Aqua Utopia｜海の底で記憶を紡ぐ
pixel skylines
Product Placement
ojovivo
occasionally subtle
cherry valley forever
JVL
Show & Tell
One Nice Bug Per Day
Peter Solarz
h
@theartofmadeline
Cosimo Galluzzi
Keni
AnasAbdin
Origami Around
Three Goblin Art
❣ Chile in a Photography ❣
d e v o n
seen from United States
seen from Italy
seen from Malaysia
seen from United States
seen from United Kingdom
seen from Belgium
seen from Belgium
seen from Poland
seen from Germany
seen from Singapore
seen from United States
seen from Germany
seen from Belgium
seen from Colombia
seen from Romania
seen from T1
seen from United States
seen from United States
seen from Belgium
seen from United States
@lady-dulcinea
Erik’s confrontation with Gérard Takarazuka Revue’s all-female production of Yeston and Kopit’s PHANTOM
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Friday I’m In Love // The Cure
Forgot I did this Carmilla and Laura drawing!
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Carmilla visits me tonight
Imagine Jonathan's reaction that night when Mina gives him the truth. The horrors of the past were real, the present is real. He is a sane man.
And she did indeed travel far and wide for him. She did in fact find him. She truly did make the decision to wed the husk of his past self, who was devoid of dignity and his mind was in the dark. Helped him to literally get back on his feet. Despite the fact that she has been masking her own issues. She has truly been there for every nightmare and doubt of his. She was there to catch him when he'd fall. It was not a dream.
The woman he loves is here and she's just saved him once more.
ELVIRA: MISTRESS OF THE DARK
1988, dir. James Signorelli
Snow-White | 1933 — a Betty Boop cartoon
Erik & Christine Takarazuka Revue’s all-female production of Yeston and Kopit’s PHANTOM
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mary Shelley, Frankenstein
Elisabeth parallels:
最後のチャンス & 全ての証言の終わり
the darkness is spreading/ the end of this world is near
By sadiemarie.ink
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Juansen Dizon, i am the architect of my own destruction
