Pixels, Art, & Animation

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A custom TTRPG system based on Powered by the Apocalypse, as seen in Monster of the Week: SUBGRUBS & SNAZZARDS

Mutants, Limes, Ghosts, Robots and more!

Lore Events from Murder Trials for an Assassinated Heiress to Robot Invasions from Space to Clowns crossing dimensions to crumple existence itself!

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setup crack

download these two then setup paint studio right click one of the icons after its done and click “file location” copy the crack files into the main paint studio file then click on the crack.exe till it says ok open paint studio

“I won’t be available.”

Imagine you’re at work and your boss asks you to come in on Saturday. Saturday is usually your day off–coming in Saturdays is not an obligation to keep your job. Maybe you were going to watch a movie with a friend, or maybe you were just going to lie in bed and eat ice cream for eight hours, but either way you really, really don’t want to give up your day off.

If you consider yourself a millennial you’ve probably been raised to believe you need to justify not being constantly at work. And if you’re a gen-Z kid you’re likely getting the same toxic messages that we did. So in a situation like that, you might be inclined to do one of three things:

Tell your boss you’d rather not give up your day off. Cave when they pressure you to come in anyway, since you’re not doing anything important.

Tell your boss you’d rather not give up your day off. Over-apologize and worry that you looked bad/unprofessional.

Lie and say you’ve got a doctor’s appointment or some other activity that feels like an adequate justification for not working.

The fact is, it doesn’t matter to your boss whether you’re having open heart surgery or watching anime in your underwear on Saturday. The only thing that affects them is the fact that you won’t be at work. So telling them why you won’t be at work only gives them reason to try and pressure you to come in anyway.

If you say “I won’t be available,” giving no further information, you’d be surprised how often that’s enough. Be polite and sympathetic in your tone, maybe even say “sorry, but I won’t be available.” But don’t make an excuse. If your boss is a professional individual, they’ll accept that as a ‘no’ and try to find someone else. 

But bosses aren’t always professional. Sometimes they’re whiny little tyrants. So, what if they pressure you further? The answer is–politely and sympathetically give them no further information.

“Are you sure you’re not available?” “Sorry, but yes.”

“Why won’t you be available?” “I have a prior commitment.” (Which you do, even if it’s only to yourself.)

“What’s your prior commitment?” “Sorry, but that’s kind of personal.”

“Can you reschedule it?” “I’m afraid not. Maybe someone else can come in?”

basically, she’d encourage me to rephrase my opinion without the attitude. so “UGH, you NEVER let me do ANYTHING!” would (often after quite a bit of bitching and grumbling) turn into “it feels like every time i have a fun idea, you say no, and i just end up sitting around the house.”

do not start ur character design by doing a full, refined turnaround/model sheet.

like. everyone in my childrens book il class is fuckin doing this even though most of them are illustration majors and its a huge mistake (our prof literally warned them against this, and YET)

any time you design a character, start by not caring. by just doing what feels right. dont settle on the first thing; play around. and then draw your character a shitload of times before u start a ref sheet

dont finish anything, just. do super fast sketches of them over and over and over. fill up a page or two. as you draw them theyll evolve. that will happen whether your sketch it out at the beginning or jump right into a final draft, and lemme tell u, u do NOT want ur character evolving and changing AFTER ur final draft. u want to get that out of the way early so u can get a decently consistent finished product

then when you go to do your model sheet you will already be able to keep your character on model without it bc youve drawn them a shitload of times. then it wont be “struggling to draw the character the same every time” itll just be “this is what the character looks like and i could draw them with my eyes closed bc of muscle memory”

dont just jump in and be like “shit i gotta have this full complex polished thing right out of the gate!” like. in the beginning, Do Not Work Hard. play. play a lot. and THEN do a refined drawing. your refined drawing will look way better, too, bc by then youll be completely comfortable with your design

stopped working on the new years comic 2 make this.

I cannot stress this enough. That shit helps A LOT when it comes down to Paypal refunds/disputes. There’s a description box that let’s you put in what the product is/how long it’ll take/yadda yadda, and then there’s another little memo box that only you and paypal can see where you can say it’s a digital commission and doesn’t require shipping (So Donald Mcfuck can’t say that they never got their commission). And there’s also a box for your Terms & Conditions where you can say, if you have any conflicts/want a refund - email me, or you can actually tell the user that this is a digital commission and they won’t be getting a hard copy of it.

However! Totally manageable. Just go to your PayPal, scroll down to find Seller Preferences

>> Shipping Preferences

>> Display Ship Button. Make sure all the boxes are unchecked. Then you’re all set!