11h
Clifford Odets, July 18, 1906 – August 14, 1963.
Loading...
seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United States
seen from United States
seen from United States
seen from South Africa
seen from Netherlands
seen from United Kingdom
seen from United States
seen from Germany
seen from Netherlands
seen from United States
seen from Netherlands
seen from Netherlands
seen from Malaysia
seen from Singapore
Clifford Odets, July 18, 1906 – August 14, 1963.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Happy 70th, Tony Kushner.
1992 photo by Ken Schles.
Their teacher just wanted them to be positive all the time. I think we missed a big opportunity. (Inspired by a performance at BAM a few months ago.)
View On WordPress
Happy 61st, Tracy Letts.
2014 photo by Graeme Mitchell.
Tom Stoppard, July 3, 1937 – November 29, 2025.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
umm.... hi i write plays too...
I'm working on one inspired by Mexia and abandoned supermarkets where the rotten good inside it has come to life and killing people.
This is a lil guy I created that only appears in one scene as an example of how smart the meat is getting. His name is Pavlov
writing is so dumb because you'll have a central conflict which is the overarching story (emotional) and as you begin to plot and scheme you might realize that this central emotional conflict has to be broken down into all the petty daily grinding moments so your reader/watcher can go on the journey to that moment where they too also feel the pain/joy/sorry/et al. you've concocted for the little blobs in your head put into text on a page and you just sit back and go: well fuck me that's going to take longer than i want it too.
Where should I go with this?
This could be where do I pick up from here, how do I edit this scene, what scene/play should I work on next (trying to get more comfortable with writing out of order)... I could also make a separate chapter on production notes/ideas, but I also want readers to engage with questions of that nature.
I'm also planning to write different versions of this trilogy with my OCs. I have two OCs: Elizabeth and Joy. This version won't have either of them, but I want to create a version with Elizabeth, a version with Joy, and a version with both of them.
https://archiveofourown.org/works/86837261/chapters/229873621