Lady of the moon

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god

i need all the help i can get for finals

I could use some luck

truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.

you can kinda tell when a writer has spent a lot of time around kids bc they avoid most of the pitfalls that come with writing children. namely, not giving them a too cutesy or twee voice but making them sound more like extremely weird little adults. kids playing pretend will almost never cutely slot into some romantic scenario for the adults' benefit bc the adults are usually too busy cleaning up or wondering what the fuck is wrong with their child. kids also have surprisingly stringent hangups ranging from very petty grievances to downright chauvinist gender roles, more often than not the result of a tragic education but sometimes far surpassing what they were taught in intensity. what im saying is there's nothing inherently wrong with treating fictional kids as stock characters but it's always quite nice to see when they aren't

I truly hate the word "unalive." There are so many other euphemisms that fictional Italian mobsters worked so hard to provide you with and you just ignore them.

"Joined the great majority" is a good one that I practically never hear.

Oh hey! Haven’t seen this in forever! Didn’t reblog it when it came across me before, not gonna skip it this time, I need some good vibes.

“Since it is so likely that (children) will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise you are making their destiny not brighter but darker.” ― C.S. Lewis

@bookwormswillruletheworld

if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?

And apparently just this summer they DID bring it back - it's called Little Details and it's on Dreamwidth!!!!

it’s actually really easy to satisfy audiences with Good Representation. you can’t depict someone struggling with their Otherness because that portrays it in a bad light but you have to depict them struggling with their Otherness because if you don’t, then you’re romanticizing how hard it is to be Othered. be super careful not to depict anything that might be adjacent to a common stereotype but if you go too far to avoid all stereotypes, then you’re still building the characters around stereotypes, which is a stereotype in its own way. if your storyline uses tropes, then it’s cliche, but if it avoids tropes, then it’s inauthentic. if you lampshade any of this, then you’re speaking down to your audience but if you don’t acknowledge this, you’re also speaking down to your audience. this is all really easy stuff i don’t know why people don’t get it.

forgot The Most Important thing. you absolutely CANNOT make them perfect because that dehumanizes them, but if you give them flaws? hoooo boy…let’s just say, you do *not* want to give them flaws…