cherry valley forever
The Bowery Presents
Today's Document
The Stonewall Inn
One Nice Bug Per Day
Fai_Ryy
Mike Driver
Jar Jar Binks Fan Club
Cosmic Funnies
ellievsbear
he wasn't even looking at me and he found me
h
gracie abrams
noise dept.
sheepfilms
Game of Thrones Daily
Claire Keane
seen from Malaysia
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seen from Tunisia
seen from Mexico
seen from United Kingdom
seen from United States
seen from United States
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@kit-kat-thunks
ويبقى السؤال الذي نسأله لأنفسنا:
من أين كانوا يأتون بالوجوه الجميلة التي رأيناها في البدايات؟وكيف استطاعوا أن يُخفوا خلفها كل ذلك الفتور الذي اكتشفناه لاحقًا؟ كيف بدوا لنا وطنًا آمنًا، ثم تحوّلوا إلى غربةٍ تُوجع القلب؟ كأنّما أحببناه لم يكن إلا صورةً عابرة، وحين سقطت الأقنعة أدركنا أن أكثر ما كسرنا ليس رحيلهم، بل أننا صدّقناهم بكل هذا الصدق…
سؤال منطقي جدااا
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لقياك طب..!
@ghozydes
RHAENICENT in disguise
Vincent Price and Ronald Colman -
Champagne For Caesar (1950)
(via Camille Vivier on Her New Retrospective: “I’m Still Romantic”)
Camille Vivier, Deborah Standing in Freud’s Cabinet, 2023
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Simone de Beauvoir, from Diary of a Philosophy Student: Volume 1, 1926-27
Text ID: I observe how much I have matured since last year despite my belief that I was losing myself, how something strong was born from the painful experiences survived and from the numerous minutes that I believed were wasted.
“When a person is lucky enough to live inside a story, to live inside an imaginary world, the pains of this world disappear. For as long as the story goes on, reality no longer exists.”
— Paul Auster, The Brooklyn Follies
اللهم لا تشقينا بعطاياك ولا تشقينا بولد ولا تعذبنا بمرض, ولا تسلط علينا أحد ونجنا من شر النفاثات في العقد ومن شر حاسد إذا حسد ومن حاقد إذا حقد, واجعل لنا من كل هم فرجًا, ومن كل ضيق مخرجًا, ومن كل داء دواء, ومن كل مرض شفاء, ومن كل بلاء عافية, وارحم اللهم موتانا واشف مرضانا يارب العالمين
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“Until you get comfortable with being alone, you’ll never know if you are choosing someone out of love or loneliness.”
— Mandy Hale
“I couldn’t calm down. Was it possible that Mario should leave me like this, without warning? It seemed to me incredible that all of a sudden he had become uninterested in my life, like a plant watered for years that is abruptly allowed to die of drought. I couldn’t conceive that he had unilaterally decided that he no longer owed me any attention.”
— Elena Ferrante, The Days of Abandonment
Illustration from a 1941 advertisement
Mare of Easttown | 1x05 - "Illusions"
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I'm charmed that BRLESC had a photograph of ENIAC (its predecessor at Aberdeen Proving Ground) hanging on the side of its console. (Also note the drapery beneath the photo, presumably blocking an entrance to the wiring-side of the panel.)
Speculating a bit here, but while I don't think the below image is the exact one in the photo (the perspective's not right, even from a three-quarter view), I think it might be from the same set. It's too low resolution to make out exactly, but there seems to be someone in an dark, ankle-length dress and a second person in the background.
Credit to 50 Years of Army Computing, From ENIAC to MSRC (PDF) for alerting me to this fun fact.
FAVORITE TV SHOWS WITH BLACK ENSEMBLE CASTS: [2/?] → The Proud Family (2001–2005, crea. Bruce W. Smith and Doreen Spicer)
"Trudy!“
