keta writes

You are an unreliable narrator because your coping mechanisms for your deep-seated trauma forbid you from acknowledging the reality of the situation. I am an unreliable narrator because I sincerely have no idea what the fuck is going on.

I am so tired of short-attention-span, trim-the-fat culture. All writing advice these days is for how to write like Chuck Palahniuk. "Cut 'think', cut 'feel', cut 'wonder' - only action, only pushing forward, show and move and move and move." What if I could emulate this style, and still don't want to? What if I want to write like Henry James, with three paragraphs of introspective musings between each dialogue line? The music advice is, "make it shortform, make it Tik-Tok compatible, make it punchy, hit the refrain as soon as possible." What if I want that 10-minute prog rock piece? What if I want that symphony? What if I want it slow and luxurious and lazy? Movies. Series. Poetry. Bodies. Everything is "trimmed trimmed trimmed trimmed, stripped bare, you have three seconds to win me over, make it airport chic." I don't want to win you over, then, I guess. I want the fat left it. I want the pleasure and the indolence and the indulgence. Fuck this art-advice that's always "your art needs Ozempic."

I don’t think we ought to normalize or justify bullying as a means to keep people from being annoying — a sentiment that in and of itself could make for a whole article’s worth of conversation — but I do think we should make a habit of politely but directly telling people “hey I didn’t like that”, “that wasn’t funny”, “you are mistaken”, and the like if it’s called for, and more importantly, you should be able to take a “that wasn’t funny” for instance without taking it personally, because protecting a polite harmony where no one can criticize each other, not even politely, is also really, really bad.