«dé-coll/age», Bulletin aktueller ideen, No. 6, Edited by Wolf Vostell Typos Verlag, Köln, 1967 [MoMA, New York, NY. Fondazione Bonotta, Colceresa (VI). © Wolf Vostell / ARS, New York / VG Bild-Kunst, Bonn]
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
cherry valley forever
styofa doing anything
wallacepolsom

titsay

JVL

Kaledo Art
Alisa U Zemlji Chuda

Misplaced Lens Cap
RMH

祝日 / Permanent Vacation

Andulka
Aqua Utopia|海の底で記憶を紡ぐ
we're not kids anymore.
Sweet Seals For You, Always

Product Placement
seen from Brazil

seen from Malaysia
seen from Australia

seen from Türkiye

seen from United States
seen from Brazil
seen from Norway
seen from Spain
seen from Spain

seen from Canada

seen from Malaysia
seen from United States

seen from United States

seen from Malaysia

seen from Germany

seen from Canada
seen from Malaysia

seen from United Kingdom

seen from Türkiye
seen from United States
@kzuzk
«dé-coll/age», Bulletin aktueller ideen, No. 6, Edited by Wolf Vostell Typos Verlag, Köln, 1967 [MoMA, New York, NY. Fondazione Bonotta, Colceresa (VI). © Wolf Vostell / ARS, New York / VG Bild-Kunst, Bonn]

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Brigitte Niedermair
too many options
a something of adrift, a draft
There is a new fiber, a something of cedar in ₁ a ‘something’ of red dust than the ‘nothing’ of holiness, I’d rather have ₂ and still with a something of mellowness. There is a combination of soft salmon pink, “picked out,” to use the common phrase. ₃ The walls are mostly bare, with a few items that change regularly — ₄ neither Souls nor Bodies; they are no more than the faithful Shadows of themselves, a Something of too refined and subtle a Nature to be touched — ₅ The wall is a something of a sketchbook for me, ₄ a something of linen or woollen to cover the straw on which they lie, ₆ a something of nearly transparent linen and lace that started somewhere round ₇ in the sea of words submerged. A something of small account at any time; of no account at all when it comes to ₈ ‘A Something else thereby’; ‘A something of Four’ ₉ how language is such a dust ₁₀
—
sources
1 Ernest Hartsock on Louis Untermeyer his Burning Bush (1928), in Bozart 1:6 (Atlanta, Georgia; July-August 1928) : 17 / more 2 Catherine Dai, Under the Phoenix Tree (1990) : 176 / more 3 Rosamund Marriott Watson, The Art of the House (London, 1897) : 16 / more 4 interview with Peter Hall, in feature on same, in Marc Valli and Richard Brereton, eds., RGB : Reviewing Graphics in Britain (2010) : 268-273 (269) / more 5 “Supplement to the Dissertations on the Religion of the Banians,” in Bernard Picart, Ceremonies and Religious Customs of the Idolatrous Nations; together with Historical Annotations, And several Curious Discourses Equally Instructive and Entertaining. Vol. IV. Part II. (London, 1733) : 90 / more 6 Poor Inquiry, Ireland Appendix E : Containing Baronial Examinations Relative to Food, Cottages and Cabins, Clothing and Furniture, Pawnbroking and Savings Banks, Drinking [supplement to] (Parliamentary Papers, v. 32; London, 1836) : 104/ more 7 Bart Spicer, The Wild Ohio (Bantam Giant A1211, 1954) : 83 / more 8 “The Training of Engineers,” in The Engineer (August 18, 1899) : 170 / more 9 Michael Cotsell, on titles contemplated for what would be Quartet in Autumn (1977) in his chapter “Language and Loneliness : The Late Novels” of Barbara Pym (1989) : 122 / more 10 Lisa Robertson. Riverwork (2026) : 36 / more
—
all a something of’s

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Oda Iselin Sønderland (Norwegian/Irish, 1996) - The Conduit (2025)
Tokyo
(via Studio Yukiko – Dazed Live)
HÉCTOR PINEDA
Alberto Mendez

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Vienna, 1st district.
Victor Grasso
Bruce Nauman
Run from Fear, Fun from Rear, 1972
Kirsten Dunst, Wonderland Magazine, 2011

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https://www.instagram.com/p/CMqLnJTJSv4/?igshid=2486ufqmw286
Stoen 751: shall be as valid as