Rest in peace you beautiful human.
RMH
untitled
art blog(derogatory)
EXPECTATIONS

PR's Tumblrdome
almost home

ellievsbear
Cookie Run:Kingdom Official!
Phantogram Three
hello vonnie

Show & Tell
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
NASA
The Bowery Presents
cherry valley forever
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
Game of Thrones Daily
seen from Mexico

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Colombia
seen from Ecuador

seen from United States
seen from Uzbekistan
seen from Venezuela
seen from United States
seen from Ukraine

seen from Canada
seen from United States
seen from United States
seen from Switzerland
seen from Saudi Arabia
seen from Iraq
seen from Mexico
@lamportb
Rest in peace you beautiful human.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I have reached a strange new land in my career as a middle aged lady. It used to be that my experience and qualifications were an asset. I’m now understanding that my age combined with my experience and education are a detriment. People think I am over qualified, over educated and maybe even intimidated by me?? As a result I feel totally trapped in a role I am not at all happy in, nor am I adequately trained for. I am working in a very niche area that often leads to burnout (no one has stayed in my role more than 2 years in the last 10), but because I have done it/am doing it better than the person before me I have to stay. My colleague in this niche area got a job with a different division so now it appears that no matter what I apply for or how clear it is I want to leave I am forced to stay for the sake of continuity. I mean, I have been punished for competence before but this feels very egregious. I can’t quit because I need a job but I’m also getting nowhere applying elsewhere. I know this is not forever, but I can’t stay in this role. I will be on stress leave by October.
Well put. (Source: Writing About Writing Facebook page)
as a lawyer who’s been practicing for six years now I can say with certainty that this 100% applies to lawyers
Me: My writing is so bad. :(
Meanwhile at Disney: Somehow, Palpatine has returned.
You left me! I tried. But I love you too much. I love you too, you brilliant idiot.
JACK DAWKINS & BELLE FOX in Season 2 of The Artful Dodger (2023—)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
First look at The Vampire Lestat (2026)
season 2 thoughts
Finally finished season 2 of Artful Dodger and it’s a mixed bag for me. There were lots of bits I really liked, but my main issue with this season is the whiplash from the shifts in tone/genre throughout the season, particularly at the end.
Season 1 had a lot of different plots going on, but whether the action was in the governor’s house, the hospital, the forest, everything wove together more cohesively. Everything aligned in the last episode in terms of overarching themes (the noose), solving the question of Fagin’s loyalty to Jack, bringing the culmination of Jack’s newfound knowledge and love for Belle to a head. It was serious and high stakes with moments of levity and humour.
Season 2 felt like three different shows happening at the same time. You have the A plot: Jack and Belle trying to be together but being kept apart. This is the heart of the show and the best most consistent part from start to finish - bookended by Belle’s race to Jack in the first and last episodes. That said, without the gravity of Gaines (or Sneed with an assist) the heavy lifting for the villainy had to fall to Lady Jane which made her even more cartoonish than she was in season 1. I understand that they needed some opposition to their relationship, but I wish there had been another obstacle that had nothing to do with Belle’s parents. Perhaps if Boxer had been a legitimate love rival to Jack? Even the whole backstory for Jane doesn’t really cut it to explain her moustache twirling antics.
Plot B: everything to do with Fagin and Fanny and the land selling/salt Peter grift. I enjoyed Fanny as a new member of Fagin’s crew, but I don’t think it would have taken the accidental death of her love interest to get her to join. This is where things got a bit too Benny Hill for me. No one notices that this guy is missing? Belle and Fanny have a heart to heart about love and then Belle barely asks about him or checks in on her sister? It just felt off. Also Fagin being left buried alive seems to be played for laughs and also seems unlikely to be resolved if there is a season 3 without a time skip. In which case, what was the point other than a sensible chuckle?
Plot C: Jack the Ripper in the colony. This is the one I have the biggest gripe with. I get that they needed something for Boxer to do besides look handsome and speak Latin to Belle, but this plot was so dumb and unnecessary. Turning Prof into a murderer based on his character in season 1 is a bridge too far for me. He was primarily comic relief last season, so to turn him into a sober brooding man capable of stabbing Sneed, the man he has worked with and mentored, was just character assassination. Inventing an ailing brother also felt bizarre - like the writers were puzzling out what they could do to make Prof so desperate. I may be misremembering but I swear that there were these dark rainy scenes in Devil’s Elbow one minute and then we see the Duke having tea in the sunshine two seconds later. Leaving Sneed bleeding out from an abdominal wound at the end was… a choice. Again, I’m not sure how this gets resolved in season 3 without a time skip?
Overall I don’t think season 2 had the same harmony and cohesion between the plot points/tone/themes. I still think it’s better than many similar shows out there, but it doesn’t stand up to season 1. Here’s hoping that if we get a third season there is a little less whiplash involved for viewers.
shoutout to Tim
Dude can whip up a device to transfer blood off a confessional booth sketch (that was done way too quickly), pioneered a tool for cauterizing, has a portable arsenic tester, and still gets little to no credit for his genius. I just finished Ice Melts and I love the little chat between him and Jack when he talks about the interior mainland and how he hopes the colonizers never get there. Plus he’s with Red which makes him extra amazing in my eyes. I just love Tim ❤️
Flush
An Artful Dodger (Dodgerfox) ficlet below the cut. Rated M/E
I had this in my Notes back when season 1 finished, so it’s not exactly consistent with new canon. If you like it let me know. :)
thomas brodie-sangster and maia mitchell as jack dawkins and lady belle fox in the artful dodger episode 8

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
call me a tragedy enjoyer but i just LOVE belle being unable to save the girl with an aortic aneurysm. i love how it's the first time we see belle fail in a medical setting and how it's this, of all things, the very surgery that saved her, and she has to live with the knowledge that another surgeon was able to do what she herself could not. i love her panic as she realizes she's made a mistake, how she runs to find sneed, and how sneed speaks to her like she's an equal, doesn't condemn her, doesn't do or say anything to make her more panicked or upset. and i love love love how she falls apart when the girl dies on her table, and she's the only one who does, because she's the only one who's never lost a patient before, but also this isn't just any patient, this could have been her. and if she had been the surgeon assigned to her own surgery, she would be dead. that jack saved her then, but he was nowhere to be found now, and he probably would have saved this girl, but all she got was belle, and belle wasn't good enough.
belle has always known that she is good and she has been underestimated and condescended her entire life and she's taken solace in the fact that the people doing that have always been wrong. but now she looks at her patient, who died on her table, and for the very first time, she wonders whether they were right. whether it was her own arrogance, her desperate ambition, that killed this girl. because she was reckless, unpracticed, and she nicked the aorta, and now the girl is dead, and sneed and jack are right, of course, that sometimes patients die, that you can do everything right and still lose the patient, but belle will always carry this with her, this first loss. this failure to give the second chance she got. she will always feel like this was her fault.
I consistently love the way the writers handle Belle as a character. She’s so much more than feminist girl boss in a period piece™️ The depth with which they write her and the care they take is so impressive. She has flaws and makes mistakes and learns from them. She’s has layers and I’m so happy with the way the show continues to treat her.
I just have to jump on here because these are all excellent points. I love that this event shakes Belle as it relates to her privilege and the values instilled in her as a member of the upper class. Belle’s entire life has reinforced the notion that if you learn everything you need to know, and apply that knowledge with logic and confidence, everything will work out! She performed Red’s c-section virtually solo, revolutionized the hospital with her use of ether and carbolic acid, even problem solved her own surgery (until she could not anymore). She continues to swan her way through Devil’s Elbow to practice medicine on people who have no other options (is this about helping patients or helping herself?), confident that no one would dare harm her there. Wow.
Sometimes you can do all the right things with all the “correct” knowledge and still fail. Add to this the layer of recognizing just how impossible this surgery is and how even an incredibly skilled surgeon like Jack could have failed just as easily - his hands in her chest and her blood everywhere. There are so many layers to this.
Belle is smart, but she is still developing her skills, and her overconfidence (and need to save this doppelgänger woman who she could easily be were it not for the privilege of her birth) is not enough. She finally sees the way doctors defy death, but only temporarily. Her title/smarts/skill are not enough, and this is not a truth that she’s ever had to confront so directly before. I like that she makes her way back to Devil’s Elbow to convey the news to the family, even though she can’t even speak the words.
i’ve been thinking about the artful dodger since i watched it a week ago and can’t stop ruminating on why the romance is so compelling. the first thing i thought of was the carnal imagery, the gore, white sleeves covered in blood and a connection that crosses the boundary of the ribcage. the aesthetic concept: yes, awesome.
but the characters. jack, who has risen above his station and pretends untouchability and performs it near-perfectly, is filled with insecurity. he feels the unfairness of the structures he lives inside and knows he is better than they say he is, but still can’t rise above the jabs and dismissals. before the duel jack confidently thinks he’ll just knock sneed about a bit, but the nature of the situation is quickly revealed to be life-threatening because jack doesn’t have the knowledge of high society in his arsenal. the choice to duel showcases jack’s surety in his competence, being a reckless but calculated decision to stick it to the elites in a safe way, but ends up proving his terrifying vulnerability.
ambition is a compelling push-and-pull in jack's relationship with belle. his ambition is more revelatory than hers, with its first indication shown on the hospital steps when he calls their shared achievement extraordinary. this is because before meeting belle, he figures he’s reached the limits of how far a lowborn thief can ascend. the revelation comes from mounting physical evidence that the status quo can be changed: the clean hospital, the use of ether. in contrast, belle’s ambition constantly brims inside her, connected to (but not a symptom of) her awareness that she is dying. the shape of her identity is a result of the need to defy limits. she acts without regard for societal rules because she perceives misogynistic suppression as the completely arbitrary condition that it is, an awareness that is only fuelled by the realisation that no one is going to help her.
her voice isn’t taken seriously except as an extension of her father, demonstrated when she claims her father sent her to inspect the hospital as an excuse for sanitising the ward. jack was correct to assume this change would mean losing his job if he was the one to implement it. this clash of expectations (belle's confusion about how jack could possibly allow the hospital to remain in such a state contrasted with jack’s assumption that belle’s change will never be permanent) is totally indicative of how they each conceive the potentialities of the world around them.
the scene on the steps—what we did in there was extraordinary—not only shows how jack’s ambition is realised through belle, but encompasses their shared narrative purpose: break barriers in surgery and society. belle’s determination to push past roadblocks is passed on to jack, and jack’s grounded perspective of class boundaries is a source of illumination for belle.
digging deeper, i got stuck on belle's repeated denigration of theft. jack tells belle that she’s never seen anyone dead in the streets from starvation, rightfully pointing out that harm done in the name of survival isn’t really the choice belle perceives it to be. he gestures to the inherent violence of the class system, where the elites at the top control who gets what and leave the people at the bottom to survive any way they can. this concept he explains without hesitation.
but jack doesn’t entirely believe in the correctness of theft itself and struggles to justify it in his own circumstance. after they help red escape, belle discerns something in jack: the crime, it’s not just for survival. you actually love it. he responds, the worst parts of me do. having found his way to a position of some standing, he no longer sees the morality in baseless theft—the philosophy that fagin lives by. fagin fully embraces his class position and refuses to care about having a respected position within the system the way jack does, and prefers to remain a chaos agent without regard for how his actions impact others.
so perhaps jack’s comment that the “worst parts” of himself love thievery is wrapped up in a traumatic dissociation from his younger self (who used to seek cheap thrills from pickpocketing) and as these thrills formed the foundation of his relationship with fagin, his experience of theft became tied up with his experience of abandonment. the worst thing jack ever did was trust fagin—so for jack, stealing is a difficult philosophy to believe in. even though the euphoria of theft relates to embodiment, like pulling a middle finger to the people that want to crush him, the theft itself is nevertheless anchored in the symptoms of his difficult past. so jack is ashamed that he's drawn to it.
belle, who re-reads hobbes’ leviathan as she tries to understand the necessity of state violence and finds his arguments sufficiently lacking that she must write in the margins—and receives a blow of reproval from red that her family are the biggest thieves in port victory—is still so influenced by her preconceived notions that she questions this undesirable impulse in jack.
but she doesn’t challenge it. the back-and-forth that they are hopeless, they’re unsuited encapsulates their clashing perspectives. still, they spark change in each other without meaning to: feelings of ambition, changes in priority. hope, for belle, that someone is coming to save her. their shared evolution is rooted in how they use each other to change the world around them; they cause trouble for the system. their relationship is incendiary.
and that’s why they’re so compelling.
A WALK IN THE CLOUDS (1995)
dir. alfonso arau
oh my god! Fanny’s pottery nook!! Are you kidding me!!?!! “Squeeze and pump!”
Only 3 episodes in to the new season of Artful Dodger and there is so much to love. Some interesting tonal shifts, but I haven’t watched the whole narrative arc unfold.
Freud would have a field day with Fanny. Penis trees walked so the vagina vase could run.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Train Dreams (2025) "...But on that spring day, as he misplaced all sense of up and down, he felt, at last, connected to it all."
Currently watching fear and it made me realize that I really wanna know what Daryl did before we're introduced to him at the camp. Carol too but we do get some idea of what it was likely like for her. Do we ever learn anything about Daryl and Merle's story after the Apocalypse started but pre show?
Merle reminds Daryl at one point that they originally planned to rob the group at the quarry. He instilled in his younger brother that no one was ever going to care for him the way that he did, so whatever they were up to, I assume they were just trying to look out for themselves/each other.
Personally, I feel like there's a lot of untold backstory for Carol as well. Not sure about pre-show ZA, but there obviously had to be more to her life than Ed and Sophia before the outbreak. I'd like to find out what that entailed (from a trustworthy writer that is).
On a separate note, I'd love to find out what Daryl's and Carol's first meeting at the quarry was like. Again, from a trustworthy writer.
Not sure if I’m considered trustworthy, but many years ago I wrote a fic called Landslide. It’s in Carol’s POV and switches between events leading up to season 5 and Carol’s life pre apocalypse (including the first time she meets Daryl and Merle).
https://archiveofourown.org/works/4668101