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💙Cosmos Call💙

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"He commands only the loyalty of my actions, not the loyalty of my heart and mind.”
~ Grand Admiral Thrawn on the Emperor (Thrawn: Treason, 2019)
Eucatastrophe isn't just a nice little plot device in The Lord of the Rings. It isn't just a nod to his worldview. It's absolutely vital to the specific story Tolkien's telling.
The Ring's main temptation is that it offers control. It offers you enough power to defeat all your enemies, to make sure the story ends the way you want. The heroes have to avoid that temptation at every turn, because taking up that power would make them no better than the villain. They have to move forward against impossible odds, knowing that they don't have the power to win, yet hoping that somehow, there's some greater power that will turn the story in their favor.
That's why the enemy's main weapon is despair. He tries to keep their eyes on the logical possibilities of this world, try to make them believe there's no hope of outside help, to think the only things they can rely on are their own power or his own dominance. If the heroes lose hope, they'll either submit to his power, or be tempted to take up power that will still make them slaves to the Dark Lord. Only with that hope can they withstand him.
It's not just hope that Tolkien's heroes need--it's hope unlooked-for. When, based on the knowledge they have and the resources they hold, they can't see any hope of success, they have to move forward in anticipation of a hope that they can't see. A hope that goes beyond the bounds of what they can logically expect. A hope in something greater than the petty powers of this world, in a power that can't be wielded but can only be trusted to turn all things toward a greater good.
And that hope is not in vain. The Dark Lord, for all his pride, all his grasping for power, is still bounded by the limitations of this world. He can't hope to overcome powers from outside the world. His plans can be foiled by a change in the wind, by the arrival of unexpected allies, by a withered, grasping creature taking one wrong step at the edge of a volcano, by air support that shows up at the last minute to save the heroes from death. These turns of fortune aren't just convenient escapes for the heroes--they directly tie to the theme at the heart of the work. In the context of the main conflict of the story, a eucatastrophe is the only way it could end.
Frozen forest
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utrecht, the netherlands ⋅ ph. utrechtalive
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patricksvisuals
Just breathe.
(via)
The amazing digital art of Tim Barton

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Richard Johnson, "Gardenwalk"
cr: 百变花央
I’m out here buying tshirts and pants like a chump while some people are just wearing the world’s best rectangles
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“His first day was on location with Kylie Minogue, but all eyes, even Kylie’s, were on Bernard. He’d turned up with a suitcase full of props, just in case, including a rubber chicken. And what an actor. Oh, really though, what a wonderful actor. We once took him to the TV Choice Awards and sent him up on his own to collect the award, and the entire room stood up and cheered him. That’s a lovely memory. He’d phone up and say, ‘I’ve got an idea! What if I attack a Dalek with a paintball gun?!’ Okay, Bernard, in it went! He loved Gill with all his heart; he mentioned her in every conversation we ever had. A love story for the ages. I’m so lucky to have known him. Thanks for everything, my old soldier. A legend has left the world.” — Russell T. Davies
BERNARD JOSEPH CRIBBINS, OBE (29th December 1928—28th July 2022)
stray was really really good 📺🌱✨

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lavenlay
Anyway here’s a poem I wrote about my cat
After “Do not stand at my grave and weep”, author disputed:
Do not stand at your bowl and meow. I gave you food. It’s in there now. I feed you at the dawning light, I feed you at the fall of night. I feed you kibbles mixed with meat And wet food for a special treat. I feed you even though you scoff At all the food within your trough. I feed you and still yet you yell Like as a beast from deepest hell. Do not stand at your bowl and cry. I gave you food. You will not die.