We get how social media is fake, but do we really realise how sometimes it could deeply affect our emotions and psychological state? I never fully understood it until today.
Sade Olutola

blake kathryn
i don't do bad sauce passes
cherry valley forever

Andulka
will byers stan first human second

tannertan36

Discoholic 🪩
he wasn't even looking at me and he found me
NASA
Alisa U Zemlji Chuda
Mike Driver

Janaina Medeiros
trying on a metaphor

@theartofmadeline
DEAR READER

titsay
dirt enthusiast
noise dept.
Three Goblin Art

seen from United States
seen from Sweden

seen from Spain

seen from United States
seen from Singapore

seen from TĂĽrkiye

seen from Brazil
seen from United States

seen from United States

seen from United States

seen from Brazil

seen from Germany
seen from United States
seen from United States
seen from Singapore

seen from Finland
seen from United States

seen from United States

seen from TĂĽrkiye
seen from United States
@lailamlionel
We get how social media is fake, but do we really realise how sometimes it could deeply affect our emotions and psychological state? I never fully understood it until today.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Are twenty year olds truly considered adults? Or they just take themselves seriously??
Wars, Battles and Sieges: Before the Battle
In the beginning there was squabbling over land, or an insult or even a kingdom who was a scaredy cat and decided to lash out at everyone about them for no good reason. What ever has happened, your characters are at war. Soon they will face the enemy in battle, where they will fight for freedom, eternal glory and- *record scratch* But we are getting ahead of ourselves. What does happen before that thunderous charge? How does everything start?
Finding Ground
Before a battle, the armies would try their best to find the best ground. Scouts would be sent out in search of the best terrain they can do battle on. Boggy ground can be used to derail calvary such as at Bannockburn. Flat hard terrain can be used to aid chariots like Gaugulmela. Finding the perfect ground does not mean a battle will be won. Many a good army was lost on the most meticulously picked battlefields because of forces beyond their control. An example of this would be at the Battle of Pharsalus, where Pompey had every advantage but lost the battle anyway.
Negotiations
As the armies line up and ready themselves for battle, commanders on both sides might meet to discuss terms (but only if they had their monarchs go ahead). Commanders might attend themselves or they might send their lieutenants. What would follow after would be a back and forth, with one side offering terms and the other countering with their own. There were rules surrounding these meetings. Generally both sides were sworn safe conduct and placed in a sort of neutral bubble. Nobody was allowed to draw weapons or try kill one another as that went against the code. During the talks between the English nobility and the commons during the Peasants' Revolt, a knight slashed open the rebel command Wat Tyler's face. This was a no no and probably would have ended in a riot only tween Richard II had other ideas. Perhaps one negotiation I would have loved to have been involved in was the chat between Hannibal and Scipio before the Battle of Zama. The shade that must have been thrown. The drama. The sexual tension. Maybe not the last one but still...
Battle plans
When negotiations for surrender or peace do not work, either side must begin to plan their strategies. Most war councils would have included the most important commanders in the army. These plans would be exclusively attended by the most senior commanders (all of noble rank, commonly before the 20th Century).
Field Marshall/General/Lord High Admiral: The highest rank upon the field. They are given their orders from the monarch to represent their interests upon the field of battle. It was an honour almost exclusively given to nobility.
Brigadier: The Brigadier commands a unit of the recruits, serving under the above rank. They are similar to a Roman centurion though their unit might surpass the traditional 100.
Colonel: The Colonel could often be given temporary control of the army if the Marshal was unable to do so or elsewhere. They were also in command of a regiment (major division of an army) as well as their own unit (smaller division).
There would also be a speckling of other lower ranks, who would likely pull their rank of nobility to attend.
Lieutenant Colonel: The Lieutenant Colonel served as assistant to the Colonel in his regiment, serving as de facto leader if the Colonel falls or is occupied elsewhere.
Major: was third in line in command of a regiment, in command of their own unit and allowed take control when their superiors where unable to command.
Captain: The captain serves as the leader of a company of men. In mediaeval France, the captain was often a lord or a knight commanding his tenants on the field of battle, of course taking orders from the above ranks.
Lieutenant: the captain's assistant with the company to keep the soldiers in good order and command if needed.
The commanders would talk about strategies and how they might win the battle. Ideas will be exchanged, there may be some debate, angry words but a plan will be drawn up, all the commanders and officers given their posts and commands for the day ahead.
difference between;
1- Characteristics
Psychopath:
.behavior can be hereditary
.controlled behavior
.highly manipulative
.educated and have a good career
.unable to form personal attachments
.calculates risks
.minimizes clues and evidence
Vs
Sociopath:
.behavior developed from environment
.erratic behavior with rage and anger
.impulsive and spontaneous
.uneducated and unstable job
.attachment with specific groups or people
.does not calculates risks
.have tendecy to leave clues and evidence
2- percentage in total population
Psychopath: 1%
Sociopath: 4%
3- famouse people in history
Psychopath:
Adolf Hitler
Ted Bundy
Sociopath:
Dr. Josef Mengele
Diazien Hossencofft
4- similarities
.both have antisocial personality disorder
.both lack empathy
.both show disregard for social rules
.both are violent in nature
-----------------------------------------------------
Names list 2

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
For a better dialogues.
1- must serve a purpose.
Before writing a conversation, take the time to ask yourself what key purpose(s) the conversation will serve.
With an established purpose in mind, you can begin writing dialogue with the confidence that you're adding value to your story rather than setting readers up for boredom.
2- leads to events.
Most often, conversations work to resolve or create tension, establish context, or reveal new information that moves the story forward.
3- details aren't always important.
Readers don't need to see the mundane details of every conversation play out on the page.
Greetings, exchanges of basic information, and other boring but occasionally necessarily details can just as easily be stated in the text as they can be spoken — and oftentimes to better reception. So rather than slow the pace of your scene by writing mundanities into the conversation, state that she gave him her phone number and move along.
4- forget the tags, unless the dialogue is followed by an action.
Dialogue tags are used to attribute lines of dialogue to characters, the most common tag being "said".
Used occasionally, dialogue tags can help clarify who is speaking without slowing the story's pace. Many authors, however, make the mistake of overusing tags in an effort to maintain clarity and expound upon how the dialogue is being said (e.g. she shouted, he whispered, it hissed...).
If you've crafted strong voices for your characters, however, and if you make good use of action tags —which we'll discuss in a moment — you'll find there is little need to include much more than an occasional "he said, she said" in your story. Speaking of which...
If you do find that you need to employ a dialogue tag for the sake of clarity, "said" is most often your best choice. Why? Because "said" is so ubiquitous that it's often, in a sense, silent. Readers will graze right over the word while still catching the identity of the speaker, ensuring your tag doesn't disrupt the flow of the story.
Action tags are the small attributive actions that precede or follow a line of dialogue, such as the following:
Amanda fiddled with the hem of her shirt. "I don't know if that's the best idea."
"Are you sure that's what you really want?" Brad raised a questioning brow.
Making use of action tags is a great way to indicate speakers during dialogue while also keeping readers engaged and adding motion to the scene.
----------------------------------------
Article: http://www.well-storied.com/blog/write-better-dialogue .
Note: this is my short version of the article, if want to read the entire version visit the website link👆🏼. I do not own any rights of the article.
I WILL FINISH WRITING MY DAMN BOOK THIS YEAR
I WILL FINISH WRITING MY DAMN BOOK THIS YEAR
I WILL FINISH WRITING MY DAMN BOOK THIS YEAR
One of my unfinished goals from last year
We only have two choices in life: go on or give up. The many questions we face in between have obvious answers but we look for the answers we want instead of what we need.
Man and Woman Contemplating the Moon (1824) by Caspar David Friedrich, Alte Nationalgalerie, Berlin.
Names list
Mafia organizational chart
-
The Don "the boss"
The undisputed leader of the crime family.
-
The underboss
Powerful second-in-command. Could be a family member such as a son being groomed to one day take over a business.
-
The consigliere
Counselor and adviser to the boss. A trusted friend and confidant, usually the num.3 man in the family-the crime family.
-
The capos
Ranking "made" members of a family who lead a crew of soldiers.
-
The soldiers
"Made men" soldiers--the lowest members of the crime family-- still command respect. To become made they are required to take an oath of silence called (omerta) . In some families, another requirement is that candidates commit murder.
-
Associates
Crew members who have not been made. Associates commit crimes under the protection and direction of made members, they pay a share of the proceeds to their superiors.
-
*To help the crime / thriller writers*
Source:pinterest.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
WRITING HELP SITES 1. NaNoWriMo
The National Novel Writing Month blog provides inspirational posts for when you’re stuck with writer’s block and offers guidelines for everything from the publishing process to finding feedback.
2. Write It Sideways
The articles for writers on Write It Sideways outline real-life advice, like writing grants, author branding, and gift buying, as well as writing tips and tricks, like dialogue mistakes and how to build tension.
3. Helping Writers Become Authors
K.M. Weiland, the writer of Helping Writers Become Authors, is an award-winning author who shares creative writing advice on story structure, character arcs, common writing mistakes, and much more!
4. Inklyo.com
This website offers great advice for authors, bloggers, businesspeople, and students. Not only will you find writing advice and inspiration, but the site also offers a wealth of practical tips for honing your writing skills, finding work, and staying productive. If you’re looking for in-depth instruction, Inklyo.com also provides a range of courses and ebooks aimed at helping you learn how to write anything well.
5. Warrior Writers
Warrior Writers is run by best-selling author Kristen Lamb, who guides writers with comprehensive and detailed posts that have a humorous and easy-to-read tone.
6. Fantasy Author’s Handbook
Although this is technically a genre-specific writing blog, New York Times best-selling author Philip Athans has great advice for writers of all types, guaranteed.
7. Abidemi.tv
Abidemi is an accomplished author who has decided to share her insight and knowledge of the writing and publishing world to help others become better writers. In addition to offering free resources in her blog, she also creates and sells writing courses.Â
Writer’s Lifestyle
The following writing websites are great for writers who have some extra time or need to take a quick break and want to spend it productively.
8. Write to Done
Write to Done clearly outlines useful topics for writers, like imposter syndrome, recovering from destructive criticism, and finding a pen name.
9. Brain PickingsMaria Popova’s writings on culture, books, and other eclectic subjects are always extremely interesting reading for any writer with some spare time.
10. Novelicious
While this might be more of a book website than a writing website, Novelicious also has advice for writers on retreats and for writing serialized novels—not to mention post about which books are being turned into movies this year (and reading that is time well spent for any writer, really).
11. Opinionator
The exclusive online commentary from the Draft section of Opinionator covers essays by journalists, novelists, linguists, and grammarians on the art of writing.
12. The Authors’ Nook
The Authors’ Nook houses relatable posts for writers along with advice on being a writer, allowing for a blend of good fun and useful advice for writing breaks.
Marketing/Blogging
These blogs help writers market their books and create blogging personas to engage an audience more effectively.
13. The Write Life
This writing website offers solid ideas for blogging, including working from home, pitching ideas, guest posting, and much more.
14. Goins, Writer
National best-selling author Jeff Goins shares real-life experiences and reflections about building an audience, shortcuts to success, and engaging a community in the age of Internet fame.
15. The Book Designer
As stated in its tagline, The Book Designer gives “practical advice to help build better books,” which includes writing creative disclaimers, choosing the right platforms, and using social media efficiently.16. Angela BoothAngela Booth, a copywriter, ghostwriter, author, marketer, and writing coach, write ample posts to help authors improve book sales and ensure a book will be a financial success.
17. Carly Watters
Carly Watters is a literary agent who provides advice on getting published in the 21st century. Her useful “Things I Wish I Knew” posts provide true accounts and tell how other writers can learn from them.
Publishing
The writing blogs below aid writers in the publishing process, from behind-the-scenes intel to publishing tips and tricks.
18. Jane Friedman
Jane Friedman has more than 20 years of experience in the book publishing industry. She provides informative articles on both the writing process and the publishing process.
19. The Creative Penn
Run by New York Times and USA Today best-selling author Joanna Penn, this site offers articles and other resources related to writing, publishing, and marketing books.
20. Alan Rinzler
The articles of Alan Rinzler, a consulting editor, help writers understand what goes on behind the scenes of the publishing process.
21. Publetariat
Publetariat gives practical information on networking, author websites, and the publishing process. It also shares links to big news stories in the world of publishing.
22. The Independent Publishing Magazine
The Independent Publishing Magazine hosts posts about many different parts of the publishing process, such as growing a following, avoiding authorship problems, and finding the right editor.
Writing Inspiration/Prompts
These sites are excellent for writers who are stuck in a rut and need some inspiration or even concrete prompts to get them writing again.
23. WritingPrompts.com
Writing prompts are posted here daily, offering inspiration for writers in all genres. Some of the prompts focus on breaking through writer’s block, while others focus on building characters or refining your dialogue-writing skills. If you’re feeling as though you’re in a writing rut, the site also posts inspirational quotes from famous authors.
24. Positive Writer
Positive Writer was created for writers with doubt—like the website’s author, Bryan Hutchinson—and to provide inspirational posts that help writers keep writing.
25. Blots and Plots
The Blots and Plots blog instructs writers to stay in the habit of writing, targeting specific problems and demonstrating how it’s possible to write a novel even with a full-time job.
26. Writer’s Digest
This well-known and comprehensive site offers all manner of advice and resources for authors. Of particular interest are the site’s many creative writing prompts. New prompts are published weekly, and writers post their results in the comments section.
27. Qwiklit
Qwiklit offers fun and accessible articles about reading and writing. It also has a bunch of writing prompts for writers who might feel stuck.
28. Writing Prompts That Don’t Suck
This one’s pretty self-explanatory, but Writing Prompts That Don’t Suck tries to avoid boring and familiar writing prompts to provide fun and interesting ones instead.
 Have at it!
Source
How to hook your readers and keep them wanting more in only 4 ways?
1. Get your readers caring right away.
-
Most of us try to start our stories by putting our characters into an immediate conflict (especially in a romance when we have the hero and heroine clash over something). Along with immediate conflict, we’re also striving to create a strong but flawed hero/heroine.
-
But in creating strong characters who jump into conflict, we run the risk of them coming across as abrasive, too independent, cold, or uncaring. The trick is to find ways to make our characters likable right away, even with all of their flaws.
-
One way to do that is to put them in situations where the reader can’t help but feel sorry for them (which is what Blackwood did in The Shakespeare Stealer). Or we can have our character do something compassionate for someone else.
-
Whatever we choose to do to build reader empathy, we should do within the first few pages. The situations don’t have to be enormous but should be enough to make our readers begin to really like the character.
-
2. Layer on the conflict.
-
If our readers don’t yet have some empathy for the characters, then when the character encounters problems, our readers won’t care. If they don’t already have an emotional connection, then they won’t root for them through the conflicts we pile on them.
-
But once we develop reader-empathy, then we can start to heap the problems upon our characters in various levels. In The Shakespeare Stealer, Blackwood put his character into the-harmed-if-I-do and the-harmed-if-I-don’t situation. The main character was torn in what seemed like an impossible situation of having to chose to save himself or the friends he cared about. Blackwood kept layering the conflict chapter after chapter, making the decision increasingly difficult.
-
I’ve always liked the way writing guru, James Scott Bell, summarizes plot: Put your character up in a tree and throw stones at them and then find a way to get them down again.
-
We can throw physical stones, emotional, and relational—preferably all three in increasingly harder and more painful blows, so that we arrive at a black moment, and our readers don’t know how our character is going to survive and get down that tree.
-
3. Make every scene count.
-
Most of us know we should write by scenes. But the trouble is picking which scenes to include. We obviously can’t write all of them or we’d have WAY too much in our book.
-
When I’m deciding which scenes to bring to life, I try to have numerous (usually ten or more) reasons why I need the scene. I want to pack it full, integrating the maximum potential for each of my three plot strands (external, internal, and relational). And I also want to layer in (foreshadow) the problems that are yet to come.
-
When our scenes are loaded, we’re able to sock the reader, making it more difficult for them to close the book.
-
4. End each chapter with a hook.
-
Leave your readers on the edge of their seat at the end of every chapter. And if your chapters have more than one scene try to close each scene with some dangling, unsolved conflict thread for one of the three plot strands I mentioned above.
-
Blackwood is a master at this in The Shakespeare Stealer. Almost every chapter ends with something bad about to happen to the characters.
-
Not every chapter will end with our character about to be pushed off a cliff. But we can still have them dangling over an emotional abyss. Not every chapter will end with a knife at the throat of our main character. But we can put the knife in the relationship they desire.
-
Summary: Aren’t we all striving to write books that have readers saying “just one more chapter” but they can’t stop until the last page? Don’t we want them to say “I’m only going to read for ten more minutes” but then when they look at the clock an hour has passed?
-
I want to have a book like that, a book readers can’t put down no matter how hard they try.
-
Artical by: http://jodyhedlund.blogspot.com/?m=1
Noble Rank
Emperor & Empress
.
King & Queen consort/ or princess consort
Queen & King consort/ or prince consort
.
Queen dowager/ or Queen mother
.
Grand Duke & Grand Duchess
Grand prince & grand princess
.
Archduke & Archduchess
Infante & Infanta
.
Duke & Duchess
Prince & Princess
.
Marquess & Marquise
Margrave & Margravine
.
Count (Earl) & Countess
.
Viscount & Viscountess
.
Baron & Baroness
Freiherr & Freifrau
.
Baronet & Baronetess
Hereditary knight Ritter
.
Knight & Dame
.
Nobile/ Edler Von
.
- this is a list of the upper royal society rank in the last centuries, some of the titles are still standing but not all of them, it will make a great deal of help for the fiction writers.