I just missed your heart.
Hanna (2011) dir. Joe Wright
Jules of Nature
Cosmic Funnies
Sade Olutola
i don't do bad sauce passes

Origami Around
$LAYYYTER
Sweet Seals For You, Always

JBB: An Artblog!
Alisa U Zemlji Chuda
noise dept.
2025 on Tumblr: Trends That Defined the Year

YOU ARE THE REASON
AnasAbdin
Peter Solarz

Product Placement
trying on a metaphor
Show & Tell
hello vonnie

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@kierasknightleys
I just missed your heart.
Hanna (2011) dir. Joe Wright

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Pariah (2011)
blade runner 2049: BBBBWWWWWWWWAAAAAAAAAAAAAAAAA
me, sobbing: thank u sci fi man
James McAvoy explains the appeal of doing animated vs live action films.
Thor: Ragnarok (2017)

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Elizabeth Taylor, 1948. Photo by Philippe Halsman
The Virgin Suicides (1999) - dir. Sofia Coppola
What started off being an incredibly strong debut of a female filmmaker ended up being the true emergence of Kirsten Dunst as an actress and sex symbol. The film is, in its own way, perfect. Sure, itâs a little much of what it is, but the care and fastidiousness Coppola brings to the table eventually wins out.
Dunst, on the other hand, is breathtaking from the word go. The rest of the sisters really never stack up (proving to be the filmâs biggest flaw), to the buxom Lux Lisbon. Also. the film has one of the greatest lines in any film ever - and I mean that sincerely - when Josh Hartnett leans over and says, âyouâre a stone fox.â
7.3
Wes Anderson // Filmography
- Isnât blue supposed to be spiritual? - What makes you think Iâm spiritual?
AÂ Single Man (2009), d. Tom Ford
âWhat is she saying?â
âI didnât catch itâŚâ
âWhat is she saying?!â
âShe - she is saying âThank youââŚâ

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We rip out so much of ourselves to be cured of things faster, that we go bankrupt by the age of thirty, and have less to offer each time we start with someone new. But, to make yourself feel nothing, so as not to feel anything⌠What a waste. Call Me By Your Name (2017) dir. Luca Guadagnino
Call Me by Your Name (2017) dir. Luca Guadagnino
under the silver lake (dir. david robert mitchell, 2018)
mining a noir tradition extending from âkiss me deadlyâ and âthe long goodbyeâ to âchinatown'â and ââmulholland driveâ, mitchell uses the topography of los angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love.
Weâre afraid that we will never escape our past. Weâre afraid of what the future will bring. Weâre afraid we wonât be loved, we wonât be liked. And we wonât succeed.
Lady Bird (2017) dir. Greta Gerwig
Lâavventura (Michelangelo Antonioni, 1960)

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Eternal Sunshine of the Spotless Mind (2004) dir. Michel GondryÂ
Armie Hammer for GQ Mexico March 2018 by Nino MuĂąoz