âGetting the girlâ is such a weird concept to me that can be downright ugly if done badly. Itâs like so many people forget that Rey isnât just the love interest whoâs a badass in her own right (a more common trope in modern action movies than a straight up damsel, the love interest will be competent and skilled but will still play second fiddle to the main guy) sheâs the HERO. And some people still arenât looking at her arc, theyâre looking at who would be âgoodâ for her or who âdeservesâ her.
I think youâre right that this is a huge part of why so many people donât see the actual romance thatâs happening in front of their eyes. theyâre treating Rey like the love interest instead of the person who has a love interest, and they fail to recognize her love interest because the romance is played through the female gaze.Â
in TLJ we donât see Ben pursuing her in a traditional way (itâs the Force itself and Rey initiating most their interactionsâand although Ben is always eager to see her and talk to her, because heâs not the one initiating it for some reason people fail to recognize that for romantic interest). Benâs the one who gets a gratuitous scene that shows off his body for Reyâs benefit. Ben doesnât back her up against walls or say sexually suggestive things or flirt in any way most people are used to seeing in action movies and thus the heavy, obvious sexual attraction between them flies over so many peopleâs heads just because itâs played in a different way than weâre used to seeing in blockbuster films.
(and the deserve thing is such complete bullshitâno one ever questions if a male hero âdeserves betterâ when he gets a morally ambiguous female love interest lol)
^^^This. I love TLJ precisely because its written from a female gaze, Ben Solo is Reyâs love interest and he is portrayed as such. She chooses him, pursues him. Folks not used to seeing the female gaze in media failed to see it. Or, SW fans insistent that this story be a male gaze one, had their own bias of male characters âdeservingâ Rey, ignoring Reyâs own narrative agency.






















