbly on the outside, but on the insideâŚ
In The Cooler, Bonnie directly admits to this. âIâm PB. I spy on everybody. No big D.â She knows sheâs not the perfect princess on a high pedestal that she put herself on. She is a deeply, deeply, fucked up person.
My good friend pointed something out to me a few months back when we were watching her title episode. Even as a child, sheâs very⌠wellâŚ
The use of the word âpliableâ stuck out to us because⌠yeah⌠what?Â
I donât think Bonnie is evil. I donât even think sheâs a bad person. Adventure Time is very good at depicting evil and showing that evil. The Lich, for example, is the living embodiment of evil. In The Comet, the Catalyst Comet says it embodies all that is good and evil, showing The Lich on screen for that segment, but nothing for the âgoodâ segment which Iâve always found notable.Â
This image used for Gumballâs ambitions is also something I donât think should be brushed under the rug. I know Gumball and Bonnie are very different characters since F&C is opposite not just genderswapped, but I still think itâs of note.Â
We see PB grow a lot over the course of the show, but we also see the people around her change their perception of her. Finn is a major example. In the first few seasons, he sees her as this untouchable goddess, but you can see his opinion of her change, especially in seasons 9 and 10. And keep in mind, that it was NOT Finn who stopped PB from going to war. It was Shoko.Â
We also see that Marceline has to really keep her in check at times; reminding her to have like⌠basic empathyÂ
We know that she isnât proud of her past, and yet continues to make the same mistakes she made hundreds of years earlier. I love her, sheâs probably my favorite character. Not just in Adventure Time, but across like⌠all media. Sheâs so interesting and well written and there is SO much to dissect.
 Thereâs a lot to say about a character who grew up in a nuclear wasteland, literally creating life because she was so lonely. Do morals really have a place in a world so broken and lost to time that humanity does not exist in the same way it did before fallout? Humans exist, sure, but are they human? At the core, are they human?Â
PB is an excellent example of a character who starts off with a very soft and enthusiastic nature, who is naturally affectionate and has some solid core values (her love of her brother Neddy and the Mothergum are what keep her in the light), but she gets hardened by her environment and experiences into someone completely different.Â
Thereâs a scene where an explosion happens, and PB INSTANTLY thinks theyâre being raided, and it turns out she puts cyanide gum in emergency places! Because in her head itâs better for the candy people or even herself to die rather than be taken by the raiders! She is very paranoid and probably has PTSD from the past, and this increases fivefold after the Lich nearly kills her. Â
Whatâs sad is that PBâs paranoid, controlling nature is often validated by what we see happen. Disasters are happening all the time, itâs all too big to keep everything safe, she canât even keep herself safe!Â
However when PB learns to relax is when she starts being able to lean on others for help. Sheâs already doing this over the show by recruiting Finn so that he can do the protecting, I donât know how long the Candy Kingdom has had heroes but itâs probably been since a little while after the âObsidianâ breakup, and then she learns that ehh, sometimes you have to let your dumb little candy people make their own mistakes. Which comes across as cold but, like, how else are people supposed to learn?Â
Then at the VERY END we learnt she made them this way ON PURPOSE because when she was a child she tried to make people more like herself, and it backfired horribly. They werenât doing what they were âsupposedâ to do, they resented her for wanting to be a certain way (she was a kid with a brain too big for her boots who didnât have the maturity to understand this), and then they tried to kill her - PBâs first sting of betrayal. I think this shaped her considerably, she found solace in an environment that she could control after so much chaos, and even though she tried to hold onto her softer nature and desire for family, it eventually got grinded out of her.Â
PB is a good person who lived in a bad world, and it changed her. When she can start being a good person again is when she accepts this, and even then she still has steps backward such as the Finale, but we see in the very end PB has relinquished control completely and handed the reigns to somebody else. Her paranoid nature is justified in the end, in the âfuture apocalypseâ, but thereâs nothing that couldâve been done to prevent it, and at least in the meantime she and everyone else can be happier. Sheâll be back when they need her.Â
trying to explain the lore of the zelda games is like eating an entire jar of nutella. like sure itâs great until half way through when you start feeling sick and you just feel really bad for any unfortunate spectators
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in a year or two (i'll take care of you) | gojo satoru/reader
âDo you have a favorite flower?â
You ask him this moments before the two of you begin your journey home, dragging along your worn out suitcases and the individual white plastic bags filled with dirty laundry. You ask him this and youâd come to realize later on in your life that itâs a question he found himself thinking of whenever he hears your name.
He places his head against yours gently. âI do.â He whispers, âsweet peas, if you know them.â
You hum. âWhat do they mean?â
Geto Suguru and his jet black irises gleam under the light of the vernal sun, his hair dancing along to the music of the leaves from before. Through the corner of your eyes, you caught a glimpse of the way he smiled at you so softly that dayâitâs one youâll grow to never forget, regardless of how many years pass you by.
âIâm a bit unsure, but,â he tells you, his index finger tapping the tip of your nose. âItâs âthank you for the time we spent.ââ
or,
Snippets of your grief after Geto Suguru's betrayal, spread throughout the course of thirteen years; alongside the only person who could understand even just a crumb of your pain.
â
pairing | gojo satoru/reader
note | this is a preview of the current 'fic i'm working on. not sure when i'll be posting it, but the projected word count for this piece is around 17,000 words, subject to change. enjoy! :]
â
The day after that, Shoko went on to pretend as if nothing happened. She continued her routine. Medical check-ins, training, mission updates. The day after that, from Satoru, you heard that she blew through an entire pack of cigarettes in under six hours. You think this must be her way of repenting. Irrational penance for something she knew she wasnât accountable for.
In the present, Satoru hops up to sit on the metal bar posing as the only hurdle between you and the running stream. His hands are in his pockets now, your bag discarded safely next to the railing. Carefully, just as he averts his stare elsewhere in the distance, he brings out an old and tapered pack of cigarettes.
You watch him intently.
âStop staring at my hands.â He grumbles underneath his breath, loud enough for you to get rightfully annoyed by. âI donât want to hear whatever you have to say.â
Your heart drops to your stomach after that. You say nothing in response.
Satoru tugs out his lighter from his other pocket cautiously, as though he was testing out your reaction first, and when he realizes that no protest would be sprinting towards his direction, he takes a stick from the box and he brings it close to his lips. You watch everything through the corner of your eyes.
The lighter clicks, and then you wince. Smoke flows out through his mouth in seconds, three coughs following suit. He tests it out repeatedly, a few more times, more and more times; waits for his body to get used to the smoke.
Halfway through his first stick, he coughs violently after a long puff. You wince again. âIâll leave if you donât put that out.â You mutter, displeased, waving away the cloud of gray enveloping your surrounding area. He doesnât budge.
Deep breath. You know better than to try and tell him what to do. I know better than this. There was no rational conversation to be had when it came to Satoru. They were only ever frustrating and indignant and brutal and upsetting. âItâs bad enough that Shokoâs smoking more and more each day.â You try to bite your tongue, but the metallic taste of your own blood only makes you want to keep speaking, âwhy are you doing this to yourself, now, too?â
Ash falls from the burning end of the cigarette. He hangs the stick loosely between his index and middle finger, turning around to rest his elbows against the silver railing. Satoru does not offer you anything but an unconcerned shrug.
More and more ash falls atop the grass beneath your soles. When he coughs for the last time, you push yourself off the barricade and turn to the direction of the subway station.
âThis isnât mine.â
You pause. Satoru exhales deeply behind you.
âShoko and I cleaned out Suguruâs old room three days ago,â he tells you, quietly, overdosing on the wave of uncomfortable air. âWe were supposed to clean it with you, but your mission was extended and Yaga said we canât keep putting it off.â
At this, you clench your fists. You take it upon yourself to look back at Satoru, who was now standing straightâoverlooking the flowing river, watching the currents pass by and turn orange. You dissolve into a puddle of many, many regrets. You circle in on the lingering emptiness that has been tormenting you for weeks, and the conclusion strikes you like lightning again, almost as though you were realizing it for the first time: We had all lost something so terribly important when Suguru left. It all happened so quickly, you think to yourself. Suguru left quickly, too. Just three weeks ago. The wound was recent and fresh and the higher-ups didnât even give you enough time to let it scab first before ordering you to search through Suguruâs things. It leaves a bitter taste in your mouth.
This isnât mine.
Thatâs what Satoru said. So it must be Suguruâs. It couldnât be Shokoâs; she never liked to share. You and Satoru never smoked as often as they did. No, incorrect, the two of you never smoked at all. You walk closer back to the railing, laying your left hand on top of the bar.
âDid you find anything?â You ask him. âAnything worth keeping?â
You see him struggle with looking for an answer for your question. Satoru was never subtle with what he was feeling. âI took some of his clothes,â he starts, âI kept a bunch of his shoes, too. Weâre the same size. Shoko took his lighters and books.â
Thereâs a lump in your throat filled with words you know youâre not allowed to speak into existence. You want to tell him, though. Put it back in his room. I canât handle seeing someone other than Suguru wear his clothes. You argue with yourself, inwardly. You asked him the question, yes, but truthfully you were hoping heâd answer no. No, I didnât find anything. Itâs equally as devastating, but at least that way youâd carry no reminder of his leaving.
(But is that what you really want? To forget? To erase all traces of Geto Suguru from your brain?)
Itâs a horrible thought to have. Itâs a horrible thought to have. Satoru and Shoko were more than welcome to grieve the way they wanted to grieve, and the lord knows you werenât significant enough to the universe to ever be given the right to police them.
A single cough. He disrupts your thoughts, loudly stomping over them, almost as if he knew what was running through your head. You know he does. âI donât know why I decided to keep them.â Satoru directs his stare down to the ground, his hair nestled in front of his eyebrows. âTheyâre in boxes on top of my closet. If you want some of them, just let me know.â
Your mind goes numb. You donât know how to respond to that. Satoruâs saying all the right things right now and youâre unsure of how to handle his being rationalâitâs not like he hasnât been this way in the past, itâs just that usually Suguru was the one who was often rational enough for the both of them. Your mind goes numb. You hear nothing but an incessant ringing. Ultimately, you understand what Suguruâs abandonment entails; you know that his leaving necessitates numerous adjustments and relearning of previous lifestyles. If Yaga were here, heâd say something along the lines of Good. If it took him leaving to get Gojo to straighten up, then good. You could honestly hear his voice saying that. But you know he never would. Heâs high strung, but heâs not heartless. Youâre projecting something.
Youâre projecting something because everything feels either wrong or excessive. Satoru is being rational and quiet and Shoko is avoidant and even more jaded than before. You donât know what youâre supposed to be; and yet Satoru stares at you, finally, for the first time in a while, with wide blue eyes and chapped and parted lips, staring so expectantly almost as though heâs tethered to your reactions. The sheer weight of his eyes alone is too heavy for you to carry.
âI donât.â You say, finally. After several agonizing minutes of only trickling silence. âKeep them, itâs fine. I wouldnât have a place for them in my room, anyway.â
In the blink of an eye, the weight dissipates when his pupils slant themselves back towards the gushing river. The tension is thick, and so is his nearly tangible disappointment, but you convince yourself itâs out of your control. Gojo Satoru is a god among mortals and if his sorrow cleaves the world in half, the burden of stitching it all back together shouldnât fall on one as miniscule as you.
âAlright.â
He throws the worn out pack of cigarettes to the steep downhill curb near the river, and then he turns around to walk to the direction of the subway station. His footsteps echo loudly in your head. It disrupts the incessant ringing from before.
An exhale escapes your throat. None of the air youâre trying to keep inside is staying inside. You lean against the barricade. We had all lost something so terribly important when Suguru left.
When the silhouette of the young godâs retreating form no longer appears in your peripheral vision, you descend down to the river and you pick up the pack of cigarettes before the wind blows it towards the water. The sun sets in the horizon, and you feel an ache inside your chest, a thrumming in your head; the ghost of a migraine looms over you, and yet you think it couldnât possibly feel any worse than this.
OH MY GODDDDD USER SEIWAS THAT BLOCK OF TAGS ... THAS CRAZY ... anyways hi everyone sorry for being ia bahusjs uni is literally running me thru the mud rn but HEY. i turned 20 y/o like a week ago and i am Pumped to still b up and kicking and WRITING !!! hopefully i can get around to posting the complete version of this piece within the year !! :]]]
Being a young adult is so strange. You enter a coffee shop. The 20 year old girl waiting behind you cried all night because she just came to a new city for university and she feels so alone. That 27 year old guy over there works a job he is overqualified for, he lives with his parents and wants to move out but doesn't know what to do about it. That one 24 year old dude already has a car, a house, and a job waiting for him once he graduates thanks to his dad's connections. The 26 year old barista couldn't complete his higher education because he has to work and take care of his family. The 28 year old girl sitting next to you has no friends to go out with so she is texting her mother. That couple (both 25 years old) are married and the girl is pregnant. The 29 year old writing something on her laptop has realized that she chose the wrong major so she is trying to start all over. We are not alone in this, but we are actually so alone. Do you feel me
"They don't teach us about that in school how am I supposed to know" well you seem to know a lot about Bakugou but they don't teach you about him in school. Do they
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