as much as the world fails you, never regret having a good heart.
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as much as the world fails you, never regret having a good heart.

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“How do we forgive our fathers? Maybe in a dream. Do we forgive our fathers for leaving us too often, or forever, when we were little? Maybe for scaring us with unexpected rage, or making us nervous because there never seemed to be any rage there at all? Do we forgive our fathers for marrying, or not marrying, our mothers? Or divorcing, or not divorcing, our mothers? And shall we forgive them for their excesses of warmth or coldness? Shall we forgive them for pushing, or leaning? For shutting doors or speaking through walls? For never speaking, or never being silent? Do we forgive our fathers in our age, or in theirs? Or in their deaths, saying it to them or not saying it. If we forgive our fathers, what is left?”
— Smoke Signals, 1998, directed by Chris Eyre
shades of green in Van Gogh’s paintings
(via)
Ever After: A Cinderella Story (1998)
Marchesa | Fall/Winter 2016

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Rebecca Ferguson as Elizabeth Woodville and Max Irons as Edward IV in “The White Queen” (2013)
— Susan Sontag, As Consciousness Is Harnessed To Flesh: Journals & Notebooks, 1964 – 1980
[text ID: The longing to touch/be touched. I feel gratitude when I touch someone—as well as affection etc. The person has allowed me proof that I have a body—and that there are bodies in the world.]
— Susan Sontag, Death Kit
[text ID: How can I describe my life to you? I think a lot, listen to music. I’m fond of flowers.]

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"I sit with my grief. I mother it. I hold its small, hot hand. I don’t say, shhh. I don’t say, it is okay. I wait until it is done having feelings. Then we stand and we go wash the dishes. We crack open bedroom doors, step over the creaks, and kiss the children. We are sore from this grief, like we’ve returned from a run, like we are training for a marathon. I’m with you all the way, says my grief, whispering, and then we splash our face with water and stretch, one big shadow and one small."
— Callista Buchen, Taking Care
James Baldwin, Giovanni’s Room
Aurora and Cephalus (France 19th Century)
Egwene al’Vere

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I plant roots so deeply in the people I love that I always lose a piece of myself when they go.
Unknown (via perfectquote)