“At the trial of God, we will ask: why did you allow all this?
And the answer will be an echo: why did you allow all this?”
― Ilya Kaminsky, Deaf Republic

titsay
Show & Tell
Aqua Utopia|海の底で記憶を紡ぐ
Misplaced Lens Cap

izzy's playlists!
Mike Driver
macklin celebrini has autism
Not today Justin
todays bird
2025 on Tumblr: Trends That Defined the Year

gracie abrams

Love Begins

@theartofmadeline
noise dept.
YOU ARE THE REASON
🪼

Noah Kahan
"I'm Dorothy Gale from Kansas"
seen from Peru

seen from Peru

seen from United States
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@sissy-spaceout
“At the trial of God, we will ask: why did you allow all this?
And the answer will be an echo: why did you allow all this?”
― Ilya Kaminsky, Deaf Republic

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CONTAGION (2011) | dir. Steven Soderbergh
Portrait of a Lady on Fire (2019) Dir. Céline Sciamma
this soaking tub!
http://instagram.com/theartiststudio
BEANIE FELDSTEIN Booksmart (2019)

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Op is denying us the fucking golden replies to this tweet omg
“In the film, the economic gap between two people becomes clearest in the moments of greatest intimacy. When the Parks first hire Kim Ki-woo (Choi Woo-shik) as an English tutor for their daughter, he is welcomed into her bedroom. As a maid, Ki-woo’s mother, Chung-sook (Jang Hye-jin), is allowed within earshot of the family’s quarrels and gossip. The rich outsource their most basic needs to the poor, who need the income, and the tight connections created by this exchange tend to be self-reinforcing.
[…] There is a Korean phrase that is commonly used to police people who act above their station: niga mwonde? Though the most faithful English translation is “Who do you think you are?” the sentence literally means “What are you?” South Korea is not the only country in which the rich and poor continue to live in close quarters, even as the disparities between them widen. The danger in such a system, Bong’s film suggests, is that one day people may find it easier to discount the humanity of fellow citizens than to address the unfair divisions in their heavily stratified society.”
- ‘Parasite’ and the Curse of Closeness
when you see someone from high school and they don’t recognize you that’s the exact opposite of the mortifying ordeal of being known. the gratifying relief of being forgotten
HARRY POTTER AND THE GOBLET OF FIRE (2005)
Directed by Mike Newell
Cinematography by Roger Pratt
Aspect Ratio: 2.39:1
RASPBERRY ALMOND STREUSEL TART

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Stephen Shore - Room 125, West Bank Motel, Idaho Falls, Idaho, July 18, 1973
Chromogenic color print (43.2 x 55.2 cm)
knife crow is a dad now omg
1946 Evening dress by Mainbocher (United States)
silk (fiber), tulle (meshed textile), beads (pierced objects), seashell
(Chicago History Museum)
Andalucia, españa

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So I wanted to just tell you that. And that…And Merry Christmas.
Dickinson | S01E09 | “Faith is a Fine Invention”