Good day!
Do you like toxic relationships set in the Victorian era? That's amazing! You should like, totes invest in Letters to a Dying Flame... hahaha...

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@letters2adyingflame
Good day!
Do you like toxic relationships set in the Victorian era? That's amazing! You should like, totes invest in Letters to a Dying Flame... hahaha...

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DRAMATIS PERSONAE.
BASIL HORVAT, starving artist
LIZZIE HORVAT, short for Elizabeta, paternal cousin of Basil
BLYTHE SCHULZ, friend of Lizzie
MALCOLM KENSINGTON, friend of Basil
FERNANDO MONTORO, friend of Malcolm
CELESTE NICHOLS, actress with a strained relationship with Basil
CZESŁAW BALINSKI, architect and friend of Basil
LADY EDEN, widowed mother of Eislyn
EISLYN EDEN, opera singer
PERCIVAL EDEN, casino manager, brother of Eislyn, and friend of Holden
LORD PITTSBURY, guardian and paternal uncle of Holden
HOLDEN PITTSBURY, eligible bachelor and nephew to Pittsbury
Extras, Etc. > (note to Bram: fill in later when story develops a little more)
— I do think that you should keep your pride contained, Horvat.
different flag backgrounds + more info under the cut! :D
I TOLD YOU BIG THINGS WERE COMING
big things coming. very big things
WEATHERMAN Tag Game
"What kind of weather would your favorite oc/character be? Be as specific or broad as you'd like!"
Ty for the tag @inhurtandincomfort :DD this one is so fun omg. Here is the original thread
Espa: A cloudy afternoon, the kind where there's plenty of wind around. It is not dark per se, but the blue of the sky is all replaced by a soft gray. There is a bit of a chill in the air, the slight promise of rain that never comes. If you take a very deep breath you'll feel the smell of humid earth.
Gisele: A hot summer night with a clear, starry sky and barely a blissful load of wind to cut the heat. It's probably very late. The cicadas are singing in the corners and the moon is bright. It's not as dark as it could be.
Ciça: The final hours of the day, that sweet spot between sunset and night. The sun is warm and lovely and it covers everything in an orange layer of light, a shade that's nearly gold. Even if it was cold earlier in the day, the rays coming from above are more than enough to ward it all away and bathe everything in a cozy glow.
Ann: That odd time way past midnight, when "late" starts to become "early" because you've stayed up for too long and you can't tell where your day ended and another is starting. It's way too dark to be light but too bright for the darkness, and the sky is carried with heavy clouds that don't make the prospect of the morning arriving very exciting. The air is stuffy and hot. Even though the moon is long gone, the sun hasn't risen yet.
tagging @aromanticsky @oros-ash3s @warmfuzz-ies @yonbwekh + free tag! no pressure also you don't need to do it if you don't feel like it <3
Carrion: Carrion is the kind of clouds you get shortly before rain, that kind of brooding thin grey layer that has light and dark spots. the wind picks up sometimes but is mostly tranquil. Elizabeth: Elizabeth is a sunny day covered in small cumulus clouds, none joined together but enough to provide shade to the ground at most points. on the horizon however, rain brews. --- My old ocs from HFW because i think they deserve to be here Olivier: Olivier is a sunset painted with thin grey stratiformis clouds and streaks of cirrus, with mild heat but only enough to be pleasantly warm, and not too hot. Cougar: Cougar is sort of one of those wierd days where the weather can't decide what it wants to be like, switching frantically between sun and rain. the temperature and wind stay at a constant high though. Harvey: Harvey is winter rains that you sit inside in the cold, huddled up in a blanket looking out at. When you go out afterwards the ground is soft with water from the rain, and the wind is still high. There are probably other OCs from HFW that im forgetting but oh well
my tags: @stars-hide-our-fires @abrickofanticipation (I think you have OCs? im unsure), @pearl-in-vinegar
thank you for the tag!!!!!!!!
Quinn would be dawn; the rise of the new day; the birth of the star; the symbol of hope after darkness -
Emery would be the sky at night; the pitch blackness; the uniform pricks of light in a great unknown -
Alys would be dusk; the death of the light; the pink of the sky in its final moments; the beauty in finality; the promise of rebirth -
Maxime would be our sky when Betelgeuse explodes; blinding; all consuming; beautiful, only when not in close proximity.
(not technically weather, but cut me some slack they're set in space)
my tags: @letters2adyingflame and um um any of my mutuals who have ocs :D
KAY!!! finally doing this after what 3 hours? something? okey okey. yay. thank yuo for this tag pearly poo. i will give you extra smoochies later😘
LETTERS TO A DYING FLAME AS WEATHER!!! LET'S GO winky face
Basil Horvat - Overcast sky with light drizzles. Not strong enough to be a storm, but melancholy enough for God to cry softly out of pity.
Holden Pittsbury - A bright red sunset with no yellow, orange, or any sort of warmth whatsoever. Merely the day fading away, nothing more, nothing less.
Eislyn Eden - The sun hiding cheekily behind the clouds, as if it's too shy to shine its warmth on the population. Allows the shadows to dawn upon the earth when shade is needed.
Percival Eden - Again, a sunset, but pink and purple. This sunset, though abnormal-looking, has faint traces of warmth, and isn't as cold or demeaning as the sunset two names ago.
Czesław Balinski - Gentle Christmas season snow that kids can play around in and catch on their tongues. Magical, soft, and sure to let you slip, but never to fall.
Lizzie Horvat - The post-sunset glory of the night when the stars begin to step out and come together to form the galaxies that bless our yearning eyes. An aurora can be seen faintly in the sky, grounded but barely there.
ok this was really fun. hopefully this helps my beloved readers (? content enjoyers? media consumers?) understand the letters to a dying flame cast a little better!
tags: @dreaddimension, idk who else has ocs so open tags!

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This paper has been worn through ages. It was found pressed in an old portfolio. Originally, it was taped to the front of a dorm room at Oxford University.
My Dearest Basil,
I sincerely apologize for my absence. I’d completely forgotten the hour you were to come, and it’s most uncourteous of me. I’d booked an appointment with someone in the meanwhile—luckily, you have the key, so feel free to enter. I’ll be sure to give you a proper welcome when I return.
For your convenience, I’ve set up a myriad of papers and pencils on the desk (the one by the window) if you wish to draw something (for me, perhaps?) as you await my arrival. And if you so desire, there’s a bottle of wine (Chablis, your favorite if I remember correctly) for you to indulge in. Feel free to drink the entirety of it, but I kindly request that you don’t pass out on the floor.
Unfortunately, I’ve not set a bed up for you yet, so you may either (1.) use my bed, or (2.) fling yourself on the divan. As my new roommate, it’s only natural that you feel just as home as I do in this dorm. Though the space may not be much, I’m sure it’ll serve as more than satisfactory for the time being.
Basil, I also must add: please stop trying to apologize for dorming with me. I’ll always be willing to help a friend out, and it’s really not anything to fuss over. As your friend, I wish for you to have the necessary accommodations to feel comfortable, and I am more than happy to assist in giving those to you, and more if you require.
Expect me to come back at circa 21:00. If I come later, Percival’s still talking, God bless him. Again—I am truly sorry I couldn’t be there when you arrived. I’ll see you tonight, and if you’re asleep by the time I come back, I’ll see you tomorrow.
With much love,
All the best,
Holden Pittsbury
My dear Basil,
It’s been a week since I’ve last written a letter to you, and you haven’t responded. . . I know how busy you can be, with all of your commissions, but I can’t help but worry. My intention is not to be pushy. As your friend, it’s my job to care for your well-being. I believe my work is secondary to that.
I won’t reiterate anything I’ve said in my last letter, as I’m sure you’ve read it by now, but I will certainly worry and fret over you all the same. In your last letter, I want to say from around 3 weeks ago, you mentioned how you miss our Oxford days with Holden and the rest of them. But you can’t focus on the past too much, as the past has already happened—what matters now is what you do today.
My Bazyli—I know how you hate to admit it—but you take life much too seriously, and you end up burdening yourself with unnecessary stress in the process. I hate to see you so tense. And I also hate that scotch seems to be the only cure for your troubles.
Your vices are something I won’t condemn you for, as I am just as guilty as you are, but I want you to shift more focus on your health, too. I know you take some sort of medication—I beg of you to be careful with that as well. I can see you more agitated this time around, and it breaks my heart.
Why don’t you come over this week? The least I could do is invite you over to make up for all of the nagging I do at you. We’ll have a nice chat, I’ll brew some tea, and maybe we can catch up. Make sure to actually arrive this time, yeah?
Twój na zawsze, your friend,
Czesław Balinski
dramatis personae 👀
ugly sketches of basil and eislyn. thanks alot @bramalamania
My dearest star-cros
Dear Holden,
To you, the lo
Holden Pittsbury,
I cannot properly express how much I loathe you. Your essence, your demeanor, your countenance. I hate it all. My hate knows no bounds. It crawls from the pits of Dis and up to the tendrils in my brain. I hate you so much that I love you with all of my heart want to retch every time I see you, for the very sight of your face puts such a rancid disgust in my stomach that I want to split myself open.
Whenever I see you, my heart aches I want to cry over you all over again to spit on your face. All I feel for you is pity. True, sheer pity. My pity is as deep as the ocean is. The depths of the pessimism I feel towards you is immeasurable. All I feel for you is pity and loathing, that’s it! It! It! It! That’s absolutely it!
You ruined my life. Being with you at Oxford ruined my life. While you were smoothing your hair in the mirror, I watched you from behind, silently cursing myself for getting involved with an upperclassman. You rich people are all the same—you put a value on priceless things and discard whatever, whenever. Even if I were adorned with the crown jewels themselves, you would look upon me as if I were a vessel of Satan.
I hate how you were in my art. I hate how much of you was in it. I hate how you were with me every step of the way. I hate every word you say to me. I hate how you used to console me and allowed me to lay in your arms like the world wasn’t against me. I hate how you made me feel like Psyche with your love. I hate your sweet words, your sweet kisses, your everything. Everything. Everything! I hate myself because of you.
I hope one day, I can forgive myself for loving you, and maybe vice versa, if you can ever love without shame. Never again will I be a fool for because of you. I will never let you love me ever again.
[This unsigned letter was found in a drawer. It had been crumpled, ripped, and taped back together. Some burn marks can be seen at the edges.]

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basil "innocent" horvat...
(template under cut!)
My dearest sister,
It has been a long while since I’ve written to you. I deeply apologize—I’ve been far too busy managing things in the casino. I know you worry that my love of risk and chance will consume me, but I assure you, dear sister, it shan’t.
How now? The last time we spoke was when you sang that lovely Mozart piece—what was it? Le nozze di Figaro?—about a week ago from now. I recall you mentioning that you were acquainted with a man named “Horvat” (or that’s what you referred to him as, at least) and that he has made a most remarkable impression on you. I would like to hear more of this Horvat from you. It might be that deranged man, I fear.
Enough about that Horvat; Essie, I must also mention that Holden has informed the date of the wedding. I know Holden, even in all of his formality, can get his dates wrong, so correct me if the ides of July is inaccurate. I am glad that the families of Eden and Pittsbury are to be wed—ah! I’ll have you know that it wasn’t just this past year that Holden began to treasure the Eden family jewels.
My dear sister, I’ve never been able to properly orate how happy I am for you. I am glad you’ve decided to settle with a fine man and not some second-rate buffoon. Holden, I assure you, will treat you with utmost dignity. I, of all people, would surely know this… Oh, sister, only if you were to see us at Oxford before that Horvat came into his life. With you in Holden’s care, I trust that no ill will shall come to you.
I am sorry for the brevity of this letter, sister, compared to my usual letters, but that is all time allows me. Work beckons me. My job won’t do itself. I shall write to both you and mother soon once the burden placed on my chest that is the everyday life is no more.
Yours,
Percival Eden
Mister Basil Horvat,
I’ve told you many a time that my heart has been taken by another. Just as you said—Mister Pittsbury and I are bound together in a “contracted and sacramental way”, and you possess no power to smite the will of God Himself.
But alas, you adore me, or at the very least claim to, for all you see is the surface, and not what lies underneath. Basil, you know the blood in my veins is warm with your yearning, but it is Holden that allows that blood to flow.
I used to entertain your silly advances, but now I realize what they meant to you. To you, I am a subject, and you are the painter. You’ve seen me, heard me, and loved me; but most of all, you’ve drawn me. You wish to immortalize me in those wretched nude sketches of yours, in that almost degrading painting portraying me as Venus, in that incomplete sculpture of me in that modest evening gown. If I am to be your “love”, how is it that I feel none?
Call me an angel all you like, Basil, but I would prefer to be wed to a man that spares a shred of dignity for me than to one that makes me his muse. I feel your care, your love, your admiration, but what for? If you love me as you claim to, how? You have the audacity to compare my voice to the gospel, to measure my worth by my appearance, to act as if I am something that exists as an art form.
No—Basil, you do not love me. You merely adore me.
If I have taken you captive: please, escape while my back is turned, for I cannot face you any longer.
Eislyn Eden
My dearest Eislyn,
Though it is ill-advised for me to write to you, I am not a man known for his discipline. In fact, quite the opposite.
Your voice tonight, oh! It’s divine; an angel’s song drifting through my ear, weaving loops in my head. I believe your vocals were made for Mozart. Not just Mozart, as a matter of fact—made for anything. Whenever you speak to me, I listen, like the Lord calling on His saints. Every word you say is like a gospel of its own, and I am merely a disciple, drinking every word like it is gold.
And that is not even mentioning your countenance. Your beauty encapsulates me just as your voice does. The dress you wore as you performed—the red silk one—is so lovely on you. The deep burgundy compliments the ebony hue of your hair perfectly. The way the dress flows whenever you make the slightest of movements leaves me nothing short of stunned. I believe that you, in your ethereal glory, have taken me captive.
Oh, Eislyn, you utterly ruin me, fully, wholly, and absolutely. You asked me what Holden would think of my love for you the other night I came to see you sing—I do not care! You may be bound to him in a contracted and sacramental way, but my admiration for you knows no bounds. I will love who I will, and he cannot stop me from loving you. Damn that Holden Pittsbury. I loathe him so.
Eislyn—I beseech you, please come to my studio tomorrow at six! I must draw you. I promise to treat you to dinner after—I know how tedious it is to sit and pose for me. You know the address, yes? Be sure to take the door on the right, not the left, as Fernando attempted to do. Oh, Eislyn, how I love you. I will be awaiting you.
Your dearest admirer,
B. Horvat