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Thinking about the options given anytime the player is asked about Ralsei's wants and needs, and I just find it so interesting how it's presented.
(This isn't every instance, just the ones that particularly came to mind.)
There's obviously a right and wrong answer here, right?
One of these options always in agreement with Ralsei, letting her make her own choices and express her own opinions, while the other option (selected in yellow) always attempts to strip her of that agency, reinforce her current role, and deny her any change whatsoever.
This specific instance has, surely, been discussed plenty, but the specific gendered "bro" really drives home the player's option to consistently reinforce the status quo and stifle Ralsei's character growth. If Ralsei is to develop agency, she can't rely on the player like this.
But still, she almost always *asks permission* for what she wants, afraid of being responsible for her own decisions, as well as trying not to come across and unpleasant, selfish, or unfitting. And that's why I find Flowery's scene with Ralsei SO important for her development.
Flowery specifically states "don't worry about Kris", and the lack of mentioning Susie in that statement seems very pointedly about the freedom of choice afforded to the player (which often overrides Ralsei's own aspirations).
Especially considering the "Nah bro..." option presented earlier in the same chapter, Flowery's encouragement of femininity and dismissal of the player's choices, I can't read this as anything but intentional and vital to Ralsei's own agency and transfemininity.
Not even inherently in defiance of the prophecy, but in defiance of the player (at least in this instance).
Immediately following this scene, we as the player are, yet again, given the option to disregard Ralsei's wants, but very importantly, we aren't actually allowed to deprive her of those wants! Regardless of your selection, Ralsei will still end up with the blue-and-pink drink!!!
(even if it requires some intervention from Susie, if you attempt to take the blue-and-pink one for yourself)
(sweating nervously) (opening a private browser window) (whipping my head around to make sure nobody is watching) (shakily typing into my search bar) bunnies playing
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Why do characters in stories where there's some time travel or interdimensional situation always go like "that's not funny" when the traveler character is like "where's dad/mom/friend/etc?" and it turns out that the person in question has died in this timeline/universe?
If someone I cared about was acting disoriented and strange, not recognizing stuff, obviously having troubles placing where they are and/or what the date is, and then asked for someone we both loved who died like a year ago or ten years or whatever, my first reaction would not be "they are playing an incredibly crass and tasteless joke of some sort on me"? My first reaction would probably be, oh shit that's a major sign of dementia and some other serious conditions.
The reason the Beatles are the greatest band of all time isn't because they revolutionised music or whatever it's because they wrote a song about Killing People With Hammers
gritting my teeth and repeating my mantra "everyone my age who is going on bi-annual european vacations and own a lot of clothes are in crippling debt"
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
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