
JVL
sheepfilms
Keni

Product Placement

❣ Chile in a Photography ❣
d e v o n
🪼
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium
Stranger Things
wallacepolsom
TVSTRANGERTHINGS
Mike Driver
cherry valley forever

roma★
h

Andulka

Love Begins
occasionally subtle
Noah Kahan
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@kp4president

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Dakota Johnson for Allure (2018)
Photographed by Petra Collins
from swan lake by maureen seaton, published in furious cooking
[Text ID: I want you.
Everything I say sounds like that. /End ID]
“Children like being frightened by fairy tales. They have an inborn need to experience powerful emotions. Andersen scared children, but I’m certain that none of them held it against him, not even after they grew up. His marvelous tales abound in indubitably supernatural beings, not to mention talking animals and loquacious buckets. Not everyone in this brotherhood is harmless and well-disposed. The character who turns up most often is death, an implacable individual who steals unexpectedly into the very heart of happiness and carries off the best, the most beloved. Andersen took children seriously. He speaks to them not only about life’s joyous adventures, but about its woes, its miseries, its often undeserved defeats. His fairy tales, peopled with fantastic creatures, are more realistic than whole tons of today’s stories for children, which fret about verisimilitude and avoid wonders like the plague. Andersen had the courage to write stories with unhappy endings. He didn’t believe that you should try to be good because it pays (as today’s moral tales insistently advertise, though it doesn’t necessarily turn out that way in real life), but because evil stems from intellectual and emotional stuntedness and is the one form of poverty that should be shunned.”
— Wisława Szymborska, as quoted by Maria Popova in “The Importance of Being Scared: Polish Nobel Laureate Wisława Szymborska on Fairy Tales and the Necessity of Fear“ (via girlwithouthands)

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“I am writing this to say/I am not leaving you forever/I am going to get better/and then I’ll come home”
— “Soup Is One Form Of Salt Water” by Heather Christle (via indigoskyes)
"They should fuck nasty" is one of the most insightful and universal observations about any media.
The heart is a fist. It pockets prayer or holds rage.
Joy Harjo, from “An American Sunrise.”
no disrespect to every other facet of love but "oh there you are; i've been looking for you forever" will always reign supreme
we need more "i loved you before i met you" representation in media i am so serious
Arielle Twist, from Disintegrate/Dissociate; “Mother/Creator”
[Text: “Mother, / I don’t know if I can do this / can I process / can I forget / can I be whole / can I be holy / I know / I can’t breathe / with these broken ribs”]

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Is there a correlation between being short and having a god complex because I'm 5'3" and lemme tell you 👀
imo there sure as hell is 😫
You know I actually AM a short brunette (is 5’4” short?) and I’ve never really thought of myself as having a god complex but now that you mention it… yeah totally.
we are the same height :)
Clarke judging you af Griffin

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Between Clarke and Lexa in flowers in your hair, who hogs all the blankets in bed?
I'm so crotchety about this anon because I WROTE AND POSTED THIS AND TUMBLR DELETED IT WITH MY BLOG.
but that's not your fault so round 2
Clarke is absolutely, unequivocally the blanket hog in the relationship.
Lexa will wake up in the middle of the night, shivering and groping for the covers that have mysteriously vanished in the middle of the night. More often than not, she will look over to see a blonde tuft of hair sticking out of their linen duvet, a Clarke sized lump sleeping obliviously in the middle of the warm cocoon.
Lexa used to grumpily tug her corner back out of the blonde's sleepy grasp before she realized that took more time than it was worth- a spare IKEA duvet is now folded neatly at the top of their closer for this particular purpose. So on the nights that Lexa wakes up to Clarke happily snoozing in her burrow of blankets, she wanders over to their closer to tug the duvet off the shelf and tucks it around herself before dozing back off.
Regardless of how many duvets are heaped on their bed come morning, Lexa knows what when the first rays of sunshine break into their room that Clarke will be sprawled across her chest, head placed safely over Lexa's heart.
What does artist Clarke paint in your plant shop owner au? Has Lexa ever been her model? Maybe nude model 👀
Lexa opens and closes drawers in Clarke's desk absentmindedly, looking for a candle lighter. She blushes slightly when she leans in to inspect at a closer distance what looks like random line drawings. A blush infuses her ears, tracing its way down her neck as she makes out a ballpen curve of a hip, the pert swoop of a breast, all communicated through one unbroken black ink line.
She reaches in a hand to pull out a creamy swarth of papers, shifting through them quickly to see herself, communicated in all different mediums.
rough pencil sketches, watercolours where the forest green of her eyes bleed into the soft fibers of the paper, usually the only colour in the drawing.
full on oil pictures, charcoal sketches of her back, the line of a delicate shoulder blade in stark relief against the paper.
the very last one was simply a miniature watercolor of her sleeping, with Clarke's handwriting simply titling it "my love", with a date from a few weeks ago in the bottom corner.
Lexa pages through them silently for a long moment before neatly tidying them up, closing them carefully back into the drawer.
She ties her hair up into a ponytail as she meanders through the house, looking for her beautiful, sweet, artistic girlfriend.
a surprised Clarke is thanked very well for her sweet doodles.